'Seoul Vibe', which is made in class B, wanted to be answered.

on
The same 1988 was brought to the background of the times, but it is a very different result: Netflix original film Seoul Vibe and TVN drama Reply 1988.The Toyota Action, which is held by the so-called Sanggye-dong Supreme Team Bangkupam in the background of the shaking Seoul ahead of the Olympic Games, is filled with genre productions close to entertainment rather than reality.The story is the Slush robbery of a prosecutor who lives in the Slush investigation of The Dicktator and the Bakkuppam, including Yoo Ah-in with outstanding driving skills, against Kang (Moon Sori), the VIPs second-in-command.Naturally, it contains the genre color of Keifer The SpongeBob Movie: Sponge on the Run.But it also contains Motive that remind me of historical events in the real day.The bald The Dictator does not refer to the movie directly, but the situation is clear, and the chairman of the Slush is Chang Young-ja and Lee Chul-hees Slush case.However, the history of this tragedy is the background of this Keiper The SpongeBob Movie: Sponge on the Run, and the meaning of the historical context is erased.It is only set up as an enemy that causes vague anger, and the bread is set only as an object to feed them.The way to use this historical context is also revealed through the scene where the bald The Dictator, who had cleared his eyes from a Sansa temple attached like a cookie video at the end of the movie ending, overwhelmed the shit that a group of migratory birds poured out.The historical materials of 1988 captured by are only recalled as materials for entertainment.The Toyota Action, called Drift, is the main device that gives the visual pleasure of this Keifer The SpongeBob Movie: Sponge on the Run, but the reality is that Action itself does not attract attention to the thrilling.Instead, the film attracts attention by filling in cultural codes that stimulate memories of the time rather than action.Music such as Nike Air Jordan, McDonalds, Coca-Cola, TV series Operation Z, as well as the music of Lee Sang-euns Damdadi by DJ Usam (Ko Kyung-pyo), the main character of Superme Team, The Story of the Last Night, The Story of the Fire truck, Its are fashion styles that remind us of the time.Old cars in the Toyota Action are also indispensable.Pony, as well as Toyota such as Brisa, each Grandeur, Pride and Concord, race to the middle of the Seoul city center ahead of 88Olympic Games.Drift car racing, which brings up works such as The Rage of Fury and Baby Driver, but the focus on retro rather than action and the scene that seems to have been seen somewhere in Hollywood movie as a thorough entertainment give a sense of seeing Hong Kong movie imitating Hollywood in the 1980s.Although it is a work with a completely different genre and personality, the newtro that tries to recall does not show the emotion and emotion of the retro that contains.There is a past that is consumed as entertainment from the present perspective rather than It, that is, it is the fantasy about retro sensibility or fashion in the 1980s that is vaguely felt in the present.So brought a clear time and space called 1988 Seoul and brought various retro materials contained there, but it does not feel the air of the time.It is like a virtual world of imitation. Netflix is a global platform, so it seems to be the same time and space that gives this sense of anarchy, but the reality can be the opposite.The more global platforms, the more differentiated local colors with their periodicity can be, the more likely that seems to overlook.Just as Answer 1988 was famous overseas for its clear local color.
The same 1988 was brought to the background of the times, but it is a very different result: Netflix original film Seoul Vibe and TVN drama Reply 1988.The Toyota Action, which is held by the so-called Sanggye-dong Supreme Team Bangkupam in the background of the shaking Seoul ahead of the Olympic Games, is filled with genre productions close to entertainment rather than reality.The story is the Slush robbery of a prosecutor who lives in the Slush investigation of The Dicktator and the Bakkuppam, including Yoo Ah-in with outstanding driving skills, against Kang (Moon Sori), the VIPs second-in-command.Naturally, it contains the genre color of Keifer The SpongeBob Movie: Sponge on the Run.But it also contains Motive that remind me of historical events in the real day.The bald The Dictator does not refer to the movie directly, but the situation is clear, and the chairman of the Slush is Chang Young-ja and Lee Chul-hees Slush case.However, the history of this tragedy is the background of this Keiper The SpongeBob Movie: Sponge on the Run, and the meaning of the historical context is erased.It is only set up as an enemy that causes vague anger, and the bread is set only as an object to feed them.The way to use this historical context is also revealed through the scene where the bald The Dictator, who had cleared his eyes from a Sansa temple attached like a cookie video at the end of the movie ending, overwhelmed the shit that a group of migratory birds poured out.The historical materials of 1988 captured by are only recalled as materials for entertainment.The Toyota Action, called Drift, is the main device that gives the visual pleasure of this Keifer The SpongeBob Movie: Sponge on the Run, but the reality is that Action itself