Everyone has various aspects, but if a certain aspect is highlighted, the aspect will become the 'Image' of the person. The same goes for actors who meet the public with characters in their films, such as Drama and movies. Or maybe more. It is considered as if the character of the character in the work is the actual character of the actor who played him, and the stronger the afterImage, the more the Image tends to become fixed.
Actor Shin Se-kyung, 29, was also trapped in such an Image for some time. In 1998, at the age of nine, he entered the show with the appearance of Seo Taiji 'Take 5' Music Video. He later appeared in the movie 'Little Bride' (2004), Drama 'Land' (2005), 'Seondeok King' (2008), It was trapped in keywords such as 'Boon', 'Joshin' and 'Cheongsun'.
But he has continued his careful and bold variations in the past decade, when he ran without a comma with the start of his 20s. In the process, someone would have been surprised by the transformation of Shin Se-kyung, and someone else who did not see the transformation and challenge of Shin Se-kyung would still remember him as a "female" actor.
"I know that many people see me as a calm Image, but when I was a child, I thought that 'my personality is not.' But now, I think there was a certain aspect of it, for example, when you are with comfortable people, you may be in a quiet way. People are three-dimensional, so it's hard to say, "I am this person," with only one section. I think I am calm."
MBC Drama 'new employee Rookie Historian Goo Hae-ryung (playplay by Kim Ho-soo, director Kang Il-soo) who recently successfully finished was able to meet Shin Se-kyung who answers the world's questions. Drama is the first problematic first lady () Rookie Historian Goo Hae-ryung of Joseon and the annals of the "Phil" full romance of Prince Irim, the anti-war mother Solo. Shin Se-kyung, who plays Rookie Historian Goo Hae-ryung in the Drama, played a lot of time to draw the charm of Soi in the "deep-rooted tree" that he had appeared before, and the "Kwon Ryong-narsha" in the narcissism and another Rookie Historian Goo Hae-ryung.
"This work, it felt different from the historical Drama I had done before, and that was another homework, and it was an interesting point. There were many factors, but once I had a fantasy but interesting imagination that the setting itself was a woman in the Korean under Japan rule and commuted to work in official uniform. I wanted to express that part without any inconvenience, and I wanted to express her inclinations and her sexuality without any inconvenience. I was worried about the character of Rookie Historian Goo Hae-ryung to blend well with the narrative. "
It is clear that it is an open society compared to the past, but it still had to transcend 'uncomfort' in order to convince viewers of enterprising female characters in the environment of conservative Korean Drama. "The words and actions that Rookie Historian Goo Hae-ryung showed were all difficult to recall when he came to that era. Can a woman even do that in the Korean under Japan rule? I also wanted to, but I thought I should be free from that stereotype in order to convince viewers. I was able to express it without any doubt from the middle and the second half of the Drama, but I was worried at first. "
“There are many traits that resemble Rookie Historian Goo Hae-ryung, and of course I’m a socialized person, so I tend to live with a flame. (Laughing) But Friend, Rookie Historian Goo Hae-ryung, is a Friend who cries out to the Korean under Japan rule, which can be much more intense than modern times, so I felt Qatarsis reading the script. For example, why I personally felt that the scene of introducing the eclipse was Qatarsis, in these days, there is no one to say that a woman is speaking up or walking wide, but it can seem strange in that age. I thought it was a strange Qatarsis point for modern people. It's not just about gender. I thought that there would be a pleasant step for such things that there would be a discrimination that would have been more in that era, and there would be discrimination that passed without casual catch in everyday life, without consciousness. When I moved it to the Korea under Japan rule, I think it is interestingly well expressed because it is the part that can be shown most interestingly. " (Continue at Interview2.