Ji Yeon Kim..' Kim Hoon daughter Gold sponge '+A billion Global producer who has made squid game'

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Namhansanseong sadly has not yet reached the break-even point.Netflix came in and showed Kingdom to the car that joked Do you have anything else, Do not you have to make money, Do not you have to compensate to director Hwang Dong-hyuk.At that time, he showed a scripted squid game.Cylon Pictures CEO Ji Yeon Kim, the producer of the Netflix series squid game, said at the Emmy Awards Memorial Conferences held at the Westin Chosun Hotel in Sodong-dong, Seoul on the 16th.Kim is the daughter of Kim Hoon, who wrote the original novel of the movie Namhansanseong. Kim is now a global producer, beyond the modifier and burden of someones daughter.Kim graduated from Sogang University, Department of French and French Literature, studied newspaper broadcasting at the same graduate school.He joined Cyder Pictures in 2001 and worked on promotional activities such as the movie The Cruelty of the Horse and The Temptation of the Wolf.The Cyber ​​HQ Overseas Division was responsible for overseas sales such as Daisy and Blue Warning.Kim set up Eden Pictures in 2008, and produced Head, Delicious Life, and A Billion, but all did not win the box office.Among them, A billion is a movie starring Park Hae Il, Park Hee Soon, and Shin Min A. Only one winner can take a prize money A billion won at the survival variety show.Game participants cannot stop the game until one survives in the desert and jungle, where Game such as Game, Treasure Hunt and Russian Roulette appear.The film failed to win the box office with 430,000 people, but it was nourishing the squid game that caused global syndrome more than a decade later.Kim said in the conferences, The setting itself was fun that if the game that the children do is alive and survive, they can change it into a large amount of money.I came to the scene with fun because I could substitute , he recalled when he encountered squid game. I do not think Japan s difficult survival will ever win even if I enter.Game is difficult, but squid game is easy. Can I do it? The motif was important, he said.squid game has recorded 1,650.45 million hours based on cumulative viewing volume for 28 days after the release of the work on Netflix TV (non-English) category, keeping the number one spot.In addition, he was awarded awards at the Golden Globe, United States of America Actors Union Award, and the Critics Choice Awards.Kim said, I felt that the world has changed because so many people have seen this series. It is a change I felt only a year ago.I think the same was true for the former Worlds, he said, adding: The entire World spread like the syndrome of squid game was a shock.It seems that not only Korea but also other Europe will be able to move forward in this changed environment, and can do well without damaging each other. Kim also signed a contract with Creative Artist Agency (CAA), the largest agency of United States of America, with director Hwang Dong-hyuk, opening the way for global content production.Kim, who has also felt the power of the OTT platform with Netflix, said, Until now, if you have seen the contents in Korean and people who live in Korea and understand Korean culture, there is a way out to the former World.Through that passage, understanding (overseas) increases, and I think those things do a big part, he said.CEO Kim expressed his pride, saying, There is the power of the platform, but there is also the power of K content itself.The talent for creating content in Korea or the creativity of creators is by far high, he said.There is also a saying that we will systematically nurture K contents, but we should not have the intention to make K something.I think it is more important to create an environment where you can invest time or tangible capital until you have more opportunities and patience for creators and good results. He emphasized the necessity of institutional and environmental support.squid game is also produced in Season 2.I think I made a good deal by raising the conditions in a good direction, Kim said in relation to the season 2 contract with Netflix. The story of IP ownership is an issue that started with a new paradigm between people who pay money and people who make (work), I know it is to come up with alternatives in various ways.It is important for the production company to have power, and it is necessary to open a way to secure capital in the early stages, he said. It is necessary for the state and private investors to boldly invest in that direction.There are more things that the production company can talk about when it has its own capital. Someones daughter, Ji Yeon Kim, who was reborn as a global content producer from a film producer who failed to win the box office.I hope to show the power of K producer in the future works including squid game and squid game season 2.
Namhansanseong sadly has not yet reached the break-even point.Netflix came in and showed Kingdom to the car that joked Do you have anything else, Do not you have to make money, Do not you have to compensate to director Hwang Dong-hyuk.At that time, he showed a scripted squid game.Cylon Pictures CEO Ji Yeon Kim, the producer of the Netflix series squid game, said at the Emmy Awards Memorial Conferences held at the Westin Chosun Hotel in Sodong-dong, Seoul on the 16th.Kim is the daughter of Kim Hoon, who wrote the original novel of the movie Namhansanseong. Kim is now a global producer, beyond the modifier and burden of someones daughter.Kim graduated from Sogang University, Department of French and French Literature, studied newspaper broadcasting at the same graduate school.He joined Cyder Pictures in 2001 and worked on promotional activities such as the movie The Cruelty of the Horse and The Temptation of the Wolf.The Cyber ​​HQ Overseas Division was responsible for overseas sales such as Daisy and Blue Warning.Kim set up Eden Pictures in 2008, and produced Head, Delicious Life, and A Billion, but all did not win the box office.Among them, A billion is a movie starring Park Hae Il, Park Hee Soon, and Shin Min A. Only one winner can take a prize money A billion won at the survival variety show.Game participants cannot stop the game until one survives in the desert and jungle, where Game such as Game, Treasure Hunt and Russian Roulette appear.The film failed to win the box