Son Ye-jin's Communication Method

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Son Ye-jin has been reading all the books until the sixteenth, and Im going to be a prisoner. Im going to be cursed, but Ill do it.It is about Son Ye-jin, director of Ahn Pan-seok, who directed JTBCs Bob-buying pretty sister.Ahn wrote the expression cultural asset about Son Ye-jin, saying I have a good head and I have a good head.Son Ye-jin is a good-headed, well-acted, communicative master, and so is his way of saying: He has expressed his consideration and appreciation for his opponents in detail.It is not an unconditional compliment. There is no word for clouds. But the expression is soft.The coach didnt close-up. Its high-definition these days, so its a burden to go to Part 16.There are many two shots, One Shin One cut is one rule, and it was amazing and respectable. PDs take close-up, full shot and bust shot in reserve on the set.However, Ahn Pan-Seok PD did not take unnecessary cuts, so there was no overtime work. It is extremely unusual that there was no overtime shooting on the drama.Then he also asked for comment on his opponents role, Jung Hae In (Seo Jun-hee).In a melodrama, melodies are important enough for an opponent to take eight percent of the time. Make the drama immersive and curious.I wanted to talk about love in depth and get help from my partner. Jung Hae In was the first unproven actor to do so.But a scene would have been emotional. It was the way I had imagined it. It was the conclusion I had made after the 16th.Ive never thought about being younger in real-life relationships, but I dont think its bad, and I dont care if Im ten years old and I have depth in my life.Son Ye-jin said that it was good to act Yoon Jin-ah, an ordinary worker, not Yoon Jin-ah, a fantasy in Pretty Sister.Theres nothing special about dating, including cars, theaters, apartment entrances, playgrounds, and so on. Its ridiculous and visual, but even the usual passing space is a great place for them.It is a point that causes a feeling of excitement, and I think it was more sympathetic because it was realistic, not in an unreal space, but in a situation I heard it. In addition to the melodies of Son Ye-jin and Jung Hae In, Pretty Sister also dealt with the social problem of in-house sexual harassment.Yoon Jin-a, who is played by Son Ye-jin, attracted attention in that he is the main character of the MeToo movement in that he is Victims of sexual harassment and workplace dining culture.I dont show MeToo in detail, but there are many things like this, and many times when Victims is having trouble with fighting, and its just been changing. What if Im Jina?It seems to be a transitional period when I think I was in a difficult fight, and I think I was doing it. I was able to deepen my thoughts while Acting Jin-ah, although my beliefs were not firmly caught.Is Jina going to whistle-blower? Jina accused and joined in, but she was confronted with a wall of reality. She was angry.The sticky wommans of same-sex, not reason, were also naturally shown.Son Ye-jin said that when he took a melodrama in the past, such as classic and the eraser in my head, he was trapped in the frame of the character, maximizing emotions in certain gods and shedding tears.Ten years later, I realized that love is not one.The scope of feeling has widened. Love is not the only feeling. I wanted to pursue natural love.Son Ye-jin knows that the moment will end, as he Acts Love, that he loves and ends without knowing that the moment is the end.He made me understand the meaning of the word Hwayang Yeonhwa in life.Its not about we and then cracks happen before that.People say, You cant go to America with Jung Hae In, but Jina ends up in the process of maturing.The questions and conclusions Son Ye-jin obtained from this drama are Is love a moment? I think that love is not just a feeling of reason when married.When you love, you should not regret it. Son Ye-jin asked, What kind of man do you really like? I hope he has a wide heart and a large bowl.
Son Ye-jin has been reading all the books until the sixteenth, and Im going to be a prisoner. Im going to be cursed, but Ill do it.It is about Son Ye-jin, director of Ahn Pan-seok, who directed JTBCs Bob-buying pretty sister.Ahn wrote the expression cultural asset about Son Ye-jin, saying I have a good head and I have a good head.Son Ye-jin is a good-headed, well-acted, communicative master, and so is his way of saying: He has expressed his consideration and appreciation for his opponents in detail.It is not an unconditional compliment. There is no word for clouds. But the expression is soft.The coach didnt close-up. Its high-definition these days, so its a burden to go to Part 16.There are many two shots, One Shin One cut is one rule, and it was amazing and respectable. PDs take close-up, full shot and bust shot in reserve on the set.However, Ahn Pan-Seok PD did not take unnecessary cuts, so there was no overtime work. It is extremely unusual that there was no overtime shooting on the drama.Then he also asked for comment on his opponents role, Jung Hae In (Seo Jun-hee).In a melodrama, melodies are important enough for an opponent to take eight percent of the time. Make the drama immersive and curious.I wanted to talk about love in depth and get help from my partner. Jung Hae In was the first unproven actor to do so.But a scene would have been emotional. It was the way I had imagined it. It was the conclusion I had made after the 16th.Ive never thought about being younger in real-life relationships, but I dont think its bad, and I dont care if Im ten years old and I have depth in my life.Son Ye-jin said that it was good to act Yoon Jin-ah, an ordinary worker, not Yoon Jin-ah, a fantasy in Pretty Sister.Theres nothing special about dating, including cars, theaters, apartment entrances, playgrounds, and so on. Its ridiculous and visual, but even the usual passing space is a great place for them.It is a point