Netflix's Mask Girl is not a love story of a beautiful man and woman, but rather of people who wanted to be loved but weren't.
As a result, <Mask Girl> shows a lot more love and blow-ups than the love of men and women drawn in common romance.
If you think about it, isn't love originally a broad spectrum? Love from fans, love between parents and children, boundaries between friendship and love, unrequited love for unreachable objects, narcissism that loves me, and so on.
In fact, there is a part that is a sentimental adaptation of the bizarre and twisted characters of the original webtoon.
Even otaku, Ahn Jae-hong, who lives in the Mask of Office workers who have no presence, knows the real face of kim mo-mi in Netflix <Mask Girl>, but is portrayed as feeling more homogeneous and loving her.
In this way, <Mask Girl> relieves the bizarre black comedy of the original webtoon, but rather solves the story of love and blow-up.
<Mask Girl> shows the contrast of love and Blow-Up through kim mo-mi (Lee Han-byeol, Nana, Go Hyun-jung) and the Remady of those who passed her.
It's not woven together, but sometimes the characters' Remady is unconvincing, but there are definitely some impressive moments.
As a child, kim mo-mi was a girl who liked to dance on the stage. She loved to dance in modern tone like the song lyrics of .
However, under the beautiful but rational and ethical mother Shin Young-hee (Mun-suk), kim mo-mi is always shrinking, and unlike her mother, she grows up as a normal Lookism and becomes a joke of friends.
As an adult, kim mo-mi lives a stubborn work life and buys Augmented reality. Instead, at night, she becomes a Mask Girl and plays a brilliant BJ who collects viewers with beautiful body and temptation.
However, Office workers kim mo-mi is just having a crush on Park Ki-hoon (Choi Daniel), a married man's boss.
This world, which has been like a parallel universe, becomes complicated when kim mo-mi witnesses the affair of her boss. "Drunkly she makes a nude broadcast over the line and then she is suspended.
There is a viewer who wants to reveal the reality of Mask Girl's Mask and Zuo Nam who knows the reality of Mask Girl.
kim mo-mi kills these two men and becomes a beautiful face Mask Girl, but she can not reveal her identity and becomes a fugitive.
However, <Mask Girl> goes on to the story of Choi Ji Hee (Yum Hye-ran), whose life purpose has changed since the death of her son Joo-nam, who raised her only son without a husband.
Although he is not a nice guy like his friend son, he does not like it because he is an old bachelor who manages to work in an otaku. "But when his son dies, Choi Ji Hee's love for his son explodes infinitely.
Choi Ji Hee's feelings turn into an obsession with Mask Girl kim mo-mi.
Choi Ji Hee wanders the world like a goddess of hell, frustrated to find the missing kim mo-mi, which is sometimes comical, sometimes eerie, and sometimes heartbreaking.
In addition, Hye-ran, who plays Choi Ji Hee in <Mask Girl>, takes the peak of acting in <Mask Girl>.
For a few years, Hye-ran has played a lot of unfortunate but loving and lovely women in KBS , tvN and Netflix .
However, in <Mask Girl>, the drama continues to change the narrator every time, and it stirs up the drama like the main character until the end. It is not unreasonable to say that Yeom Hye-ran should receive the best actress award at the year-end awards ceremony.
Is not a high-quality drama, but there are a lot of scenes that reveal the sentimental love and Blow-Up that are not commonly shown in Korean dramas.
Choi Ji Hee of Hye Hyeon captures viewers by eating all these scenes like ghosts.
Of course, Nana, who showed kim mo-mi's post-molding appearance, also showed her presence by showing a different picture with her friend Kim Chun-ae (Han Jae-yi) and overwhelming girl crush in prison.
However, Go Hyun-jung's kim mo-mi, which appeared in the latter half, is small compared to them. The drama itself has a sense of flowing a little bit to finish.
In addition, Go Hyun-jung is an actor who shows the delicate yet static emotional performance of everyday life in the margins. It does not seem to fit well with the mood of the latter half of <Mask Girl>.
Rather, the meal scenes and birthday celebration scenes shown by Choi Ji Hee (Yum Hye-ran) and Kim Mi-mo (Shin Ye-seo) are more memorable. It is regrettable that kim mo-mi in the latter half was an actor who could show a little more dynamic and eerie power.
columnist pak saeng-gang