office with 430,000 people, but it was nourishing the squid game that caused global syndrome more than a decade later.Kim said in the conferences, The setting itself was fun that if the game that the children do is alive and survive, they can change it into a large amount of money.I came to the scene with fun because I could substitute , he recalled when he encountered squid game. I do not think Japan s difficult survival will ever win even if I enter.Game is difficult, but squid game is easy. Can I do it? The motif was important, he said.squid game has recorded 1,650.45 million hours based on cumulative viewing volume for 28 days after the release of the work on Netflix TV (non-English) category, keeping the number one spot.In addition, he was awarded awards at the Golden Globe, United States of America Actors Union Award, and the Critics Choice Awards.Kim said, I felt that the world has changed because so many people have seen this series. It is a change I felt only a year ago.I think the same was true for the former Worlds, he said, adding: The entire World spread like the syndrome of squid game was a shock.It seems that not only Korea but also other Europe will be able to move forward in this changed environment, and can do well without damaging each other. Kim also signed a contract with Creative Artist Agency (CAA), the largest agency of United States of America, with director Hwang Dong-hyuk, opening the way for global content production.Kim, who has also felt the power of the OTT platform with Netflix, said, Until now, if you have seen the contents in Korean and people who live in Korea and understand Korean culture, there is a way out to the former World.Through that passage, understanding (overseas) increases, and I think those things do a big part, he said.CEO Kim expressed his pride, saying, There is the power of the platform, but there is also the power of K content itself.The talent for creating content in Korea or the creativity of creators is by far high, he said.There is also a saying that we will systematically nurture K contents, but we should not have the intention to make K something.I think it is more important to create an environment where you can invest time or tangible capital until you have more opportunities and patience for creators and good results. He emphasized the necessity of institutional and environmental support.squid game is also produced in Season 2.I think I made a good deal by raising the conditions in a good direction, Kim said in relation to the season 2 contract with Netflix. The story of IP ownership is an issue that started with a new paradigm between people who pay money and people who make (work), I know it is to come up with alternatives in various ways.It is important for the production company to have power, and it is necessary to open a way to secure capital in the early stages, he said. It is necessary for the state and private investors to boldly invest in that direction.There are more things that the production company can talk about when it has its own capital. Someones daughter, Ji Yeon Kim, who was reborn as a global content producer from a film producer who failed to win the box office.I hope to show the power of K producer in the future works including squid game and squid game season 2.
Namhansanseong sadly has not yet reached the break-even point.Netflix came in and showed Kingdom to the car that joked Do you have anything else, Do not you have to make money, Do not you have to compensate to director Hwang Dong-hyuk.At that time, he showed a scripted squid game.Cylon Pictures CEO Ji Yeon Kim, the producer of the Netflix series squid game, said at the Emmy Awards Memorial Conferences held at the Westin Chosun Hotel in Sodong-dong, Seoul on the 16th.Kim is the daughter of Kim Hoon, who wrote the original novel of the movie Namhansanseong. Kim is now a global producer, beyond the modifier and burden of someones daughter.Kim graduated from Sogang University, Department of French and French Literature, studied newspaper broadcasting at the same graduate school.He joined Cyder Pictures in 2001 and worked on promotional activities such as the movie The Cruelty of the Horse and The Temptation of the Wolf.The Cyber ​​HQ Overseas Division was responsible for overseas sales such as Daisy and Blue Warning.Kim set up Eden Pictures in 2008, and produced Head, Delicious Life, and A Billion, but all did not win the box office.Among them, A billion is a movie starring Park Hae Il, Park Hee Soon, and Shin Min A. Only one winner can take a prize money A billion won at the survival variety show.Game participants cannot stop the game until one survives in the desert and jungle, where Game such as Game, Treasure Hunt and Russian Roulette appear.The film failed to win the box office with 430,000 people, but it was nourishing the squid game that caused global syndrome more than a decade later.Kim said in the conferences, The setting itself was fun that if the game that the children do is alive and survive, they can change it into a large amount of money.I came to the scene with fun because I could substitute , he recalled when he encountered squid game. I do not think Japan s difficult survival will ever win even if I enter.Game is difficult, but squid game is easy. Can I do it? The motif was important, he said.squid game has recorded 1,650.45 million hours based on cumulative viewing volume for 28 days after the release of the work on Netflix TV (non-English) category, keeping the number one spot.In addition, he was awarded awards at the Golden Globe, United States of America Actors Union Award, and the Critics Choice Awards.Kim said, I felt that the world has changed because so many people have seen this series. It is a change I felt only a year ago.I think the same was true for the former Worlds, he said, adding: The entire World spread like the syndrome of squid game was a shock.It seems that not only Korea but also other Europe will be able to move forward in this changed environment, and can do well without damaging each other. Kim also signed a contract with Creative Artist Agency (CAA), the largest agency of United States of America, with director Hwang Dong-hyuk, opening the way for global content production.Kim, who has also felt the power of the OTT platform with Netflix, said, Until now, if you have seen the contents in Korean and people who live in Korea and understand Korean culture, there