Slow scripts that are hard to cover with Son Ye-jin and former Mido acting power ('30, nine')

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The whole Mido is in Son Ye-jin, and you should watch it unconditionally. The viewers who watched JTBC drama third-nine were probably like this.It was Son Ye-jin who proved that the name Melo Queen was not a false name as Loves sudden arrival, and it was former Mido who took the eyes of viewers at once with TVN <Spicy Doctor Life>.So, can not there be any expectation that these two will show their best friend Chemi in one work?And, presumably, in the third-nine, the performances of Son Ye-jin and former Mido are constant.It is no exaggeration to say that they are immersed in their works because of their acting, and they are making up a certain degree of dignity.This is the same with Kim Ji-hyun in the role of Jang Joo-hee, who plays a trio of men in this work, and the male actors Yeon Woo-jin and Lee Mu-saeng.Acting is no better. The problem is the script.There was anxiety that the drama was too easy to weave characters from the spoil of chance that Cha Mi-jo (Son Ye-jin) and Sun-woo Kim (Yeon Woo-jin) somehow meet even if they break up.In the case where Chung Chan-young (formerly Mido) is judged to be a deadline, he deals with the age of thirty-nine, but I think that the code death can not be missed, but there is a concern that this is a typical cliche somewhere.It is also true that there was a suspicion that the drama was going to write infidelity code, although it was foreseeable that there would be a reason for it, as the voices of infidelity beautification about the relationship between Kim Jin-seok (Lee Mu-saeng) and Chung Chan-young flowed out.When Chung Chan-young, who accepted the deadline, said that he was one of Rob Reiners, he could not give up his disappointment that he would write the code of secret of birth now.We can not make an evaluation of Cliché Bumbuck only with material.However, is not only a material but also a cliché Bumbuck in that the method of using the material is a typical drama grammar.The proof of Kim Jin-seok and Chung Chan-youngs affair code is in the line where Kim Jin-seoks wife, Kang Sun-ju (Song Min-ji), visits Chung Chan-youngs parents and reveals that your daughter is meeting her husband.The affair code utilizes revelations and consequent impacts.The time limit code of Chung Chan-young is revealed in the stories of various Rob Reiners who are about to die, as is the secret code of Cha Mi-jos birth.It turned out that he knew Park Jeong-ja (Nam Ki-ae), who raised Chamijo, and was currently serving a sentence in prison.Of course, the secret code of this birth is often used as a increase in identity, but in this drama it is the opposite: it is portrayed as an uncomfortable truth that you do not want to know much.In addition to the secrets of affair, deadline and birth, the episode of Sun-woo Kims brother Kim So-won (An So-hee)s breakup is also typical.The expulsion of his stepfathers coercion, the wandering, and so on. Why did the third-nine use so many cliches?This is the only way to explain the easy choices as the negligence of a writer.Of course, the melodrama with Cha Mi-jo, Chung Chan-young and Jang Joo-hee and Sun-woo Kim, Kim Moo-saeng and Park Hyun-joon (Lee Tae-hwan) are typical.But I was expecting that there were actors like Son Ye-jin and former Mido, so I thought that other stories would come out even in the typical composition.But the current is not, unfortunately, because it feels like it is just a repetition of clichés.Still, ratings have risen to a maximum of 7 percent (Nilson Korea), and are moving back and forth between 5 percent.The reason why the audience rating is so high is that the work is not a great achievement, but rather the stimulus of the typical cliché itself.I am sorry for the situation of the drama that is barely maintained by the power of the actors.
The whole Mido is in Son Ye-jin, and you should watch it unconditionally. The viewers who watched JTBC drama third-nine were probably like this.It was Son Ye-jin who proved that the name Melo Queen was not a false name as Loves sudden arrival, and it was former Mido who took the eyes of viewers at once with TVN <Spicy Doctor Life>.So, can not there be any expectation that these two will show their best friend Chemi in one work?And, presumably, in the third-nine, the performances of Son Ye-jin and former Mido are constant.It is no exaggeration to say that they are immersed in their works because of their acting, and they are making up a certain degree of dignity.This is the same with Kim Ji-hyun in the role of Jang Joo-hee, who plays a trio of men in this work, and the male actors Yeon Woo-jin and Lee Mu-saeng.Acting is no