Yeon Woo-jin "needs unconventional scenes to show the end of pleasure emptiness"

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Actor Yeon Woo-jin, who has been working on his work every year, such as normal love, marriage other than love, 7 days queen, priest, list your songThis time, he played the role of a matte in dangerous love with his wife of the division commander in the film Serve for the People (director Jang Cheol-soo), and played Top Model in an unconventional melodrama.The story is about a model soldier, Moon Woo-jin, who dreams of becoming a successful soldier, conflicting between the wall of status that should not be overcome by his meeting with the young wife of the division (Gian), and the dangerous Temptation that he wants to fall into.Secretly Great director Jang Chul-soos return to the nine-year-old film and Yeon Woo-jins 19-gold melodrama Top Model has collected topics every day before opening.Yeon Woo-jin entered the film in 2020 after confirming the casting in 2014 in this work.The most attractive thing about showing the human nature and peril behind the melodrama was that it hasnt been put down for six years, he said of the Choices instrument.I was more worried about expressing my feelings honestly than the fear of a sudden transformation, he said. I tried until the end of the shooting to avoid losing my initials, and I have no regrets about the work Choices.I told my family I wanted to do this for an extraordinary acting transformation, and one day I went home after work and found the original book on the table.My mother looked at the book and worried for a few days and I was reminded that she was crying together because she cheered me up, If you want to express this and think it is art, do Top Model boldly.What did Yeon Woo-jin want to express with this work?He emphasized, We tried to show how the naked Blow-Up of a human being in the sense of love, the emptiness that comes after pleasure, and the slogan Service for the people will work for us.Service for the people is a political slogan that existed in real history.In the constant Temptation, the slogan for the cause eventually turns into a slogan for the Blow-Up expression, and the Blow-Up eats the military matte that has kept his beliefs upright, he said. Pleasure follows greater pleasure and one man turns into an animal in its pleasure.God is considered a key scene where matte and training break down all the objects symbolizing the system after seeing the end of pleasure.Yeon Woo-jin said, The scene of breaking things may be a show of love of the two characters, or it may be a struggle to be recognized for legitimacy by saying love to hide fear.Yeon Woo-jin, who had to digest a dense bedsin, was really devoted to the idea that it was a necessary scene.If you did not have a sense of burden, you would be lying, he said. I thought that it was necessary to express the endless pleasure and the characters that were encroached on Blow-Up effectively and to convey their feelings.It is an explanation that it showed overflowing acting and directing to show the last emptiness better.Yeon Woo-jin recalled the time of shooting, saying, I poured everything into the memory of how I filmed it.I read a lot of scripts at the time of shooting, and I checked the line perfectly and went into the shooting.I usually monitor every take, but when I shoot Bedsin, the monitoring place is downstairs, so I skip it for time reduction and take one take at that time more hard. I had a lot of difficult gods, but I played well with consideration and respect, he said. It would have been an easy act, but I am grateful for it.I acted while thinking whether Mukwang really loved the training, or whether he was trying to wrap and rationalize the momentary mistakes with love, he said, and he felt a deep trace of how to express the melodrama of matte and training.If I was just trying to play a stable and comfortable role, I wouldnt have been able to Choices this work, a work with the spirit and greed of Top Model, which wants to express new and diverse aspects.It was a time to be hard on your own, and you cant know all this, but Im satisfied if my efforts have been shown a one.