that causes a feeling of excitement, and I think it was more sympathetic because it was realistic, not in an unreal space, but in a situation I heard it. In addition to the melodies of Son Ye-jin and Jung Hae In, Pretty Sister also dealt with the social problem of in-house sexual harassment.Yoon Jin-a, who is played by Son Ye-jin, attracted attention in that he is the main character of the MeToo movement in that he is Victims of sexual harassment and workplace dining culture.I dont show MeToo in detail, but there are many things like this, and many times when Victims is having trouble with fighting, and its just been changing. What if Im Jina?It seems to be a transitional period when I think I was in a difficult fight, and I think I was doing it. I was able to deepen my thoughts while Acting Jin-ah, although my beliefs were not firmly caught.Is Jina going to whistle-blower? Jina accused and joined in, but she was confronted with a wall of reality. She was angry.The sticky wommans of same-sex, not reason, were also naturally shown.Son Ye-jin said that when he took a melodrama in the past, such as classic and the eraser in my head, he was trapped in the frame of the character, maximizing emotions in certain gods and shedding tears.Ten years later, I realized that love is not one.The scope of feeling has widened. Love is not the only feeling. I wanted to pursue natural love.Son Ye-jin knows that the moment will end, as he Acts Love, that he loves and ends without knowing that the moment is the end.He made me understand the meaning of the word Hwayang Yeonhwa in life.Its not about we and then cracks happen before that.People say, You cant go to America with Jung Hae In, but Jina ends up in the process of maturing.The questions and conclusions Son Ye-jin obtained from this drama are Is love a moment? I think that love is not just a feeling of reason when married.When you love, you should not regret it. Son Ye-jin asked, What kind of man do you really like? I hope he has a wide heart and a large bowl.
Son Ye-jin has been reading all the books until the sixteenth, and Im going to be a prisoner. Im going to be cursed, but Ill do it.It is about Son Ye-jin, director of Ahn Pan-seok, who directed JTBCs Bob-buying pretty sister.Ahn wrote the expression cultural asset about Son Ye-jin, saying I have a good head and I have a good head.Son Ye-jin is a good-headed, well-acted, communicative master, and so is his way of saying: He has expressed his consideration and appreciation for his opponents in detail.It is not an unconditional compliment. There is no word for clouds. But the expression is soft.The coach didnt close-up. Its high-definition these days, so its a burden to go to Part 16.There are many two shots, One Shin One cut is one rule, and it was amazing and respectable. PDs take close-up, full shot and bust shot in reserve on the set.However, Ahn Pan-Seok PD did not take unnecessary cuts, so there was no overtime work. It is extremely unusual that there was no overtime shooting on the drama.Then he also asked for comment on his opponents role, Jung Hae In (Seo Jun-hee).In a melodrama, melodies are important enough for an opponent to take eight percent of the time. Make the drama immersive and curious.I wanted to talk about love in depth and get help from my partner. Jung Hae In was the first unproven actor to do so.But a scene would have been emotional. It was the way I had imagined it. It was the conclusion I had made after the 16th.Ive never thought about being younger in real-life relationships, but I dont think its bad, and I dont care if Im ten years old and I have depth in my life.Son Ye-jin said that it was good to act Yoon Jin-ah, an ordinary worker, not Yoon Jin-ah, a fantasy in Pretty Sister.Theres nothing special about dating, including cars, theaters, apartment entrances, playgrounds, and so on. Its ridiculous and visual, but even the usual passing space is a great place for them.It is a point that causes a feeling of excitement, and I think it was more sympathetic because it was realistic, not in an unreal space, but in a situation I heard it. In addition to the melodies of Son Ye-jin and Jung Hae In, Pretty Sister also dealt with the social problem of in-house sexual harassment.Yoon Jin-a, who is played by Son Ye-jin, attracted attention in that he is the main character of the MeToo movement in that he is Victims of sexual harassment and workplace dining culture.I dont show MeToo in detail, but there are many things like this, and many times when Victims is having trouble with fighting, and its just been changing. What if Im Jina?It seems to be a transitional period when I think I was in a difficult fight, and I think I was doing it. I was able to deepen my thoughts while Acting Jin-ah, although my beliefs were not firmly caught.Is Jina going to whistle-blower? Jina accused and joined in, but she was confronted with a wall of reality. She was angry.The sticky wommans of same-sex, not reason, were also naturally shown.Son Ye-jin said that when he took a melodrama in the past, such as classic and the eraser in my head, he was trapped in the frame of the character, maximizing emotions in certain gods and shedding tears.Ten years later, I realized that love is not one.The scope of feeling has widened. Love is not the only feeling. I wanted to pursue natural love.Son Ye-jin knows that the moment will end, as he Acts Love, that he loves and ends without knowing that the moment is the end.He made me understand the meaning of the word Hwayang Yeonhwa in life.Its not about we and then cracks happen before that.People say, You cant go to America with Jung Hae In, but Jina ends up in the process of maturing.The questions and conclusions Son Ye-jin obtained from this drama are Is love a moment? I think that love is not just a feeling of reason when married.When you love, you should not regret it. Son Ye-jin asked, What kind of man do you really like? I hope he has a wide heart and a large bowl.