better. The problem is the script.There was anxiety that the drama was too easy to weave characters from the spoil of chance that Cha Mi-jo (Son Ye-jin) and Sun-woo Kim (Yeon Woo-jin) somehow meet even if they break up.In the case where Chung Chan-young (formerly Mido) is judged to be a deadline, he deals with the age of thirty-nine, but I think that the code death can not be missed, but there is a concern that this is a typical cliche somewhere.It is also true that there was a suspicion that the drama was going to write infidelity code, although it was foreseeable that there would be a reason for it, as the voices of infidelity beautification about the relationship between Kim Jin-seok (Lee Mu-saeng) and Chung Chan-young flowed out.When Chung Chan-young, who accepted the deadline, said that he was one of Rob Reiners, he could not give up his disappointment that he would write the code of secret of birth now.We can not make an evaluation of Cliché Bumbuck only with material.However, is not only a material but also a cliché Bumbuck in that the method of using the material is a typical drama grammar.The proof of Kim Jin-seok and Chung Chan-youngs affair code is in the line where Kim Jin-seoks wife, Kang Sun-ju (Song Min-ji), visits Chung Chan-youngs parents and reveals that your daughter is meeting her husband.The affair code utilizes revelations and consequent impacts.The time limit code of Chung Chan-young is revealed in the stories of various Rob Reiners who are about to die, as is the secret code of Cha Mi-jos birth.It turned out that he knew Park Jeong-ja (Nam Ki-ae), who raised Chamijo, and was currently serving a sentence in prison.Of course, the secret code of this birth is often used as a increase in identity, but in this drama it is the opposite: it is portrayed as an uncomfortable truth that you do not want to know much.In addition to the secrets of affair, deadline and birth, the episode of Sun-woo Kims brother Kim So-won (An So-hee)s breakup is also typical.The expulsion of his stepfathers coercion, the wandering, and so on. Why did the third-nine use so many cliches?This is the only way to explain the easy choices as the negligence of a writer.Of course, the melodrama with Cha Mi-jo, Chung Chan-young and Jang Joo-hee and Sun-woo Kim, Kim Moo-saeng and Park Hyun-joon (Lee Tae-hwan) are typical.But I was expecting that there were actors like Son Ye-jin and former Mido, so I thought that other stories would come out even in the typical composition.But the current is not, unfortunately, because it feels like it is just a repetition of clichés.Still, ratings have risen to a maximum of 7 percent (Nilson Korea), and are moving back and forth between 5 percent.The reason why the audience rating is so high is that the work is not a great achievement, but rather the stimulus of the typical cliché itself.I am sorry for the situation of the drama that is barely maintained by the power of the actors.
The whole Mido is in Son Ye-jin, and you should watch it unconditionally. The viewers who watched JTBC drama third-nine were probably like this.It was Son Ye-jin who proved that the name Melo Queen was not a false name as Loves sudden arrival, and it was former Mido who took the eyes of viewers at once with TVN <Spicy Doctor Life>.So, can not there be any expectation that these two will show their best friend Chemi in one work?And, presumably, in the third-nine, the performances of Son Ye-jin and former Mido are constant.It is no exaggeration to say that they are immersed in their works because of their acting, and they are making up a certain degree of dignity.This is the same with Kim Ji-hyun in the role of Jang Joo-hee, who plays a trio of men in this work, and the male actors Yeon Woo-jin and Lee Mu-saeng.Acting is no better. The problem is the script.There was anxiety that the drama was too easy to weave characters from the spoil of chance that Cha Mi-jo (Son Ye-jin) and Sun-woo Kim (Yeon Woo-jin) somehow meet even if they break up.In the case where Chung Chan-young (formerly Mido) is judged to be a deadline, he deals with the age of thirty-nine, but I think that the code death can not be missed, but there is a concern that this is a typical cliche somewhere.It is also true that there was a suspicion that the drama was going to write infidelity code, although it was foreseeable that there would be a reason for it, as the voices of infidelity beautification about the relationship between Kim Jin-seok (Lee Mu-saeng) and Chung Chan-young flowed out.When Chung Chan-young, who accepted the deadline, said that he was one of Rob Reiners, he could not give up his disappointment that he would write the code of secret of birth now.We can not make an evaluation of Cliché Bumbuck only with