In India, the “Salvation of the Cow”, the state religion of India, Hinduism, has the doctrine that many gods live in the body of the Cow, so that even the urine of the Cow is considered a blessing. But the Domestic water buffalo is different. The Domestic water buffalo, which the death god Yama rides, is not sacred. Blow-Up of the Indians is darkly exposed in front of this Dominican water buffalo meat, which is allowed to be eaten.
The movie 'Jalkattu', which opens on the 5th, is a story of village men chasing a Dominic water buffalo released from a butcher in a mountain village in southern India. This film clearly shows that the joy of Bollywood is not the whole of India movies, satirizing the South Indian community, which is tinged with corruption and Greed.
Domestic water buffalo meat is a kind of luxury that everyone wants because of the finest ingredients that fill the boats of villagers. It is used as a bribe for senior clergy, as a top-notch dish for wedding receptions, as a gift to God, as a gift for courtship. Butcher owner Barkie (Ban Vinod José) even serves as the head of the community.
The obsession with the Domestic water buffalo that villagers show is close to madness. All villagers join forces to extinguish the fire after a hay Dummy burning incident that will feed the town Domestic water buffalo. The decline in hay Dummy is due to Yi Gi, which means that there is no food to fatten Domestic water buffalo. Taking advantage of this fire incident, the Dominic water buffalo escapes from the cage and the town becomes a mess. And a village woman who is about to marry unwanted as she escapes from the cage.
Domestic water buffalo catch is power soon: all the town men and the next town man want to catch the cow and get a reputation. Men with snowballs in the Domestic water buffalo are excited to drink as if they were at a festival, and they are shouting like a group of beats. The villagers shout, "If you write down the debt, you will catch the cow," over the Domestic water buffer that broke the buildings of the village and broke into the bank.
The narrative flows around two figures, Antony Varghez and Kutachan (Sabumon Abdusimad), who want to win that power. Antony, who works in the butcher, wants to catch the Domestic water buffalo and get Sophie's heart, the sister of the butcher Barkey and the envy of the village men. Blow-Up for Domestic water buffalo meat does not distinguish between men and women. Sophie, who strongly rejected this, changes her attitude to bring a rib of the Dominic water buffer when Antony says he will catch the Dominic water buffer.
Kutachan is a gunman who returned to the village for revenge and restoration of honor. He has a history of being kicked out of town after being framed by Antony for stealing a white-flavored tree from Sophie's ex-girlfriend and church, who worked at the butcher.
The Dominic water buffalo, which drives chaos as if it were the god of death and justice, is getting fainter and replacing the place is the Greed and disorder of humans. God, directed by a crowd chasing an ever-growing Domestic water buffalo, overwhelms the audience.
“There are two characters in this film,” said director Rizzo Jose Felly. “The movie starts with a comfortable, stable rhythm in the picturesque villagescape, but soon a series of events breaks out, unleashing human violence buffered by dynamic energy on the screen,” he said. “The movie is a huge crowd that eventually becomes a huge bust.” “Jalikatu is everything that should not be in this world. It is a satirical story, a brutal thriller internally, a story about humans who throw off human masks and reveal the best hidden under them. "
The title of the movie, Jalkattu, is a game held in India where a lot of long-range people rush into the playground and catch the bull's horns and back bumps. It is held annually in Tamil Nadu during the January Thanksgiving Festival Pongal. In India, the Supreme Court suspended it in 2014 for animal cruelty reasons, but it was also allowed again in 2017 after violent protests. The film vividly revived the South India culture based on S. Harish's short story Maoist, directed by Felly Serri, a native of Kerala in southern India.
According to the integrated network of the Film Promotion Committee, the number one advance rate is 30.8% (2032 people) among independent art films as of 7 pm on the 4th. It was first unveiled at the Toronto International Film Festival in 2019 and first introduced in Korea through the Busan International Film Festival 'Asian Film Window' section. He also has Yi Gi, an entry for the Academy Award for Best International Feature Film last year.