Not as a mother, but as a lawyer and a killer... 50-something Actress, whatever works

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Kim Hee-ae (56), Uhm Jung-hwa (54), Jeon Do-yeon (50), and Kim Seo-hyung (50) are the main characters of content that has recently stood out in terrestrial, cable channels, comprehensive programming channels, and online video service (OTT) platforms.On the other hand, there has been an increase in the number of ⁇ Women Remady ⁇ , but that is not enough.Just a few years ago, actresses of the age of entering the mother of the heroine are becoming a title roll. It is a meaningful change.It was the golden age of K-Content.In an interview with JTBC Drama ⁇ ilta Scandal, Jeon Do-yeon recently asked the driving force behind the romance of ⁇ 50 Actress ⁇ Why not? I can do it in 10 years. ⁇ When I think about it, after his debut in 1990, he acted a deep romance in his 20s (connection), 30s (you are my destiny), and 40s (male and female).Kim Hee-ae, who showed a subjective image of women in the so-called ⁇ ⁇ ⁇ ⁇ ⁇ trilogy trilogy ⁇ ⁇ ⁇ ⁇ leading to the world of ⁇ ⁇ ⁇ ⁇ ⁇ ⁇ ⁇ ⁇ It is rather nonsense that such Acting actors are suddenly pushed to the mother of ⁇ ⁇ ⁇ because they are in their 50s.The breakup of this practice is related to the development of the media industry. Until the 1980s, when the three terrestrial broadcasters were at the center, the number of actors to choose was insufficient.It was a kind of virtuous cycle for the seniors to give their young juniors the lead role and play their parents. In the case of Actress, the cycle was faster.However, with the advent of cable channels in the 2000s, general programming channels in the 2010s, and OTT platforms in the 2020s, the range of choices has widened. Stories have become more colorful and more actors are needed.Most of the 50 actresses who played the main characters of various works started their activities in the 1990s when they were in their 20s.With the rapid growth of Chungmuro, TV-focused TV makers have moved to screens, and now they are exploring various cable and cable channels and OTT markets.Instead of promoting popular but less skilled idol actors, there is an atmosphere to improve the completeness of the content with actors with mature acting skills.Womens Remedy. ⁇ Women Remady ⁇ is not a sufficient condition for content success. It is difficult to change the gender of the occupation group in the drama from male to female. ⁇ Why should it be women?Netflix ⁇ Queen Maker ⁇ is a process of struggling to make human rights lawyer Oh Kyung-sook (Moon So-ri), who is called the rhinoceros of justice, as the mayor of Seoul.It is quite interesting to watch the topography of women who have faith in the election, which is usually referred to as the exclusive property of men, and women who are wise.The candidates from the three-member National Assembly who are opposed to them and the chaebol president who wants to shake this edition are also arranged as Women, and the ⁇ Women vs Women ⁇ composition is interesting.Uhm Jung-hwa starring JTBC ⁇ Doctor Cha Jung-sook is a story of a woman who has lived as a housewife for 20 years after graduating from medical school and returned to her first year of family medicine residency.Dramas ratings, which humorously solved the agony of career-interrupted women, jumped from 4.9% to 11.2% (four episodes). This means that it succeeded in gaining sympathy from viewers.Jeon Do-yeon, who was a side dish shop owner in ⁇ ilta Scandal ⁇ , was even a class A killer in Netflix ⁇ Kill Boksoon ⁇ .In addition, Kim Sun-ah (50) of Channel A Drama ⁇ The Queen of Masks ⁇ , which was first broadcast on the 24th, Ko Hyun-jung (52) of Netflix ⁇ Mask Girl ⁇ and Lee Young-ae (52) of tvN ⁇ Maestra ⁇ Take over the baton of ⁇ 50 jockeys ⁇ .Each of them takes on a variety of occupations such as lawyers, Internet BJs, and conductors to broaden the story.Director Oh Jin-suk, who directed the queen maker, said that it is new that strong women clash and collide head-on against the power world traditionally dominated by men, and the process of colliding and solidarity with women of a totally different character is becoming a point of observation. He said.