material.However, is not only a material but also a cliché Bumbuck in that the method of using the material is a typical drama grammar.The proof of Kim Jin-seok and Chung Chan-youngs affair code is in the line where Kim Jin-seoks wife, Kang Sun-ju (Song Min-ji), visits Chung Chan-youngs parents and reveals that your daughter is meeting her husband.The affair code utilizes revelations and consequent impacts.The time limit code of Chung Chan-young is revealed in the stories of various Rob Reiners who are about to die, as is the secret code of Cha Mi-jos birth.It turned out that he knew Park Jeong-ja (Nam Ki-ae), who raised Chamijo, and was currently serving a sentence in prison.Of course, the secret code of this birth is often used as a increase in identity, but in this drama it is the opposite: it is portrayed as an uncomfortable truth that you do not want to know much.In addition to the secrets of affair, deadline and birth, the episode of Sun-woo Kims brother Kim So-won (An So-hee)s breakup is also typical.The expulsion of his stepfathers coercion, the wandering, and so on. Why did the third-nine use so many cliches?This is the only way to explain the easy choices as the negligence of a writer.Of course, the melodrama with Cha Mi-jo, Chung Chan-young and Jang Joo-hee and Sun-woo Kim, Kim Moo-saeng and Park Hyun-joon (Lee Tae-hwan) are typical.But I was expecting that there were actors like Son Ye-jin and former Mido, so I thought that other stories would come out even in the typical composition.But the current is not, unfortunately, because it feels like it is just a repetition of clichés.Still, ratings have risen to a maximum of 7 percent (Nilson Korea), and are moving back and forth between 5 percent.The reason why the audience rating is so high is that the work is not a great achievement, but rather the stimulus of the typical cliché itself.I am sorry for the situation of the drama that is barely maintained by the power of the actors.
The whole Mido is in Son Ye-jin, and you should watch it unconditionally. The viewers who watched JTBC drama third-nine were probably like this.It was Son Ye-jin who proved that the name Melo Queen was not a false name as Loves sudden arrival, and it was former Mido who took the eyes of viewers at once with TVN <Spicy Doctor Life>.So, can not there be any expectation that these two will show their best friend Chemi in one work?And, presumably, in the third-nine, the performances of Son Ye-jin and former Mido are constant.It is no exaggeration to say that they are immersed in their works because of their acting, and they are making up a certain degree of dignity.This is the same with Kim Ji-hyun in the role of Jang Joo-hee, who plays a trio of men in this work, and the male actors Yeon Woo-jin and Lee Mu-saeng.Acting is no better. The problem is the script.There was anxiety that the drama was too easy to weave characters from the spoil of chance that Cha Mi-jo (Son Ye-jin) and Sun-woo Kim (Yeon Woo-jin) somehow meet even if they break up.In the case where Chung Chan-young (formerly Mido) is judged to be a deadline, he deals with the age of thirty-nine, but I think that the code death can not be missed, but there is a concern that this is a typical cliche somewhere.It is also true that there was a suspicion that the drama was going to write infidelity code, although it was foreseeable that there would be a reason for it, as the voices of infidelity beautification about the relationship between Kim Jin-seok (Lee Mu-saeng) and Chung Chan-young flowed out.When Chung Chan-young, who accepted the deadline, said that he was one of Rob Reiners, he could not give up his disappointment that he would write the code of secret of birth now.We can not make an evaluation of Cliché Bumbuck only with material.However, is not only a material but also a cliché Bumbuck in that the method of using the material is a typical drama grammar.The proof of Kim Jin-seok and Chung Chan-youngs affair code is in the line where Kim Jin-seoks wife, Kang Sun-ju (Song Min-ji), visits Chung Chan-youngs parents and reveals that your daughter is meeting her husband.The affair code utilizes revelations and consequent impacts.The time limit code of Chung Chan-young is revealed in the stories of various Rob Reiners who are about to die, as is the secret code of Cha Mi-jos birth.It turned out that he knew Park Jeong-ja (Nam Ki-ae), who raised Chamijo, and was currently serving a sentence in prison.Of course, the secret code of this birth is often used as a increase in identity, but in this drama it is the opposite: it is portrayed as an uncomfortable truth that you do not want to know much.In addition to the secrets of affair, deadline and birth, the episode of Sun-woo Kims brother Kim So-won (An