does not attract attention to the thrilling.Instead, the film attracts attention by filling in cultural codes that stimulate memories of the time rather than action.Music such as Nike Air Jordan, McDonalds, Coca-Cola, TV series Operation Z, as well as the music of Lee Sang-euns Damdadi by DJ Usam (Ko Kyung-pyo), the main character of Superme Team, The Story of the Last Night, The Story of the Fire truck, Its are fashion styles that remind us of the time.Old cars in the Toyota Action are also indispensable.Pony, as well as Toyota such as Brisa, each Grandeur, Pride and Concord, race to the middle of the Seoul city center ahead of 88Olympic Games.Drift car racing, which brings up works such as The Rage of Fury and Baby Driver, but the focus on retro rather than action and the scene that seems to have been seen somewhere in Hollywood movie as a thorough entertainment give a sense of seeing Hong Kong movie imitating Hollywood in the 1980s.Although it is a work with a completely different genre and personality, the newtro that tries to recall does not show the emotion and emotion of the retro that contains.There is a past that is consumed as entertainment from the present perspective rather than It, that is, it is the fantasy about retro sensibility or fashion in the 1980s that is vaguely felt in the present.So brought a clear time and space called 1988 Seoul and brought various retro materials contained there, but it does not feel the air of the time.It is like a virtual world of imitation. Netflix is a global platform, so it seems to be the same time and space that gives this sense of anarchy, but the reality can be the opposite.The more global platforms, the more differentiated local colors with their periodicity can be, the more likely that seems to overlook.Just as Answer 1988 was famous overseas for its clear local color.
The same 1988 was brought to the background of the times, but it is a very different result: Netflix original film Seoul Vibe and TVN drama Reply 1988.The Toyota Action, which is held by the so-called Sanggye-dong Supreme Team Bangkupam in the background of the shaking Seoul ahead of the Olympic Games, is filled with genre productions close to entertainment rather than reality.The story is the Slush robbery of a prosecutor who lives in the Slush investigation of The Dicktator and the Bakkuppam, including Yoo Ah-in with outstanding driving skills, against Kang (Moon Sori), the VIPs second-in-command.Naturally, it contains the genre color of Keifer The SpongeBob Movie: Sponge on the Run.But it also contains Motive that remind me of historical events in the real day.The bald The Dictator does not refer to the movie directly, but the situation is clear, and the chairman of the Slush is Chang Young-ja and Lee Chul-hees Slush case.However, the history of this tragedy is the background of this Keiper The SpongeBob Movie: Sponge on the Run, and the meaning of the historical context is erased.It is only set up as an enemy that causes vague anger, and the bread is set only as an object to feed them.The way to use this historical context is also revealed through the scene where the bald The Dictator, who had cleared his eyes from a Sansa temple attached like a cookie video at the end of the movie ending, overwhelmed the shit that a group of migratory birds poured out.The historical materials of 1988 captured by are only recalled as materials for entertainment.The Toyota Action, called Drift, is the main device that gives the visual pleasure of this Keifer The SpongeBob Movie: Sponge on the Run, but the reality is that Action itself does not attract attention to the thrilling.Instead, the film attracts attention by filling in cultural codes that stimulate memories of the time rather than action.Music such as Nike Air Jordan, McDonalds, Coca-Cola, TV series Operation Z, as well as the music of Lee Sang-euns Damdadi by DJ Usam (Ko Kyung-pyo), the main character of Superme Team, The Story of the Last Night, The Story of the Fire truck, Its are fashion styles that remind us of the time.Old cars in the Toyota Action are also indispensable.Pony, as well as Toyota such as Brisa, each Grandeur, Pride and Concord, race to the middle of the Seoul city center ahead of 88Olympic Games.Drift car racing, which brings up works such as The Rage of Fury and Baby Driver, but the focus on retro rather than action and the scene that seems to have been seen somewhere in Hollywood movie as a thorough entertainment give a sense of seeing Hong Kong movie imitating Hollywood in the 1980s.Although it is a work with a completely different genre and personality, the newtro that tries to recall does not show the emotion and emotion of the retro that contains.There is a past that is consumed as entertainment from the present perspective rather than It, that is, it is the fantasy about retro sensibility or fashion in the 1980s that is vaguely felt in the present.So brought a clear time and space called 1988 Seoul and brought various retro materials contained there, but it does not feel the air of the time.It is like a virtual world of imitation. Netflix is a global platform, so it seems to be the same time and space that gives this sense of anarchy, but the reality can be the opposite.The more global platforms, the more differentiated local colors with their periodicity can be, the more likely that seems to overlook.Just as Answer 1988 was famous overseas for its clear local color.
