Many viewers complained when the early Jin-ah (Son Ye-jin) of JTBC's "Bob-Savoury Sister" and Jun-hee (Jeong Hae-in)'s "Pumpy" and "Al-Kong-dal-kong" love god ended too soon. One of the biggest complaints of viewers, especially, was the frustration of the character Jin-ah.
"In fact, I'm not quite sure what the character Jin-a is like, as the person (laughing) Son Ye-jin is not yet familiar with Son Ye-jin. Jina seems to be a good Savoie person, and Jina was the One who did not want to hurt anyOne even though Jina's Choices may have hurt someOne. Jina doesn’t talk candidly, though she would have been more comfortable to be hOnest. The characters we’ve seen grow rapidly through pain. That’s what we want to see, but I’m not sure if One person actually grows so big, living and loving. I thought it was human to repeat the same mistake. Jina is a person who has been growing for 16 parts. Maybe she came back from Jeju Island and became harder?
"I think (the director and the writer) wanted to talk about love ending without clearly recognizing the end of love; usually the works show more clearly. This is why it hurts, it hurts, and it finally breaks up. It is so concrete that Junhee and Jina are over without knowing when to end. When we love and break up, the day we said 'Let's break up' isn't the day we broke up soon - the cracks are starting, and this Drama showed it well. I did not fall in love with the other person, but it felt very sick and realistic to end up doing different Choices. "
"Jinah is real... so sad."
- The reason for 'unrealistic' was controversial because Jin-ah was kneeling. "It is said that it is true to kneel down to allow love in front of parents. One of your acquaintances is a woman in her mid-thirties who said she was crying when she tried to speak out in front of her parents while she was dating against the opposition of the family. I thought it would be a good story. Jina could not shed tears. "
- Eventually, many viewers expressed regret at the end of the resignation. "Yes. The reality is so. I was so sad to hear that story. Legally, it takes years for the workplace and Victims to fight, and in the meantime Victims often collapses. The director said, "Jinah lasted for this time." It is hard to tell how painful the moment Jina went to resign was."
- There is a change in Son Ye-jin as he Acts the character Yoon Jin-ah. "The visibility has become wider. The character in the Drama throws the ambassador, but I want to let the viewers know that there are various situations, not just the ambassador, and I want to express it as an actor. But Jina had many points that she could not express, and there were situations where she could not talk about it, and she seemed to have had a new experience when she met Jina. "
- Son Ye-jin seems to be having similar troubles with Jin-ah when he looks at Jin-ah. What do you think when Son Ye-jin looks at Jin-ah? "I'm 'a lot of Savoie' hOnest, so even if your oppOnent is hurt, I'm hOnest. HOnestness may be selfish, but it can be an advantage. On the other hand, Jina is a swallower, so it is not until 16 times that Junhee tells his story, 'Do you know how I lived?' There were moments when that was salty and in some ways I wanted to 'do these Choices too.'
- Son Ye-jin said that he was hOnest, and Jin-a said he swallowed. But did Jin-ah take the hand of Jun-hee under the table first? "The scene was an improvisational ad-lib: Savoie is rare when a director gives specific instructions on the spot; the action line is tailored naturally according to the circumstances. I didn't think of it at home, and when I came to the scene, I grabbed my hand and drank bottled beer. I don't think I'd actually be able to "Oh! "What if the other person shakes it off."
"Acting is risking his life."
- Director Ahn Pan-seok once compared Son Ye-jin's Acting to Muhammad Ali, saying that the scene coming to the filming scene to act is like a boxer on the ring. " (laughing) actors will have different ways of mind control, each One of them might say, 'Where is that?' but I sometimes want to say, 'Am I too spooky?' It’s funny and amazing when you talk about it. When I take an important god, I wash my hands in the bathroom and think about it. I feel what it will be like to disinfect my hands before the surgeons do the surgery, and when I wash my hands and go to the scene soon, I have to 'take' the god. No One helps me on the spot. I have to fight alOne, thoroughly and alOne. I was always surprised that the coach had said it. When I'm on Acting, I feel like I'm risking my life in a way, this is all I really am, so I try hard, it happens: 'Let's work hard! 'It's not, it's making you work hard.'
- The first criterion for Choicesing scenario is also new? "Yes. I did not try. Even if it is the same genre, I want to continue to do stories that I have not dOne, characters that I have not dealt with. "
- Son Ye-jin has a equation called "Meloquin." What do you think of it? "I think I've dOne melodies for a long time. The orthodox meloDrama, which was the first time since the Eraser in My Head, had been more than a decade and had recently been the meloDrama of Shark, but Shark was a Drama that showed more different things (than Melo). I felt like I had taken a meloDrama for a long time, and then I did this Drama. Later, I would like to shoot movies like "The Bridge of Madison County" and "Hwa Yang Yeonhwa."
"Acting risked his life... and no One's helping me."