So-hee)s breakup is also typical.The expulsion of his stepfathers coercion, the wandering, and so on. Why did the third-nine use so many cliches?This is the only way to explain the easy choices as the negligence of a writer.Of course, the melodrama with Cha Mi-jo, Chung Chan-young and Jang Joo-hee and Sun-woo Kim, Kim Moo-saeng and Park Hyun-joon (Lee Tae-hwan) are typical.But I was expecting that there were actors like Son Ye-jin and former Mido, so I thought that other stories would come out even in the typical composition.But the current is not, unfortunately, because it feels like it is just a repetition of clichés.Still, ratings have risen to a maximum of 7 percent (Nilson Korea), and are moving back and forth between 5 percent.The reason why the audience rating is so high is that the work is not a great achievement, but rather the stimulus of the typical cliché itself.I am sorry for the situation of the drama that is barely maintained by the power of the actors.
The whole Mido is in Son Ye-jin, and you should watch it unconditionally. The viewers who watched JTBC drama third-nine were probably like this.It was Son Ye-jin who proved that the name Melo Queen was not a false name as Loves sudden arrival, and it was former Mido who took the eyes of viewers at once with TVN <Spicy Doctor Life>.So, can not there be any expectation that these two will show their best friend Chemi in one work?And, presumably, in the third-nine, the performances of Son Ye-jin and former Mido are constant.It is no exaggeration to say that they are immersed in their works because of their acting, and they are making up a certain degree of dignity.This is the same with Kim Ji-hyun in the role of Jang Joo-hee, who plays a trio of men in this work, and the male actors Yeon Woo-jin and Lee Mu-saeng.Acting is no better. The problem is the script.There was anxiety that the drama was too easy to weave characters from the spoil of chance that Cha Mi-jo (Son Ye-jin) and Sun-woo Kim (Yeon Woo-jin) somehow meet even if they break up.In the case where Chung Chan-young (formerly Mido) is judged to be a deadline, he deals with the age of thirty-nine, but I think that the code death can not be missed, but there is a concern that this is a typical cliche somewhere.It is also true that there was a suspicion that the drama was going to write infidelity code, although it was foreseeable that there would be a reason for it, as the voices of infidelity beautification about the relationship between Kim Jin-seok (Lee Mu-saeng) and Chung Chan-young flowed out.When Chung Chan-young, who accepted the deadline, said that he was one of Rob Reiners, he could not give up his disappointment that he would write the code of secret of birth now.We can not make an evaluation of Cliché Bumbuck only with material.However, is not only a material but also a cliché Bumbuck in that the method of using the material is a typical drama grammar.The proof of Kim Jin-seok and Chung Chan-youngs affair code is in the line where Kim Jin-seoks wife, Kang Sun-ju (Song Min-ji), visits Chung Chan-youngs parents and reveals that your daughter is meeting her husband.The affair code utilizes revelations and consequent impacts.The time limit code of Chung Chan-young is revealed in the stories of various Rob Reiners who are about to die, as is the secret code of Cha Mi-jos birth.It turned out that he knew Park Jeong-ja (Nam Ki-ae), who raised Chamijo, and was currently serving a sentence in prison.Of course, the secret code of this birth is often used as a increase in identity, but in this drama it is the opposite: it is portrayed as an uncomfortable truth that you do not want to know much.In addition to the secrets of affair, deadline and birth, the episode of Sun-woo Kims brother Kim So-won (An So-hee)s breakup is also typical.The expulsion of his stepfathers coercion, the wandering, and so on. Why did the third-nine use so many cliches?This is the only way to explain the easy choices as the negligence of a writer.Of course, the melodrama with Cha Mi-jo, Chung Chan-young and Jang Joo-hee and Sun-woo Kim, Kim Moo-saeng and Park Hyun-joon (Lee Tae-hwan) are typical.But I was expecting that there were actors like Son Ye-jin and former Mido, so I thought that other stories would come out even in the typical composition.But the current is not, unfortunately, because it feels like it is just a repetition of clichés.Still, ratings have risen to a maximum of 7 percent (Nilson Korea), and are moving back and forth between 5 percent.The reason why the audience rating is so high is that the work is not a great achievement, but rather the stimulus of the typical cliché itself.I am sorry for the situation of the drama that is barely maintained by the power of the actors.