is a way out to the former World.Through that passage, understanding (overseas) increases, and I think those things do a big part, he said.CEO Kim expressed his pride, saying, There is the power of the platform, but there is also the power of K content itself.The talent for creating content in Korea or the creativity of creators is by far high, he said.There is also a saying that we will systematically nurture K contents, but we should not have the intention to make K something.I think it is more important to create an environment where you can invest time or tangible capital until you have more opportunities and patience for creators and good results. He emphasized the necessity of institutional and environmental support.squid game is also produced in Season 2.I think I made a good deal by raising the conditions in a good direction, Kim said in relation to the season 2 contract with Netflix. The story of IP ownership is an issue that started with a new paradigm between people who pay money and people who make (work), I know it is to come up with alternatives in various ways.It is important for the production company to have power, and it is necessary to open a way to secure capital in the early stages, he said. It is necessary for the state and private investors to boldly invest in that direction.There are more things that the production company can talk about when it has its own capital. Someones daughter, Ji Yeon Kim, who was reborn as a global content producer from a film producer who failed to win the box office.I hope to show the power of K producer in the future works including squid game and squid game season 2.
Namhansanseong sadly has not yet reached the break-even point.Netflix came in and showed Kingdom to the car that joked Do you have anything else, Do not you have to make money, Do not you have to compensate to director Hwang Dong-hyuk.At that time, he showed a scripted squid game.Cylon Pictures CEO Ji Yeon Kim, the producer of the Netflix series squid game, said at the Emmy Awards Memorial Conferences held at the Westin Chosun Hotel in Sodong-dong, Seoul on the 16th.Kim is the daughter of Kim Hoon, who wrote the original novel of the movie Namhansanseong. Kim is now a global producer, beyond the modifier and burden of someones daughter.Kim graduated from Sogang University, Department of French and French Literature, studied newspaper broadcasting at the same graduate school.He joined Cyder Pictures in 2001 and worked on promotional activities such as the movie The Cruelty of the Horse and The Temptation of the Wolf.The Cyber ​​HQ Overseas Division was responsible for overseas sales such as Daisy and Blue Warning.Kim set up Eden Pictures in 2008, and produced Head, Delicious Life, and A Billion, but all did not win the box office.Among them, A billion is a movie starring Park Hae Il, Park Hee Soon, and Shin Min A. Only one winner can take a prize money A billion won at the survival variety show.Game participants cannot stop the game until one survives in the desert and jungle, where Game such as Game, Treasure Hunt and Russian Roulette appear.The film failed to win the box office with 430,000 people, but it was nourishing the squid game that caused global syndrome more than a decade later.Kim said in the conferences, The setting itself was fun that if the game that the children do is alive and survive, they can change it into a large amount of money.I came to the scene with fun because I could substitute , he recalled when he encountered squid game. I do not think Japan s difficult survival will ever win even if I enter.Game is difficult, but squid game is easy. Can I do it? The motif was important, he said.squid game has recorded 1,650.45 million hours based on cumulative viewing volume for 28 days after the release of the work on Netflix TV (non-English) category, keeping the number one spot.In addition, he was awarded awards at the Golden Globe, United States of America Actors Union Award, and the Critics Choice Awards.Kim said, I felt that the world has changed because so many people have seen this series. It is a change I felt only a year ago.I think the same was true for the former Worlds, he said, adding: The entire World spread like the syndrome of squid game was a shock.It seems that not only Korea but also other Europe will be able to move forward in this changed environment, and can do well without damaging each other. Kim also signed a contract with Creative Artist Agency (CAA), the largest agency of United States of America, with director Hwang Dong-hyuk, opening the way for global content production.Kim, who has also felt the power of the OTT platform with Netflix, said, Until now, if you have seen the contents in Korean and people who live in Korea and understand Korean culture, there is a way out to the former World.Through that passage, understanding (overseas) increases, and I think those things do a big part, he said.CEO Kim expressed his pride, saying, There is the power of the platform, but there is also the power of K content itself.The talent for creating content in Korea or the creativity of creators is by far high, he said.There is also a saying that we will systematically nurture K contents, but we should not have the intention to make K something.I think it is more important to create an environment where you can invest time or tangible capital until you have more opportunities and patience for creators and good results. He emphasized the necessity of institutional and environmental support.squid game is also produced in Season 2.I think I made a good deal by raising the conditions in a good direction, Kim said in relation to the season 2 contract with Netflix. The story of IP ownership is an issue that started with a new paradigm between people who pay money and people who make (work), I know it is to come up with alternatives in various ways.It is important for the production company to have power, and it is necessary to open a way to secure capital in the early stages, he said. It is necessary for the state and private investors to boldly invest in that direction.There are more things that the production company can talk about when it has its own capital. Someones daughter, Ji Yeon Kim, who was reborn as a global content producer from a film producer who failed to win the box office.I hope to show the power of K producer in the future works including squid game and squid game season 2.

