Looking back on 2018 with Music. Idol pop has been a hit song (icorn 'I Love') that has been a generation for a long Time, and K-pop's overseas performance, led by BTS, was more prominent than ever. Some singers such as Jang Duk-chul and Nilo have raised a lot of questions about the effectiveness of the real Time chart.
It is also noteworthy that there were many good works of the female The Artist regardless of solo, group, and career and genre. It will organize the Korean Music market in 2018 and introduce 10 albums and 10 songs that have shined this year.
This year we witnessed a phenomenon that had not happened before: Jang Deok-cheol, Nilo, and Sean. A singer with a relatively unfamiliar name to the public followed the line to the top of the SilTime Music charts. It was not a special occasion for their songs to gain fame, either, but one day they appeared suddenly and climbed to the top of the list, and they took first place as if they were looking at it.
Above all, Idol, which has a large fandom, suddenly climbed to the top of the dawn Time, which is dominated by the dawn Time. It was definitely different from the previous "reverse driving myth" and there was a flood of criticism that it was a Music hoarding and chart manipulation.
The singers' positions were different, explaining that they simply used a little "know-how" and were purely the result of the public's choice. Here, 'know-how' means viral marketing on social media such as Facebook, which means that an organized PR strategy targeting the generation of smartphones has worked.
This year, the activities of the women's The Artists were special. Sunmi consolidated her position as a "dancing queen" with "The Leading Man" and "Siren" following "Gashina" last year, and Cheongha and Heize proved to be next-generation runners of dance pop, hip-hop and R & B, respectively. Twice and BLACKPINK, Red Velvet to Mama Moo, girlfriend, Apink, AOA, and new Aizone have also been hit by teams with different characteristics. IU, who celebrated his 10th anniversary with a red puberty and debut, also breathed with the public with his own color.
There were not many well-made records this year.
In the field of Kpop, BTS (<Love Yourself 'Tear'>) and BoA (< WOMAN>) were prominent, and Sumin, who was known as a composer and producer in the main stream, showed originality with the first album
Some songs have attracted repeated playback with extraordinary charm. Uhm Jung-hwa, who released the album at the end of last year, declared his success with the 'Ending Credit' of sad melodies and retro sound, and Sunmi emerged as a new icon through his own song Siren'. Heize's 'Jenga' with jazz touch, 'Honey, Don't Kill My Vibe' of Yeseo, which was excellent in the sensory work of electronic sound, and 'Romance' of Kim Sa-wol, who added room to his constant personality, also excelled. The 'Nam' of Seonwoo Jeonga, who recorded his own sound and song with his brutally cold breakup moment, was also excellent.
As a dance song for the Idol group, BLACKPINK's "Tudududududou" was overwhelming; elaborate productions, addictive phrases, and members' singing and rap were in compliance. JYP's band, Day Six, was a "happy day" armed with a new wave sound and a melody that wound in the ear. Chang Kiha and his faces, who announced that they would dissolve after the fifth album <mono>, told the fun of retro sound. Lee Dan-a Mommyson's "Boy Jump" shouted "Korea Hip Hop Break" and became the biggest problem of Korean hip-hop this year with a character that I have never seen before.
This year's album (nine, in order of Kanada) I've picked at my disposal
gangasol
This year's song (10 songs, Kanada order) Kim Sa-wol 'Romance' Day Six 'Happy days' Mommyson 'Boy Jump' (feat. Emissions) BLACKPINK 'Tudududou' Sunmi Siren' Seonwoo Jeonga 'Nam' Uhm Jung-hwa 'Ending Credit' Examples 'Honey, Don't Kill My Vibe' Chang Kiha and Faces 'That's Your Thought' Heize 'Jenga' (featat). ... Gako)
Albums, songs and controversial things that have shone this year