The whole Mido is in Son Ye-jin, and you should watch it unconditionally. The viewers who watched JTBC drama "third-nine" were probably like this. It was Son Ye-jin who proved that the name "Melo Queen" was not a false name as "Love's sudden arrival", and it was former Mido who took the eyes of viewers at once with TVN <Spicy Doctor Life>. So, can not there be any expectation that these two will show their best friend Chemi in one work?

And, presumably, in the third-nine, the performances of Son Ye-jin and former Mido are constant. It is no exaggeration to say that they are immersed in their works because of their acting, and they are making up a certain degree of dignity. This is the same with Kim Ji-hyun in the role of Jang Joo-hee, who plays a trio of men in this work, and the male actors Yeon Woo-jin and Lee Mu-saeng. Acting is no better. The problem is the script.

There was anxiety that the drama was too easy to weave characters from the "spoil of chance" that Cha Mi-jo (Son Ye-jin) and Sun-woo Kim (Yeon Woo-jin) somehow meet even if they break up. In the case where Chung Chan-young (formerly Mido) is judged to be a deadline, he deals with the age of thirty-nine, but I think that the code "death" can not be missed, but there is a concern that this is a typical cliche somewhere.

It is also true that there was a suspicion that the drama was going to write "infidelity code", although it was foreseeable that there would be a reason for it, as the voices of "infidelity beautification" about the relationship between Kim Jin-seok (Lee Mu-saeng) and Chung Chan-young flowed out. When Chung Chan-young, who accepted the deadline, said that he was one of Rob Reiner's, he could not give up his disappointment that he would write the code of "secret of birth" now.

We can not make an evaluation of 'Cliché Bumbuck' only with material. However, is not only a material but also a 'cliché Bumbuck' in that the method of using the material is a typical 'drama grammar'. The proof of Kim Jin-seok and Chung Chan-young's affair code is in the line where Kim Jin-seok's wife, Kang Sun-ju (Song Min-ji), visits Chung Chan-young's parents and reveals that your daughter is meeting her husband. The affair code utilizes revelations and consequent impacts.

The time limit code of Chung Chan-young is revealed in the stories of various Rob Reiners who are about to die, as is the secret code of Cha Mi-jo's birth. It turned out that he knew Park Jeong-ja (Nam Ki-ae), who raised Chamijo, and was currently serving a sentence in prison. Of course, the secret code of this birth is often used as a "increase in identity," but in this drama it is the opposite: it is portrayed as an uncomfortable truth that you do not want to know much.

In addition to the secrets of affair, deadline and birth, the episode of Sun-woo Kim's brother Kim So-won (An So-hee)'s breakup is also typical. The expulsion of his stepfather’s coercion, the wandering, and so on. Why did the third-nine use so many cliches? This is the only way to explain the easy choices as the negligence of a writer.

Of course, the melodrama with Cha Mi-jo, Chung Chan-young and Jang Joo-hee and Sun-woo Kim, Kim Moo-saeng and Park Hyun-joon (Lee Tae-hwan) are typical. But I was expecting that there were actors like Son Ye-jin and former Mido, so I thought that other stories would come out even in the typical composition. But the current is not, unfortunately, because it feels like it is just a repetition of clichés.

Still, ratings have risen to a maximum of 7 percent (Nilson Korea), and are moving back and forth between 5 percent. The reason why the audience rating is so high is that the work is not a great achievement, but rather the stimulus of the typical cliché itself. I am sorry for the situation of the drama that is barely maintained by the power of the actors.