“Son Ye-jin has been reading all the books until the sixteenth, and I’m going to be a ‘prisOner’. I’m going to be cursed, but I’ll do it.”

It is about Son Ye-jin, director of Ahn Pan-seok, who directed JTBC's 'Bob-buying pretty sister'. Ahn wrote the expression "cultural asset" about Son Ye-jin, saying "I have a good head" and "I have a good head".

Son Ye-jin is a good-headed, well-acted, communicative master, and so is his way of saying: He has expressed his consideration and appreciation for his oppOnents in detail. It is not an unconditional compliment. There is no word for clouds. But the expression is soft.

“The coach didn’t Close-Up. It’s high-definition these days, so it’s a burden to go to Part 16. There are many two shots, One Shin One cut is One rule, and it was amazing and respectable. "PDs take Close-Up, full shot and bust shot in reserve on the set. However, Ahn Pan-seok PD did not take unnecessary cuts, so there was no overtime work. It is extremely unusual that there was no overtime shooting on the drama. Then he also asked for comment on his oppOnent's role, Jung Hae In (Seo Jun-hee).

“In a melodrama, melodies are important enough for an oppOnent to take eight percent of the time. Make the drama immersive and curious. I wanted to talk about love in depth and get help from my partner. Jung Hae In was the first unproven Actor to do so. But a scene would have been emotional. It was the way I had imagined it. It was the conclusion I had made after the 16th. I’ve never thought about being younger in real-life relationships, but I don’t think it’s bad, and I don’t care if I’m ten years old and I have depth in my life.”

Son Ye-jin said that it was good to act Yoon Jin-ah, an ordinary worker, not Yoon Jin-ah, a fantasy in 'Pretty Sister'.

“There’s nothing special about dating, including cars, theaters, apartment entrances, playgrounds, and so on. It’s ridiculous and visual, but even the usual passing space is a great place for them. It is a point that causes a feeling of excitement, and I think it was more sympathetic because it was realistic, not in an unreal space, but in a situation I heard it. "

In addition to the melodies of Son Ye-jin and Jung Hae In, Pretty Sister also dealt with the social problem of in-house sexual harassment. Yoon Jin-a, who is played by Son Ye-jin, attracted attention in that he is the main character of the MeToo movement in that he is Victims of sexual harassment and workplace dining culture.

“I don’t show MeToo in detail, but there are many things like this, and many times when Victims is having trouble with fighting, and it’s just been changing. What if I’m Jina? It seems to be a transitional period when I think I was in a difficult fight, and I think I was doing it. I was able to deepen my thoughts while Acting Jin-ah, although my beliefs were not firmly caught. Is Jina going to whistle-blower? Jina accused and joined in, but she was confronted with a wall of reality. She was angry. The sticky wommans of same-sex, not reason, were also naturally shown.”

Son Ye-jin said that when he took a melodrama in the past, such as "classic" and "the eraser in my head," he was trapped in the frame of the character, maximizing emotions in certain gods and shedding tears. Ten years later, I realized that love is not One.

“The scope of feeling has widened. Love is not the only feeling. I wanted to pursue natural love.”

Son Ye-jin knows that the moment will end, as he Acts Love, that he loves and ends without knowing that the moment is the end. He made me understand the meaning of the word "Hwayang Yeonhwa" in life.

“It’s not about ‘we’ and then cracks happen before that. People say, ‘You can’t go to America with Jung Hae In,’ but Jina ends up in the process of maturing.’

The questions and conclusions Son Ye-jin obtained from this drama are "Is love a moment? I think that love is not just a feeling of reason when married. When you love, you should not regret it. "Son Ye-jin asked," What kind of man do you really like? " I hope he has a wide heart and a large bowl.”