Following Interview1)
Actor Park Ji-hwan reveals fanfare for Noh Hee-kyung writer, director Kim Kyu-tae
Park Ji-hwan praised the TVN Saturday Drama Our Blues' (playplayed by Noh Hee-kyung/directed by Kim Kyu-tae) at a cafe in Gangnam-gu, Seoul, as "the mysterious people who do not read" with director Kim Kyu-tae, writer of Noh Hee-kyung who plays and directs the play ...
Park Ji-hwan, who was usually a fan of the Noh Hee-kyung writer, said of the Our Blues' script, "How can I write this? Drama script, in some chapters, prose, Fingerprint, some lines were complete plays. I read like a novel. It was so happy. Literature was twisted toward the script, which can be asserted as a script that is acting only when the first-time author reads it. "If you read it, you have a perfect taste," he said. "Fingerprint is four words and one word is a word, but you have to postpone it as it is. Fingerprint is so perfect that it has to be played (acting) to build up more; if you just spoke with Fingerprint ignored, emotions get urgent. I do not feel the calm feeling that the artist wants. "
The most interesting Episode among Omnibus was Last Episode, "Hyun Chun-hee (God-shim) and Son Eun-ki (Ki-yu) Episode, I could not pass the script. I said, "Stop ringing." I couldn't help myself. I couldn't explain. My hands were shaking. I was sore when I saw the Ending of my turn, but my hands were shaking and tears were just melting the beauty that only the gates could use. I baked a pottery and I saw a beautiful moon jar. "" The artist's script is really crazy. How can you explain that? I can't solve the equation with my awkward knowledge and sensitivity, which is not difficult math. It's a long time. I know what you are focusing on. If you want to know, you will go somewhere else and bring it to the preemption of whether you know the aesthetics of betrayal. I never read it. I feel like I can not get close when I want to catch it. "
Noh Hee-kyung writer dealt with the pregnancy, childbirth and disability of minors through Our Blues'. Asked if the work was "not burdensome in dealing with sensitive issues," Park Ji-hwan said: "I believed in the artist, is he that irresponsible? Is it going to be a topic or a debate? I don’t think so. (On such matters) We’ll talk about it. "Our Blues" is also a work that uses life but also supports such life. It is a difficult life, but there is warmth and clarity even in sensitivity because there is an attitude of cheering. I think it is the power that viewers cry while watching Drama, but nod their heads. "
“When you start to expect (after the show) reactions, it’s turbulent: Actor is a character who just has to join the case, and I have to focus on the story. If there was a ridiculous flow, I would have shared and adjusted opinions, but (the characters in the work) will eventually be cheered and happy. It would have been awkward to think too much and act. There may be smoke that tries not to be insulted and there may be a time to get out of controversy, but it seems to be a wonderful attitude of Actor to hit it. It seems that you do not have to reflect on the character and postpone it. It is more important to think about how to deliver it more effectively. "
As for director Kim Kyu-tae, "It is a style that I have to do, but when I saw my edited scene, I saw that human rights knew exactly the way to go. I saw that he would make a beautiful point where human rights should be reached, and he also knew why he was old with the artist. "I do not read it. It’s a mystery, but the sense of the director is really attractive. And it’s really transparent. He doesn’t know. Ask him about a scene and he says, "I'm going to ask the writer." He's a big deal. He's alert. How cool. When I meet the artist, he asks me to ask everything. "
"I think he is constantly exploring and understanding the power and direction of the script. "I think I have a sense of my own as I explore and understand the script of the old artist." "It seems to be extreme. It does not act concise, simple and complicated. It's simple and everyone knows, and I think, 'How dare you get there?' If you get the chance, I'll try to understand the coach. I tried to think about what I would do for my work and what I would do for it. I feel like a great director when I see that you do not coerce even if you have a (directing) line and attract Actors. I think that the awkward part of human rights has been cleared and made a fine adjustment. I think that you have finished the charm of human rights. "