The same 1988 was brought to the background of the times, but it is a very different result: Netflix original film Seoul Vibe and TVN drama Reply 1988.The Toyota Action, which is held by the so-called Sanggye-dong Supreme Team Bangkupam in the background of the shaking Seoul ahead of the Olympic Games, is filled with genre productions close to entertainment rather than reality.The story is the Slush robbery of a prosecutor who lives in the Slush investigation of The Dicktator and the Bakkuppam, including Yoo Ah-in with outstanding driving skills, against Kang (Moon Sori), the VIPs second-in-command.Naturally, it contains the genre color of Keifer The SpongeBob Movie: Sponge on the Run.But it also contains Motive that remind me of historical events in the real day.The bald The Dictator does not refer to the movie directly, but the situation is clear, and the chairman of the Slush is Chang Young-ja and Lee Chul-hees Slush case.However, the history of this tragedy is the background of this Keiper The SpongeBob Movie: Sponge on the Run, and the meaning of the historical context is erased.It is only set up as an enemy that causes vague anger, and the bread is set only as an object to feed them.The way to use this historical context is also revealed through the scene where the bald The Dictator, who had cleared his eyes from a Sansa temple attached like a cookie video at the end of the movie ending, overwhelmed the shit that a group of migratory birds poured out.The historical materials of 1988 captured by are only recalled as materials for entertainment.The Toyota Action, called Drift, is the main device that gives the visual pleasure of this Keifer The SpongeBob Movie: Sponge on the Run, but the reality is that Action itself does not attract attention to the thrilling.Instead, the film attracts attention by filling in cultural codes that stimulate memories of the time rather than action.Music such as Nike Air Jordan, McDonalds, Coca-Cola, TV series Operation Z, as well as the music of Lee Sang-euns Damdadi by DJ Usam (Ko Kyung-pyo), the main character of Superme Team, The Story of the Last Night, The Story of the Fire truck, Its are fashion styles that remind us of the time.Old cars in the Toyota Action are also indispensable.Pony, as well as Toyota such as Brisa, each Grandeur, Pride and Concord, race to the middle of the Seoul city center ahead of 88Olympic Games.Drift car racing, which brings up works such as The Rage of Fury and Baby Driver, but the focus on retro rather than action and the scene that seems to have been seen somewhere in Hollywood movie as a thorough entertainment give a sense of seeing Hong Kong movie imitating Hollywood in the 1980s.Although it is a work with a completely different genre and personality, the newtro that tries to recall does not show the emotion and emotion of the retro that contains.There is a past that is consumed as entertainment from the present perspective rather than It, that is, it is the fantasy about retro sensibility or fashion in the 1980s that is vaguely felt in the present.So brought a clear time and space called 1988 Seoul and brought various retro materials contained there, but it does not feel the air of the time.It is like a virtual world of imitation. Netflix is a global platform, so it seems to be the same time and space that gives this sense of anarchy, but the reality can be the opposite.The more global platforms, the more differentiated local colors with their periodicity can be, the more likely that seems to overlook.Just as Answer 1988 was famous overseas for its clear local color.
The same 1988 was brought to the background of the times, but it is a very different result: Netflix original film Seoul Vibe and TVN drama Reply 1988.The Toyota Action, which is held by the so-called Sanggye-dong Supreme Team Bangkupam in the background of the shaking Seoul ahead of the Olympic Games, is filled with genre productions close to entertainment rather than reality.The story is the Slush robbery of a prosecutor who lives in the Slush investigation of The Dicktator and the Bakkuppam, including Yoo Ah-in with outstanding driving skills, against Kang (Moon Sori), the VIPs second-in-command.Naturally, it contains the genre color of Keifer The SpongeBob Movie: Sponge on the Run.But it also contains Motive that remind me of historical events in the real day.The bald The Dictator does not refer to the movie directly, but the situation is clear, and the chairman of the Slush is Chang Young-ja and Lee Chul-hees Slush case.However, the history of this tragedy is the background of this Keiper The SpongeBob Movie: Sponge on the Run, and the meaning of the historical context is erased.It is only set up as an enemy that causes vague anger, and the bread is set only as an object to feed them.The way to use this historical context is also revealed through the scene where the bald The Dictator, who had cleared his eyes from a Sansa temple attached like a cookie video at the end of the movie ending, overwhelmed the shit that a group of migratory birds poured out.The historical materials of 1988 captured by are only recalled as materials for entertainment.The Toyota Action, called Drift, is the main device that gives the visual pleasure of this Keifer The SpongeBob Movie: Sponge on the Run, but the reality is that Action itself does not attract attention to the