Through the Korea Music Activator Association (hereinafter referred to as the Silyeon), the performer can claim the rights, but since there are so many cases, loopholes are revealed everywhere. If a number of Computer Music performers do not receive recognition for it, they may lose money according to the standards and distribution rate of the main and insolvent performers.
As the performance system was limited to 'real performance', there was a debate about whether the Computer Music should be regarded as a real performance. Composer A, who produces a number of broadcast Music, said, "Most of the work is done through Computer. It should also be seen as a "demonstration" to make Music using the instrument source in the Computer. Moreover, in the present age, many Composers work through midi, and there is no reason why this will not be recognized as a demonstration. "
Since the sound field is not aware of this situation, the Computer Music performer is registered as a bad performer if he reports as a synthesizer. However, it is pointed out that this is only a punch-and-shut procedure that you do not know if you know it. Composer B said, "Although the Korea Music Copyright Association has received copyright fees for composition, it is often not settled in the Music field even though all the instruments are made midi. “I didn’t know about registering as a synthesizer,” he said.
“We held a public hearing on whether the Computer Music was recognized in 2013 because there were many differences in the internal area, and we also investigated overseas cases,” Myeon-Sil-Yun said. “We concluded that the results of the board of directors in June 2020 were recognized after a considerable period of opinion-searching procedures, including a questionnaire on whether the Computer Music is recognized by all members.” However, since the distribution regulations are approved by the Ministry of Culture and Tourism, they are currently under deliberation. When the approval is completed, the midi insolvency will be registered from the second half of next year after the completion of the period.
Some say that it is necessary to distribute equitablely according to the actual weight of playing. It is argued that a more subdivided ratio should be set, not simply a 6 to 4 ratio to the main speaker and the insolvent speaker. In the case of the United States, 9 to 1, 7 to 3, and 6.5 to 3.5 in the UK are applied.
“If there is no clear guideline for the part of sharing the performance cost of the main and non-performing performances by the weight of the song, it is judged that the system that makes the production company to submit a minimum ratio table that can be arbitrarily distributed is good,” Composer A said. “But this system can be used maliciously and the possibility of introducing it is also low because it is a risk because it can be used subjectively.” As an alternative to this, the Composer said, "We propose a method to introduce a system that divides groups in detail, such as 'high weight' and 'low weight', rather than 'one / n' in the insolvent speaker by creating guidelines at least insolvent smoke."
As for the distribution rate, Myeonsilyeon said, “The ratio of state and non-performing performance of the performers’ organizations differs by country. In foreign countries, various ratios are applied, so we can not assert the general ‘standard’. "The current distribution rate of the state and the non-performing performance of the Silyeon is the result of the agreement between the domestic performers and the approval rate of the Ministry of Culture and Tourism," he said.
Some point out that even if the number of the main speakers is higher than that of the insolvent speakers, it will be distributed to 1/n, which will occupy a large portion of the actual fuel rather than the insolvent speakers. For example, if you look at the registration status of EXO's fourth mini-album repackage title song 'Poser', the singer EXO members are the main performers, and boy Matthews and ONESTAR are registered as background vocals. If the actual fuel for this song is 1 million won, 600,000 won for 60% of EXO members, about 67,000 won for each member, and the two registered as background vocals receive the remaining 40% for 1/n each 200,000 won.
The sound scene is also an exceptional case. They say, "It is common for the number of performers to perform the songs. “In the case of songs that usually include strings, the number of bad performers is overwhelmingly high,” he said. In addition, he refuted that "multiple idol groups often combine singing (vocal) and The Chorus, and there are many cases where group members are included in The Chorus to provide practical information."