Why are EXO(EXO) and Seventeen and Zico and Beom-Jun Jang settlements different?

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The Korea Music Ravel Industry Association (hereinafter referred to as M-re-hyup) illuminated the settlement method of the Association of Actualists, which Lee Su-hyun did not know in detail, through the official YouTube channel Yeontuyu TV-entertainment consultation center on the 24th.The video was conducted in a way that Shin Jong-gil, the secretary general, gave a clear answer to the question of vice chairman Yoon Dong-hwan,Ive been working in the industry for about 15 years, but I recently learned about the system of the Association of Activists, Yoon said.There are some cases where the singers are usually listed as the performers and other performers are registered as the performers who are not in the album, said Shin, who asked about the concept of the performers and the performers.The two explained the settlement method of the Singer Association, for example, singer Zico, Beom-Jun Jang, Seventeen, and EXO, which are more easily understood by viewers.For example, even if Mr. Zico or Mr. Beom-Jun Jang worked on more than 90% of the songs, if the performance of the insolvent singer goes into two or three sections, the insolvent speaker and the profit will be divided into 5:5, and if there is no insolvent speaker like the group Seventeen, only the insolvent speaker should register.But if there is only one performer like EXO, the profit should be divided into 5:5. Most of the Lee Su-hyun dont know about the way the system is registered, because its still in the way it was created in the past, he said.In overseas, the distribution of profits between the main and insolvent speakers is about 8:2, but Korea is only 5:5, and I think it was made too easy to calculate. Since the revenue from overseas music is collected only by the Korea Association of Activists, there is a 6% profit difference depending on the distributors, Yoon said. In the past, SM Entertainment and Activists Association had a dispute over overseas music sources in Girls Generation, which is why this is the reason.The performance of a computer is still a blind spot that is not recognized as a demonstration, said Shin. First, the performance association needs a willingness to improve, even if it is difficult.Now that you can register for a singer, a session, or anyone, there are many errors.We need to create a system that can adjust the rate of profits according to the degree of participation, he said, urging the Association of Activists to improve the settlement method.

The Korea Music Ravel Industry Association (hereinafter referred to as M-re-hyup) illuminated the settlement method of the Association of Actualists, which Lee Su-hyun did not know in detail, through the official YouTube channel Yeontuyu TV-entertainment consultation center on the 24th.

The video was conducted in a way that Shin Jong-gil, the secretary general, gave a clear answer to the question of vice chairman Yoon Dong-hwan,

“I’ve been working in the industry for about 15 years, but I recently learned about the system of the Association of Activists,” Yoon said. “There are some cases where the singers are usually listed as the performers and other performers are registered as the performers who are not in the album,” said Shin, who asked about the concept of the performers and the performers.

The two explained the settlement method of the Singer Association, for example, singer Zico, Beom-Jun Jang, Seventeen, and EXO, which are more easily understood by viewers.

“For example, even if Mr. Zico or Mr. Beom-Jun Jang worked on more than 90% of the songs, if the performance of the insolvent singer goes into two or three sections, the insolvent speaker and the profit will be divided into 5:5, and if there is no insolvent speaker like the group Seventeen, only the insolvent speaker should register. But if there is only one performer like EXO, the profit should be divided into 5:5. "

“Most of the Lee Su-hyun don’t know about the way the system is registered, because it’s still in the way it was created in the past,” he said. In overseas, the distribution of profits between the main and insolvent speakers is about 8:2, but Korea is only 5:5, and I think it was made too easy to calculate. "

“Since the revenue from overseas music is collected only by the Korea Association of Activists, there is a 6% profit difference depending on the distributors,” Yoon said. “In the past, SM Entertainment and Activists Association had a dispute over overseas music sources in Girls’ Generation, which is why this is the reason.”

“The performance of a computer is still a blind spot that is not recognized as a demonstration,” said Shin. “First, the performance association needs a willingness to improve, even if it is difficult. Now that you can register for a singer, a session, or anyone, there are many errors. “We need to create a system that can adjust the rate of profits according to the degree of participation,” he said, urging the Association of Activists to improve the settlement method.