Kim Hee-ae (56), Uhm Jung-hwa (54), Jeon Do-yeon (50), and Kim Seo-hyung (50) are the main characters of content that has recently stood out in terrestrial, cable channels, comprehensive programming channels, and online video service (OTT) platforms.On the other hand, there has been an increase in the number of ⁇ Women Remady ⁇ , but that is not enough.Just a few years ago, actresses of the age of entering the mother of the heroine are becoming a title roll. It is a meaningful change.It was the golden age of K-Content.In an interview with JTBC Drama ⁇ ilta Scandal, Jeon Do-yeon recently asked the driving force behind the romance of ⁇ 50 Actress ⁇ Why not? I can do it in 10 years. ⁇ When I think about it, after his debut in 1990, he acted a deep romance in his 20s (connection), 30s (you are my destiny), and 40s (male and female).Kim Hee-ae, who showed a subjective image of women in the so-called ⁇ ⁇ ⁇ ⁇ ⁇ trilogy trilogy ⁇ ⁇ ⁇ ⁇ leading to the world of ⁇ ⁇ ⁇ ⁇ ⁇ ⁇ ⁇ ⁇ It is rather nonsense that such Acting actors are suddenly pushed to the mother of ⁇ ⁇ ⁇ because they are in their 50s.The breakup of this practice is related to the development of the media industry. Until the 1980s, when the three terrestrial broadcasters were at the center, the number of actors to choose was insufficient.It was a kind of virtuous cycle for the seniors to give their young juniors the lead role and play their parents. In the case of Actress, the cycle was faster.However, with the advent of cable channels in the 2000s, general programming channels in the 2010s, and OTT platforms in the 2020s, the range of choices has widened. Stories have become more colorful and more actors are needed.Most of the 50 actresses who played the main characters of various works started their activities in the 1990s when they were in their 20s.With the rapid growth of Chungmuro, TV-focused TV makers have moved to screens, and now they are exploring various cable and cable channels and OTT markets.Instead of promoting popular but less skilled idol actors, there is an atmosphere to improve the completeness of the content with actors with mature acting skills.Womens Remedy. ⁇ Women Remady ⁇ is not a sufficient condition for content success. It is difficult to change the gender of the occupation group in the drama from male to female. ⁇ Why should it be women?Netflix ⁇ Queen Maker ⁇ is a process of struggling to make human rights lawyer Oh Kyung-sook (Moon So-ri), who is called the rhinoceros of justice, as the mayor of Seoul.It is quite interesting to watch the topography of women who have faith in the election, which is usually referred to as the exclusive property of men, and women who are wise.The candidates from the three-member National Assembly who are opposed to them and the chaebol president who wants to shake this edition are also arranged as Women, and the ⁇ Women vs Women ⁇ composition is interesting.Uhm Jung-hwa starring JTBC ⁇ Doctor Cha Jung-sook is a story of a woman who has lived as a housewife for 20 years after graduating from medical school and returned to her first year of family medicine residency.Dramas ratings, which humorously solved the agony of career-interrupted women, jumped from 4.9% to 11.2% (four episodes). This means that it succeeded in gaining sympathy from viewers.Jeon Do-yeon, who was a side dish shop owner in ⁇ ilta Scandal ⁇ , was even a class A killer in Netflix ⁇ Kill Boksoon ⁇ .In addition, Kim Sun-ah (50) of Channel A Drama ⁇ The Queen of Masks ⁇ , which was first broadcast on the 24th, Ko Hyun-jung (52) of Netflix ⁇ Mask Girl ⁇ and Lee Young-ae (52) of tvN ⁇ Maestra ⁇ Take over the baton of ⁇ 50 jockeys ⁇ .Each of them takes on a variety of occupations such as lawyers, Internet BJs, and conductors to broaden the story.Director Oh Jin-suk, who directed the queen maker, said that it is new that strong women clash and collide head-on against the power world traditionally dominated by men, and the process of colliding and solidarity with women of a totally different character is becoming a point of observation. He said.
