The readers who buy magazines are likely to see them, and the psychological barriers are also quIte high because they have to buy magazines as a whole, not buy them lightly. The magazines were more and more clear to ensure that more readers were chosen, and the magazine name was clear enough to make the readers think clearly.
The color of the works was clearly divided by the readership, and It became a genre of comics that readers would like. What adults see, what boys see, and what girls see: adult cartoons and boy comics, and Hello, Schoolgirl is It.
One of the characteristics that can not be missed in Hello, Schoolgirl is the relationship between men and women. Instead of the simplicIty of the adult comics and the simplicIty of the boy comics, the relationship between men and women is faIthfully delicate and handled in Its own way. Hello, Schoolgirl It is the core of Hello and Schoolgirl to deal wIth the love and relationship troubles of the age wIth the sense of emotion that the middle and late teenage girls who are the main consumers of the school feel.
Hello, Schoolgirl has a market that can never be ignored, but It is no exaggeration to say that works wIth former social influence are few.
This is because the main consumer group is limIted to specific genders and specific generations, so the purchasing power is not large.
However, there are many cases of visualizing cartoon works, and some works are successful enough to have no one to know.
In Korea,
Is a Japanese Hello, Schoolgirl original film that was officially released in Korea after a while. It is a bestseller sold more than 2.5 million copies, and It became popular as a representative work of Japan famous Hello and Schoolgirl magazine 'Bets Comey'. As is usually the case wIth these works, Japan has attracted attention wIth the main character of my popular idol Ukisho Hidaka.
It's published wIth the crItic: Searching for 'Cine Manse' will allow you to see more articles.