'The King' 'The Couple', Sex discrimination ambassador to the controversy over the 'gender sensitivity' Cutting board

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Kim Eun-sooks Guardian: The Lonely and Great God and Mr. Sunshine, who do not know failure in the Lamar Jackson world, are works that can discuss the change and evolution of a writer.The fantasy melodrama, SBS Jackson The King: The Lord of Eternity, which Kim is writing now, has only been broadcast twice, so it is still impossible to define the overall character and meaning of the work.The King: The Lord of Eternity is a Lamar Jackson who draws a different level of romance through the collaboration of Lee Min-ho, the Emperor of Korean Empire, who is trying to close the door () against the devil, and Kim Go-eun, a detective of South Korea who wants to protect someones life and love. ...When the broadcast goes out, the reaction of new and the reaction of strange are mixed.Although it said it brought parallel worlds to new material, it does not seem to be high quality yet, and it is expected that it will be obvious.The male and female protagonist has already performed melodrama in the previous work of Kim Eun-sook.Lee Min-ho played the main character in heirs and Kim Go-eun in Guardian: The Lonely and Great God, respectively, and even though the character was different from that time, I feel a strong sense of deja vu.Especially, the ambassador of Kim Eun-sook writer, such as a pun, including a tingling ambassador, is still overblown, which makes differentiation dull.In the very easy Lamar Jackson, like Lovers in Paris, puns can be new and resilient, but the paws of puns that appear when you are not able to understand Lamar Jackson are annoying and tired.There is another thing to take care of. Adulthood is sensitivity. This shows that there is an old-fashioned sensibility.From the scene of Emperor Lee Min-ho hugging South Koreas police officer Jung Tae-eul (Kim Go-eun), who is a cosplayer of the emperor who speaks in a flat manner, he came to feel completely different from charm and curiosity.This was no more than a lack of gender sensitivity.In addition, Koo Seo-ryeong (Jung Eun-chae), the first and youngest female prime minister of Korean Empire, takes close pictures with Lee Gon to make Lee Gon and Scandal.Jung Eun-chae, who has been Scandal since the beginning, wears a red see-through dress and goes up to the search party and says to the staff, The bra without wire can not support the chest.Is this the ambitious female prime minister character Kim is trying to paint?It is also an obvious Sex discrimination ambassador to see Lee Min-ho in a sleeveless and adjusted game, saying that two women in the play say, You should also wear less men and move a lot.The writer seems to use this line without thinking.JTBCs Lamar Jackson World, which was successful in the early days of the talk, also has a few lines and episodes that lack gender sensitivity.In the last eight times, a 20-year-old woman working at a restaurant suggested to a married man, Son Jae-hyuk (Kim Yung-min), I will give you a lover if you buy a bag, and the scene where Son Jae-hyuk is in the hotel with this woman caused controversy.Of course, it is a setting to highlight that Park Sun-youngs husband, Kim Yung-min, is a playboy, but it should not be this way.It was also uncomfortable to see a violent man, Park In-gyu (Lee Hak-joo), who was bought by his ex-husband Lee Tae-oh (Park Hae-joon), breaking through the window with a steel pipe and assaulting Kim Hee-ae roughly at the house of Ji Seon-woo.It was a shooting technique that seemed to play VR games (virtual reality), maximizing the sense of reality and fear.If you are limited to the unconventional nature of the development of Lamar Jackson to take more gender sensitivity, then you are only an old-fashioned writer to think that the imagination of the producer is violated.If you do not implement this part quickly, it will not be much different from leaving a bad message and insisting on freedom of expression.

Kim Eun-sook’s Guardian: The Lonely and Great God and Mr. Sunshine, who do not know failure in the Lamar Jackson World, are works that can discuss the change and evolution of a writer. The fantasy melodrama, SBS Jackson The King: The Lord of Eternity, which Kim is writing now, has only been broadcast twice, so it is still impossible to define the overall character and meaning of the work.

The King: The Lord of Eternity is a Lamar Jackson who draws a different level of romance through the collaboration of Lee Min-ho, the Emperor of Korean Empire, who is trying to close the door () against the devil, and Kim Go-eun, a detective of South Korea who wants to protect someone's life and love. ... When the broadcast goes out, the reaction of "new" and the reaction of "strange" are mixed.

Although it said it brought parallel Worlds to new material, it does not seem to be high quality yet, and it is expected that it will be obvious. The male and female protagonist has already performed melodrama in the previous work of Kim Eun-sook. Lee Min-ho played the main character in 'heirs' and Kim Go-eun in 'Guardian: The Lonely and Great God', respectively, and even though the character was different from that time, I feel a strong sense of deja vu.

Especially, the ambassador of Kim Eun-sook writer, such as a pun, including a tingling ambassador, is still overblown, which makes differentiation dull. In the very easy Lamar Jackson, like “Lovers in Paris,” puns can be new and resilient, but the paws of puns that appear when you are not able to understand Lamar Jackson are annoying and tired.

There is another thing to take care of. Adulthood is sensitivity. This shows that there is an old-fashioned sensibility.

From the scene of Emperor Lee Min-ho hugging South Korea's police officer Jung Tae-eul (Kim Go-eun), who is a cosplayer of the emperor who speaks in a flat manner, he came to feel completely different from charm and curiosity. This was no more than a lack of gender sensitivity.

In addition, Koo Seo-ryeong (Jung Eun-chae), the first and youngest female prime minister of Korean Empire, takes close pictures with Lee Gon to make Lee Gon and Scandal. Jung Eun-chae, who has been Scandal since the beginning, wears a red see-through dress and goes up to the search party and says to the staff, "The bra without wire can not support the chest." Is this the ambitious female prime minister character Kim is trying to paint?

It is also an obvious Sex discrimination ambassador to see Lee Min-ho in a sleeveless and adjusted game, saying that two women in the play say, "You should also wear less men and move a lot." The writer seems to use this line without thinking.

JTBC’s Lamar Jackson World, which was successful in the early days of the talk, also has a few lines and episodes that lack gender sensitivity. In the last eight times, a 20-year-old woman working at a restaurant suggested to a married man, Son Jae-hyuk (Kim Yung-min), "I will give you a lover if you buy a bag," and the scene where Son Jae-hyuk is in the hotel with this woman caused controversy.

Of course, it is a setting to highlight that Park Sun-young's husband, Kim Yung-min, is a playboy, but it should not be this way.

It was also uncomfortable to see a violent man, Park In-gyu (Lee Hak-joo), who was bought by his ex-husband Lee Tae-oh (Park Hae-joon), breaking through the window with a steel pipe and assaulting Kim Hee-ae roughly at the house of Ji Seon-woo. It was a shooting technique that seemed to play VR games (virtual reality), maximizing the sense of reality and fear.

If you are limited to the unconventional nature of the development of Lamar Jackson to take more gender sensitivity, then you are only an old-fashioned writer to think that the imagination of the producer is violated. If you do not implement this part quickly, it will not be much different from leaving a bad message and insisting on freedom of expression.