Kim Hee-ae (56), Uhm Jung-hwa (54), Jeon Do-yeon (50), and Kim Seo-hyung (50) are the main characters of content that has recently stood out in terrestrial, cable channels, comprehensive programming channels, and online video service (OTT) platforms.On the other hand, there has been an increase in the number of ⁇ Women Remady ⁇ , but that is not enough.Just a few years ago, actresses of the age of entering the mother of the heroine are becoming a title roll. It is a meaningful change.It was the golden age of K-Content.In an interview with JTBC Drama ⁇ ilta Scandal, Jeon Do-yeon recently asked the driving force behind the romance of ⁇ 50 Actress ⁇ Why not? I can do it in 10 years. ⁇ When I think about it, after his debut in 1990, he acted a deep romance in his 20s (connection), 30s (you are my destiny), and 40s (male and female).Kim Hee-ae, who showed a subjective image of women in the so-called ⁇ ⁇ ⁇ ⁇ ⁇ trilogy trilogy ⁇ ⁇ ⁇ ⁇ leading to the world of ⁇ ⁇ ⁇ ⁇ ⁇ ⁇ ⁇ ⁇ It is rather nonsense that such Acting actors are suddenly pushed to the mother of ⁇ ⁇ ⁇ because they are in their 50s.The breakup of this practice is related to the development of the media industry. Until the 1980s, when the three terrestrial broadcasters were at the center, the number of actors to choose was insufficient.It was a kind of virtuous cycle for the seniors to give their young juniors the lead role and play their parents. In the case of Actress, the cycle was faster.However, with the advent of cable channels in the 2000s, general programming channels in the 2010s, and OTT platforms in the 2020s, the range of choices has widened. Stories have become more colorful and more actors are needed.Most of the 50 actresses who played the main characters of various works started their activities in the 1990s when they were in their 20s.With the rapid growth of Chungmuro, TV-focused TV makers have moved to screens, and now they are exploring various cable and cable channels and OTT markets.Instead of promoting popular but less skilled idol actors, there is an atmosphere to improve the completeness of the content with actors with mature acting skills.Womens Remedy. ⁇ Women Remady ⁇ is not a sufficient condition for content success. It is difficult to change the gender of the occupation group in the drama from male to female. ⁇ Why should it be women?Netflix ⁇ Queen Maker ⁇ is a process of struggling to make human rights lawyer Oh Kyung-sook (Moon So-ri), who is called the rhinoceros of justice, as the mayor of Seoul.It is quite interesting to watch the topography of women who have faith in the election, which is usually referred to as the exclusive property of men, and women who are wise.The candidates from the three-member National Assembly who are opposed to them and the chaebol president who wants to shake this edition are also arranged as Women, and the ⁇ Women vs Women ⁇ composition is interesting.Uhm Jung-hwa starring JTBC ⁇ Doctor Cha Jung-sook is a story of a woman who has lived as a housewife for 20 years after graduating from medical school and returned to her first year of family medicine residency.Dramas ratings, which humorously solved the agony of career-interrupted women, jumped from 4.9% to 11.2% (four episodes). This means that it succeeded in gaining sympathy from viewers.Jeon Do-yeon, who was a side dish shop owner in ⁇ ilta Scandal ⁇ , was even a class A killer in Netflix ⁇ Kill Boksoon ⁇ .In addition, Kim Sun-ah (50) of Channel A Drama ⁇ The Queen of Masks ⁇ , which was first broadcast on the 24th, Ko Hyun-jung (52) of Netflix ⁇ Mask Girl ⁇ and Lee Young-ae (52) of tvN ⁇ Maestra ⁇ Take over the baton of ⁇ 50 jockeys ⁇ .Each of them takes on a variety of occupations such as lawyers, Internet BJs, and conductors to broaden the story.Director Oh Jin-suk, who directed the queen maker, said that it is new that strong women clash and collide head-on against the power world traditionally dominated by men, and the process of colliding and solidarity with women of a totally different character is becoming a point of observation. He said.
