All The Butlers' Gyeongbokgung, A New Leaf of sbs History Distortion

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All The Butlers served Gyeongbokgung as a non-person master.This is SBSs A New Leaf, which was hit directly by the history distribution controversy.On May 2, SBS All The Butlers was featured as a special permission from the Cultural Heritage Administration, which was the first Gyeongbokgung of the entertainment industry.On this day, Gyeongbokgung, the first non-person in All The Butlers, appeared.In order to help the master, histories instructor Choi Tae-seong became a cadet, and child actor Kim Kang-hoon transformed into a child who loves the palace Goodbye My Princess.In particular, along with the explanation of Choi Tae-seong, the inside of the gyeongbokgung, such as Gyeonghoeru and the charity, which were not easily seen in the entertainment, was revealed.Among them, Kim Kang-hoon, who introduced himself as Goodbye My Princess suddenly disappears, added storytelling expressing the pain of our history and cultural assets at the time of Korea under Japan rule.Choi Tae-seong said, It is a mission to restore the lost story, and to restore the lost history to our descendants.Especially, the broadcast was detailed from the first Gyeongbokgung whole grand prize to the storytelling recalling the pain of Korea under Japan rule.In addition, the cast was dressed in hanbok or the gymnasium was placed in various places inside the gymnasium to increase the immersion.It does not explain the knowledge of Histories unilaterally, but it is content so that the cast and viewers can participate together to discuss the flow of Histories.Above all, All The Butlers gyeongbokgung is more eye-catching because SBS has been hit by the controversy over the history distribution.The drama Chosun Gummasa, which was first broadcast in March, was caught up in the controversy over the history distribution due to the characters set up based on the actual characters and the Chinese props.At that time, many viewers were strongly opposed to the controversy, and advertisements and sponsors shouted loss and Chosun Gummasa tasted the humiliation of ending in just two times.In addition, the Northeast Fair situation is spreading recently, with Chinese netizens insisting that the culture of Korean hanbok, New Years Day, and kimchi is their own.In addition, John Mark Ramsier, a professor at Harvard Law School, has been distorting victims of Japanese comfort women as voluntary prostitutes through his paper, and the public is becoming more sensitive to domestic histories.The All The Butlers gyeongbokgung, which appeared in this flow, reexamined the pain of the Korean under Japan rule and recounted the stories we should not forget.In addition, through broadcasting, it showed the sense of combining K-contents in various places such as Hanbok, old play, Korean language, and Sura.
All The Butlers served Gyeongbokgung as a non-person master.This is SBSs A New Leaf, which was hit directly by the history distribution controversy.On May 2, SBS All The Butlers was featured as a special permission from the Cultural Heritage Administration, which was the first Gyeongbokgung of the entertainment industry.On this day, Gyeongbokgung, the first non-person in All The Butlers, appeared.In order to help the master, histories instructor Choi Tae-seong became a cadet, and child actor Kim Kang-hoon transformed into a child who loves the palace Goodbye My Princess.In particular, along with the explanation of Choi Tae-seong, the inside of the gyeongbokgung, such as Gyeonghoeru and the charity, which were not easily seen in the entertainment, was revealed.Among them, Kim Kang-hoon, who introduced himself as Goodbye My Princess suddenly disappears, added storytelling expressing the pain of our history and cultural assets at the time of Korea under Japan rule.Choi Tae-seong said, It is a mission to restore the lost story, and to restore the lost history to our descendants.Especially, the broadcast was detailed from the first Gyeongbokgung whole grand prize to the storytelling recalling the pain of Korea under Japan rule.In addition, the cast was dressed in hanbok or the gymnasium was placed in various places inside the gymnasium to increase the immersion.It does not explain the knowledge of Histories unilaterally, but it is content so that the cast and viewers can participate together to discuss the flow of Histories.Above all, All The Butlers gyeongbokgung is more eye-catching because SBS has been hit by the controversy over the history distribution.The drama Chosun Gummasa, which was first broadcast in March, was caught up in the controversy over the history distribution due to the characters set up based on the actual characters and the Chinese props.At that time, many viewers were strongly opposed to the controversy, and advertisements and sponsors shouted loss and Chosun Gummasa tasted the humiliation of ending in just two times.In addition, the Northeast Fair situation is spreading recently, with Chinese netizens insisting that the culture of Korean hanbok, New Years Day, and kimchi is their own.In addition, John Mark Ramsier, a professor at Harvard Law School, has been distorting victims of Japanese comfort women as voluntary prostitutes through his paper, and the public is becoming more sensitive to domestic histories.The All The Butlers gyeongbokgung, which appeared in this flow, reexamined the pain of the Korean under Japan rule and recounted the stories we should not forget.In addition, through broadcasting, it showed the sense of combining K-contents in various places such as Hanbok, old play, Korean language, and Sura.

All The Butlers' served Gyeongbokgung as a non-person master.

This is sbs's A New Leaf, which was hit directly by the history distribution controversy.

On May 2, sbs All The Butlers' was featured as a special permission from the Cultural Heritage Administration, which was the first Gyeongbokgung of the entertainment industry.

On this day, 'Gyeongbokgung', the first non-person in All The Butlers', appeared. In order to help the master, Histories instructor Choi Tae-seong became a cadet, and child actor Kim Kang-hoon transformed into a child who loves the palace Goodbye My Princess'. In particular, along with the explanation of Choi Tae-seong, the inside of the Gyeongbokgung, such as Gyeonghoeru and the charity, which were not easily seen in the entertainment, was revealed.

Among them, Kim Kang-hoon, who introduced himself as Goodbye My Princess' suddenly disappears, added Storytelling expressing the pain of our history and cultural assets at the time of Korea under Japan rule. Choi Tae-seong said, "It is a mission to restore the lost story, and to restore the lost history to our descendants."

Especially, the broadcast was detailed from the first Gyeongbokgung whole grand prize to the Storytelling recalling the pain of Korea under Japan rule. In addition, the cast was dressed in hanbok or the gymnasium was placed in various places inside the gymnasium to increase the immersion. It does not explain the knowledge of Histories unilaterally, but it is content so that the cast and viewers can participate together to discuss the flow of Histories.

Above all, All The Butlers' Gyeongbokgung is more eye-catching because sbs has been hit by the controversy over the history distribution. The drama 'Chosun Gummasa', which was first broadcast in March, was caught up in the controversy over the history distribution due to the characters set up based on the actual characters and the Chinese props. At that time, many viewers were strongly opposed to the controversy, and advertisements and sponsors shouted "loss" and "Chosun Gummasa" tasted the humiliation of ending in just two times.

In addition, the 'Northeast Fair' situation is spreading recently, with Chinese netizens insisting that the culture of Korean hanbok, New Year's Day, and kimchi is their own. In addition, John Mark Ramsier, a professor at Harvard Law School, has been distorting victims of Japanese comfort women as "voluntary prostitutes" through his paper, and the public is becoming more sensitive to domestic Histories.

The All The Butlers' Gyeongbokgung, which appeared in this flow, reexamined the pain of the Korean under Japan rule and recounted the stories we should not forget. In addition, through broadcasting, it showed the sense of combining K-contents in various places such as Hanbok, old play, Korean language, and Sura.