thrilling.Instead, the film attracts attention by filling in cultural codes that stimulate memories of the time rather than action.Music such as Nike Air Jordan, McDonalds, Coca-Cola, TV series Operation Z, as well as the music of Lee Sang-euns Damdadi by DJ Usam (Ko Kyung-pyo), the main character of Superme Team, The Story of the Last Night, The Story of the Fire truck, Its are fashion styles that remind us of the time.Old cars in the Toyota Action are also indispensable.Pony, as well as Toyota such as Brisa, each Grandeur, Pride and Concord, race to the middle of the Seoul city center ahead of 88Olympic Games.Drift car racing, which brings up works such as The Rage of Fury and Baby Driver, but the focus on retro rather than action and the scene that seems to have been seen somewhere in Hollywood movie as a thorough entertainment give a sense of seeing Hong Kong movie imitating Hollywood in the 1980s.Although it is a work with a completely different genre and personality, the newtro that tries to recall does not show the emotion and emotion of the retro that contains.There is a past that is consumed as entertainment from the present perspective rather than It, that is, it is the fantasy about retro sensibility or fashion in the 1980s that is vaguely felt in the present.So brought a clear time and space called 1988 Seoul and brought various retro materials contained there, but it does not feel the air of the time.It is like a virtual world of imitation. Netflix is a global platform, so it seems to be the same time and space that gives this sense of anarchy, but the reality can be the opposite.The more global platforms, the more differentiated local colors with their periodicity can be, the more likely that seems to overlook.Just as Answer 1988 was famous overseas for its clear local color.
The same 1988 was brought to the background of the times, but it is a very different result: Netflix original film Seoul Vibe and TVN drama Reply 1988.The Toyota Action, which is held by the so-called Sanggye-dong Supreme Team Bangkupam in the background of the shaking Seoul ahead of the Olympic Games, is filled with genre productions close to entertainment rather than reality.The story is the Slush robbery of a prosecutor who lives in the Slush investigation of The Dicktator and the Bakkuppam, including Yoo Ah-in with outstanding driving skills, against Kang (Moon Sori), the VIPs second-in-command.Naturally, it contains the genre color of Keifer The SpongeBob Movie: Sponge on the Run.But it also contains Motive that remind me of historical events in the real day.The bald The Dictator does not refer to the movie directly, but the situation is clear, and the chairman of the Slush is Chang Young-ja and Lee Chul-hees Slush case.However, the history of this tragedy is the background of this Keiper The SpongeBob Movie: Sponge on the Run, and the meaning of the historical context is erased.It is only set up as an enemy that causes vague anger, and the bread is set only as an object to feed them.The way to use this historical context is also revealed through the scene where the bald The Dictator, who had cleared his eyes from a Sansa temple attached like a cookie video at the end of the movie ending, overwhelmed the shit that a group of migratory birds poured out.The historical materials of 1988 captured by are only recalled as materials for entertainment.The Toyota Action, called Drift, is the main device that gives the visual pleasure of this Keifer The SpongeBob Movie: Sponge on the Run, but the reality is that Action itself does not attract attention to the thrilling.Instead, the film attracts attention by filling in cultural codes that stimulate memories of the time rather than action.Music such as Nike Air Jordan, McDonalds, Coca-Cola, TV series Operation Z, as well as the music of Lee Sang-euns Damdadi by DJ Usam (Ko Kyung-pyo), the main character of Superme Team, The Story of the Last Night, The Story of the Fire truck, Its are fashion styles that remind us of the time.Old cars in the Toyota Action are also indispensable.Pony, as well as Toyota such as Brisa, each Grandeur, Pride and Concord, race to the middle of the Seoul city center ahead of 88Olympic Games.Drift car racing, which brings up works such as The Rage of Fury and Baby Driver, but the focus on retro rather than action and the scene that seems to have been seen somewhere in Hollywood movie as a thorough entertainment give a sense of seeing Hong Kong movie imitating Hollywood in the 1980s.Although it is a work with a completely different genre and personality, the newtro that tries to recall does not show the emotion and emotion of the retro that contains.There is a past that is consumed as entertainment from the present perspective rather than It, that is, it is the fantasy about retro sensibility or fashion in the 1980s that is vaguely felt in the present.So brought a clear time and space called 1988 Seoul and brought various retro materials contained there, but it does not feel the air of the time.It is like a virtual world of imitation. Netflix is a global platform, so it seems to be the same time and space that gives this sense of anarchy, but the reality can be the opposite.The more global platforms, the more differentiated local colors with their periodicity can be, the more likely that seems to overlook.Just as Answer 1988 was famous overseas for its clear local color.