Kim Hee-ae (56), Uhm Jung-hwa (54), Jeon Do-yeon (50), and Kim Seo-hyung (50) are the main characters of content that has recently stood out in terrestrial, cable channels, comprehensive programming channels, and online video service (OTT) platforms.On the other hand, there has been an increase in the number of ⁇ Women Remady ⁇ , but that is not enough.Just a few years ago, actresses of the age of entering the mother of the heroine are becoming a title roll. It is a meaningful change.It was the golden age of K-Content.In an interview with JTBC Drama ⁇ ilta Scandal, Jeon Do-yeon recently asked the driving force behind the romance of ⁇ 50 Actress ⁇ Why not? I can do it in 10 years. ⁇ When I think about it, after his debut in 1990, he acted a deep romance in his 20s (connection), 30s (you are my destiny), and 40s (male and female).Kim Hee-ae, who showed a subjective image of women in the so-called ⁇ ⁇ ⁇ ⁇ ⁇ trilogy trilogy ⁇ ⁇ ⁇ ⁇ leading to the world of ⁇ ⁇ ⁇ ⁇ ⁇ ⁇ ⁇ ⁇ It is rather nonsense that such Acting actors are suddenly pushed to the mother of ⁇ ⁇ ⁇ because they are in their 50s.The breakup of this practice is related to the development of the media industry. Until the 1980s, when the three terrestrial broadcasters were at the center, the number of actors to choose was insufficient.It was a kind of virtuous cycle for the seniors to give their young juniors the lead role and play their parents. In the case of Actress, the cycle was faster.However, with the advent of cable channels in the 2000s, general programming channels in the 2010s, and OTT platforms in the 2020s, the range of choices has widened. Stories have become more colorful and more actors are needed.Most of the 50 actresses who played the main characters of various works started their activities in the 1990s when they were in their 20s.With the rapid growth of Chungmuro, TV-focused TV makers have moved to screens, and now they are exploring various cable and cable channels and OTT markets.Instead of promoting popular but less skilled idol actors, there is an atmosphere to improve the completeness of the content with actors with mature acting skills.Womens Remedy. ⁇ Women Remady ⁇ is not a sufficient condition for content success. It is difficult to change the gender of the occupation group in the drama from male to female. ⁇ Why should it be women?Netflix ⁇ Queen Maker ⁇ is a process of struggling to make human rights lawyer Oh Kyung-sook (Moon So-ri), who is called the rhinoceros of justice, as the mayor of Seoul.It is quite interesting to watch the topography of women who have faith in the election, which is usually referred to as the exclusive property of men, and women who are wise.The candidates from the three-member National Assembly who are opposed to them and the chaebol president who wants to shake this edition are also arranged as Women, and the ⁇ Women vs Women ⁇ composition is interesting.Uhm Jung-hwa starring JTBC ⁇ Doctor Cha Jung-sook is a story of a woman who has lived as a housewife for 20 years after graduating from medical school and returned to her first year of family medicine residency.Dramas ratings, which humorously solved the agony of career-interrupted women, jumped from 4.9% to 11.2% (four episodes). This means that it succeeded in gaining sympathy from viewers.Jeon Do-yeon, who was a side dish shop owner in ⁇ ilta Scandal ⁇ , was even a class A killer in Netflix ⁇ Kill Boksoon ⁇ .In addition, Kim Sun-ah (50) of Channel A Drama ⁇ The Queen of Masks ⁇ , which was first broadcast on the 24th, Ko Hyun-jung (52) of Netflix ⁇ Mask Girl ⁇ and Lee Young-ae (52) of tvN ⁇ Maestra ⁇ Take over the baton of ⁇ 50 jockeys ⁇ .Each of them takes on a variety of occupations such as lawyers, Internet BJs, and conductors to broaden the story.Director Oh Jin-suk, who directed the queen maker, said that it is new that strong women clash and collide head-on against the power world traditionally dominated by men, and the process of colliding and solidarity with women of a totally different character is becoming a point of observation. He said.

