'Twenty five Twinty one' Nam Joo-hyuk expresses his anger toward Kim Tae-ri with 'Woman with a Parasol, facing left turning', which is a mixture of jealousy and embarrassment.
In the last TVN Saturday drama 'Twenty Five Twenty One' (played by Kwon Do-eun/directed by Jung Ji-hyun, Kim Seung-ho/produced by Hwa-An-Dam Pictures), Na Hee-do (Kim Tae-ri) said, "I hate her time more than my time. I want to make you have a wonderful experience. " Later, Na Hee-do and Lee Jin watched the Bosingak bell together in 2000 ahead of the millennium, and said, "The sun changed and the century changed. I wanted to change something too, "and Na Hee-do's narration predicted a change in the future with the first love kiss ending that Na Hee-do kissed Lee Jin.
In this regard, Nam Joo-hyuk is attracting Eye-catching as he is caught in a moment against the expression of 'drama and drama' that explodes a strange jealousy to Kim Tae-ri, who smiles brightly at another man. In the play, Lee Jin is watching the conversation with a fencing male senior. Na Hee-do laughs as if the conversation with her seniors is pleasant, and Lee Jin, who is jealous, squeezes his lips with his child Woman with a Parasol, facing left rod. While the appearance of a fencing man who transformed the world's back Lee Jin into an incarnation of jealousy is gathering the Sight, he is raising questions about what the conversation between the fencing man and Na Hee-do will be.
On the other hand, in the filming on this day, Nam Joo-hyuk carefully examined the scene with the director and took out the details of the back Jin's feelings. Kim Tae-ri, who appeared on the scene with a nice greeting, led a cheerful atmosphere, such as setting up the ambassador for the fencing male senior in the play where the scene could be awkward, and explaining the situation in detail. In particular, when Nam Joo-hyuk was alone and devoted to the practice of erupting emotions using Woman with a Parasol, facing left, Kim Tae-ri laughed and laughed, "Look at Lee Jin!" Since then, Nam Joo-hyuk has shown the peak ad-libret of the over-indulgence state that turns the Woman with a Parasol, facing left rod as the jealousy increases, and Kim Tae-ri and all of the scene have been robbing and raising expectations for this broadcast.