The same 1988 was brought to the background of the times, but it is a very different result: Netflix original film "Seoul Vibe" and TVN drama "Reply 1988". The Toyota Action, which is held by the so-called Sanggye-dong Supreme Team 'Bangkupam' in the background of the shaking Seoul ahead of the Olympic Games, is filled with genre productions close to entertainment rather than reality.

The story is the Slush robbery of a prosecutor who lives in the Slush investigation of "The Dicktator" and the Bakkuppam, including "Yoo Ah-in" with outstanding driving skills, against Kang (Moon Sori), the VIP's second-in-command. Naturally, it contains the genre color of Keifer The SpongeBob Movie: Sponge on the Run. But it also contains Motive that remind me of historical events in the real day.

The bald The Dictator does not refer to the movie directly, but the situation is clear, and the chairman of the Slush is Chang Young-ja and Lee Chul-hee's Slush case. However, the history of this tragedy is the background of this Keiper The SpongeBob Movie: Sponge on the Run, and the meaning of the historical context is erased. It is only set up as an enemy that causes vague anger, and the bread is set only as an object to feed them.

The way to use this 'historical context' is also revealed through the scene where the bald The Dictator, who had cleared his eyes from a Sansa temple attached like a cookie video at the end of the movie ending, overwhelmed the shit that a group of migratory birds poured out. The historical materials of 1988 captured by <Seoul Vibe> are only Recalled as materials for entertainment.

The Toyota Action, called 'Drift', is the main device that gives the visual pleasure of this Keifer The SpongeBob Movie: Sponge on the Run, but the reality is that Action itself does not attract attention to the thrilling. Instead, the film attracts attention by filling in cultural codes that stimulate memories of the time rather than action. Music such as Nike Air Jordan, McDonald's, Coca-Cola, TV series Operation Z, as well as the music of Lee Sang-eun's "Damdadi" by DJ Usam (Ko Kyung-pyo), the main character of Superme Team, "The Story of the Last Night", "The Story of the Fire truck", Its are fashion styles that remind us of the time.

Old cars in the Toyota Action are also indispensable. Pony, as well as Toyota such as Brisa, each Grandeur, Pride and Concord, race to the middle of the Seoul city center ahead of 88Olympic Games. Drift car racing, which brings up works such as The Rage of Fury and Baby Driver, but the focus on retro rather than action and the scene that seems to have been seen somewhere in Hollywood movie as a thorough entertainment give a sense of seeing Hong Kong movie imitating Hollywood in the 1980s.

Although it is a work with a completely different genre and personality, the newtro that <Seoul Vibe> tries to Recall does not show the emotion and emotion of the retro that 1988> contains. There is a past that is consumed as entertainment from the present perspective rather than It, that is, it is the fantasy about retro sensibility or fashion in the 1980s that is vaguely felt in the present.

So <Seoul Vibe> brought a clear time and space called 1988 Seoul and brought various retro materials contained there, but it does not feel the air of the time. It is like a virtual world of imitation. Netflix is a global platform, so it seems to be the same time and space that gives this sense of anarchy, but the reality can be the opposite. The more global platforms, the more differentiated local colors with their periodicity can be, the more likely that <Seoul Vibe> seems to overlook. Just as Answer 1988 was famous overseas for its clear local color.