Kim Hee-ae (56), Uhm Jung-hwa (54), Jeon Do-yeon (50), and Kim Seo-hyung (50) are the main characters of content that has recently stood out in terrestrial, cable channels, comprehensive programming channels, and online video service (OTT) platforms. On the other hand, there has been an increase in the number of ⁇ Women Remady ⁇ , but that is not enough. Just a few years ago, Actresses of the age of entering the mother of the heroine are becoming a title roll. "It is a meaningful change. It was the golden age of K-Content. In an interview with JTBC Drama ⁇ ilta Scandal, Jeon Do-yeon recently asked the driving force behind the romance of ⁇ 50 Actress ⁇ Why not? I can do it in 10 years. ⁇ When I think about it, after his debut in 1990, he acted a deep romance in his 20s (connection), 30s (you are my destiny), and 40s (male and female). Kim Hee-ae, who showed a subjective image of Women in the so-called ⁇ ⁇ ⁇ ⁇ ⁇ trilogy trilogy ⁇ ⁇ ⁇ ⁇ leading to the world of ⁇ ⁇ ⁇ ⁇ ⁇ ⁇ ⁇ ⁇ It is rather nonsense that such Acting actors are suddenly pushed to the mother of ⁇ ⁇ ⁇ because they are in their 50s. The breakup of this practice is related to the development of the media industry. Until the 1980s, when the three terrestrial broadcasters were at the center, the number of actors to choose was insufficient. It was a kind of virtuous cycle for the seniors to give their young juniors the lead role and play their parents. "In the case of Actress, the cycle was faster. However, with the advent of cable channels in the 2000s, general programming channels in the 2010s, and OTT platforms in the 2020s, the range of choices has widened. Stories have become more colorful and more actors are needed. Most of the 50 Actresses who played the main characters of various works started their activities in the 1990s when they were in their 20s. With the rapid growth of Chungmuro, TV-focused TV makers have moved to screens, and now they are exploring various cable and cable channels and OTT markets. Instead of promoting popular but less skilled idol actors, there is an atmosphere to improve the completeness of the content with actors with mature Acting skills. Women's Remedy. ⁇ Women Remady ⁇ is not a sufficient condition for content success. It is difficult to change the gender of the occupation group in the Drama from male to female. ⁇ Why should it be Women? Netflix ⁇ Queen Maker ⁇ is a process of struggling to make human rights lawyer Oh Kyung-sook (Moon So-ri), who is called the rhinoceros of justice, as the mayor of Seoul. It is quite interesting to watch the topography of Women who have faith in the election, which is usually referred to as the exclusive property of men, and Women who are wise. The candidates from the three-member National Assembly who are opposed to them and the chaebol president who wants to shake this edition are also arranged as Women, and the ⁇ Women vs Women ⁇ composition is interesting. Uhm Jung-hwa starring JTBC ⁇ Doctor Cha Jung-sook is a story of a woman who has lived as a housewife for 20 years after graduating from medical school and returned to her first year of family medicine residency. Drama's ratings, which humorously solved the agony of career-interrupted Women, jumped from 4.9% to 11.2% (four episodes). This means that it succeeded in gaining sympathy from viewers. Jeon Do-yeon, who was a side dish shop owner in ⁇ ilta Scandal ⁇ , was even a class A killer in Netflix ⁇ Kill Boksoon ⁇ . In addition, Kim Sun-ah (50) of Channel A Drama ⁇ The Queen of Masks ⁇ , which was first broadcast on the 24th, Ko Hyun-jung (52) of Netflix ⁇ Mask Girl ⁇ and Lee Young-ae (52) of tvN ⁇ Maestra ⁇ Take over the baton of ⁇ 50 jockeys ⁇ . Each of them takes on a variety of occupations such as lawyers, Internet BJs, and conductors to broaden the story. Director Oh Jin-suk, who directed the queen maker, said that it is new that strong Women clash and collide head-on against the power world traditionally dominated by men, and the process of colliding and solidarity with Women of a totally different character is becoming a point of observation. "He said.