"'Namhansanseong' sadly has not yet reached the break-even point. Netflix came in and showed 'Kingdom' to the car that joked 'Do you have anything else', 'Do not you have to make money', 'Do not you have to compensate' to director Hwang Dong-hyuk. At that time, he showed a scripted "squid game."

Cylon Pictures CEO Ji Yeon Kim, the producer of the Netflix series squid game', said at the Emmy Awards Memorial Conferences held at the Westin Chosun Hotel in Sodong-dong, Seoul on the 16th. Kim is the daughter of Kim Hoon, who wrote the original novel of the movie "Namhansanseong." Kim is now a global producer, beyond the modifier and burden of "someone's daughter."

Kim graduated from Sogang University, Department of French and French Literature, studied newspaper broadcasting at the same graduate school. He joined Cyder Pictures in 2001 and worked on promotional activities such as the movie "The Cruelty of the Horse" and "The Temptation of the Wolf". The Cyber ​​HQ Overseas Division was responsible for overseas sales such as 'Daisy' and 'Blue Warning'.

Kim set up Eden Pictures in 2008, and produced 'Head', 'Delicious Life', and 'A billion', but all did not win the box office. Among them, 'A billion' is a movie starring Park Hae Il, Park Hee Soon, and Shin Min A. Only one winner can take a prize money A billion won at the survival variety show. Game participants cannot stop the game until one survives in the desert and jungle, where Game such as "Game," "Treasure Hunt" and "Russian Roulette" appear. The film failed to win the box office with 430,000 people, but it was nourishing the "squid game" that caused global syndrome more than a decade later.

Kim said in the Conferences, "The setting itself was fun that if the game that the children do is alive and survive, they can change it into a large amount of money. "I came to the scene with fun because I could substitute '," he recalled when he encountered squid game. "I do not think Japan' s difficult survival will ever win even if I enter. Game is difficult, but squid game' is easy. 'Can I do it?' The motif was important, "he said.

squid game' has recorded 1,650.45 million hours based on cumulative viewing volume for 28 days after the release of the work on Netflix TV (non-English) category, keeping the number one spot. In addition, he was awarded Awards at the Golden Globe, United States of America Actors' Union Award, and the Critics Choice Awards. Kim said, "I felt that the world has changed because so many people have seen this series." "It is a change I felt only a year ago. I think the same was true for the former Worlds," he said, adding: "The entire World spread like the syndrome of squid game' was a shock. It seems that not only Korea but also other Europe will be able to move forward in this changed environment, and can do well without damaging each other. "

Kim also signed a contract with Creative Artist Agency (CAA), the largest agency of United States of America, with director Hwang Dong-hyuk, opening the way for global content production. Kim, who has also felt the power of the OTT platform with Netflix, said, "Until now, if you have seen the contents in Korean and people who live in Korea and understand Korean culture, there is a way out to the former World. Through that passage, understanding (overseas) increases, and I think those things do a big part," he said.

CEO Kim expressed his pride, saying, There is the power of the platform, but there is also the power of K content itself. "The talent for creating content in Korea or the creativity of creators is by far high," he said. "There is also a saying that we will systematically nurture K contents, but we should not have the intention to make 'K something'. I think it is more important to create an environment where you can invest time or tangible capital until you have more opportunities and patience for creators and good results. "He emphasized the necessity of institutional and environmental support.

squid game' is also produced in Season 2. "I think I made a good deal by raising the conditions in a good direction," Kim said in relation to the season 2 contract with Netflix. "The story of IP ownership is an issue that started with a new paradigm between people who pay money and people who make (work), I know it is to come up with alternatives in various ways." "It is important for the production company to have power, and it is necessary to open a way to secure capital in the early stages," he said. "It is necessary for the state and private investors to boldly invest in that direction. There are more things that the production company can talk about when it has its own capital. "

Someone's daughter, Ji Yeon Kim, who was reborn as a global content producer from a film producer who failed to win the box office. I hope to show the power of K producer in the future works including squid game' and squid game' season 2.