Actor Yeon Woo-jin, who has been working on his work every year, such as normal love, marriage other than love, 7 days queen, priest, list your songThis time, he played the role of a matte in dangerous love with his wife of the division commander in the film Serve for the People (director Jang Cheol-soo), and played Top Model in an unconventional melodrama.The story is about a model soldier, Moon Woo-jin, who dreams of becoming a successful soldier, conflicting between the wall of status that should not be overcome by his meeting with the young wife of the division (Gian), and the dangerous Temptation that he wants to fall into.Secretly Great director Jang Chul-soos return to the nine-year-old film and Yeon Woo-jins 19-gold melodrama Top Model has collected topics every day before opening.Yeon Woo-jin entered the film in 2020 after confirming the casting in 2014 in this work.The most attractive thing about showing the human nature and peril behind the melodrama was that it hasnt been put down for six years, he said of the Choices instrument.I was more worried about expressing my feelings honestly than the fear of a sudden transformation, he said. I tried until the end of the shooting to avoid losing my initials, and I have no regrets about the work Choices.I told my family I wanted to do this for an extraordinary acting transformation, and one day I went home after work and found the original book on the table.My mother looked at the book and worried for a few days and I was reminded that she was crying together because she cheered me up, If you want to express this and think it is art, do Top Model boldly.What did Yeon Woo-jin want to express with this work?He emphasized, We tried to show how the naked Blow-Up of a human being in the sense of love, the emptiness that comes after pleasure, and the slogan Service for the people will work for us.Service for the people is a political slogan that existed in real history.In the constant Temptation, the slogan for the cause eventually turns into a slogan for the Blow-Up expression, and the Blow-Up eats the military matte that has kept his beliefs upright, he said. Pleasure follows greater pleasure and one man turns into an animal in its pleasure.God is considered a key scene where matte and training break down all the objects symbolizing the system after seeing the end of pleasure.Yeon Woo-jin said, The scene of breaking things may be a show of love of the two characters, or it may be a struggle to be recognized for legitimacy by saying love to hide fear.Yeon Woo-jin, who had to digest a dense bedsin, was really devoted to the idea that it was a necessary scene.If you did not have a sense of burden, you would be lying, he said. I thought that it was necessary to express the endless pleasure and the characters that were encroached on Blow-Up effectively and to convey their feelings.It is an explanation that it showed overflowing acting and directing to show the last emptiness better.Yeon Woo-jin recalled the time of shooting, saying, I poured everything into the memory of how I filmed it.I read a lot of scripts at the time of shooting, and I checked the line perfectly and went into the shooting.I usually monitor every take, but when I shoot Bedsin, the monitoring place is downstairs, so I skip it for time reduction and take one take at that time more hard. I had a lot of difficult gods, but I played well with consideration and respect, he said. It would have been an easy act, but I am grateful for it.I acted while thinking whether Mukwang really loved the training, or whether he was trying to wrap and rationalize the momentary mistakes with love, he said, and he felt a deep trace of how to express the melodrama of matte and training.If I was just trying to play a stable and comfortable role, I wouldnt have been able to Choices this work, a work with the spirit and greed of Top Model, which wants to express new and diverse aspects.It was a time to be hard on your own, and you cant know all this, but Im satisfied if my efforts have been shown a one.
Actor Yeon Woo-jin, who has been working on his work every year, such as normal love, marriage other than love, 7 days queen, priest, list your songThis time, he played the role of a matte in dangerous love with his wife of the division commander in the film Serve for the People (director Jang Cheol-soo), and played Top Model in an unconventional melodrama.The story is about a model soldier, Moon Woo-jin, who dreams of becoming a successful soldier, conflicting between the wall of status that should not be overcome by his meeting with the young wife of the division (Gian), and the dangerous Temptation that he wants to fall into.Secretly Great director Jang Chul-soos return to the nine-year-old film and Yeon Woo-jins 19-gold melodrama Top Model has collected topics every day before opening.Yeon Woo-jin entered the film in 2020 after confirming the casting in 2014 in this work.The most attractive thing about showing the human nature and peril behind the melodrama was that it hasnt been put down for six years, he said of the Choices instrument.I was more worried about expressing my feelings honestly than the fear of a sudden transformation, he said. I tried until the end of the shooting to avoid losing my initials, and I have no regrets about the work Choices.I told my family I wanted to do this for an extraordinary acting transformation, and one day I went home after work and found the original book on the table.My mother looked at the book and worried for a few days and I was reminded that she was crying together because she cheered me up, If you want to express this and think it is art, do Top Model boldly.What did Yeon Woo-jin want to express with this work?He emphasized, We tried to show how the naked Blow-Up of a human being in the sense of love, the emptiness that comes after pleasure, and the slogan Service for the people will work for us.Service for the people is a political slogan that existed in real history.In the constant Temptation, the slogan for the cause eventually turns into a slogan for the Blow-Up expression, and the Blow-Up eats the military matte that has kept his beliefs upright, he said. Pleasure follows greater pleasure and one man turns into an animal in its pleasure.God is considered a key scene where matte and training break down all the objects symbolizing the system after seeing the end of pleasure.Yeon Woo-jin said, The scene of breaking things may be a show of love of the two characters, or it may be a struggle to be recognized for legitimacy by saying love to hide fear.Yeon Woo-jin, who had to digest a dense bedsin, was really devoted to the idea that it was a necessary scene.If you did not have a sense of burden, you would be lying, he said. I thought that it was necessary to express the endless pleasure and the characters that were encroached on Blow-Up effectively and to convey their feelings.It is an explanation that it showed overflowing acting and directing to show the last emptiness better.Yeon Woo-jin recalled the time of shooting, saying, I poured everything into the memory of how I filmed it.I read a lot of scripts at the time of shooting, and I checked the line perfectly and went into the shooting.I usually monitor every take, but when I shoot Bedsin, the monitoring place is downstairs, so I skip it for time reduction and take one take at that time more hard. I had a lot of difficult gods, but I played well with consideration and respect, he said. It would have been an easy act, but I am grateful for it.I acted while thinking whether Mukwang really loved the training, or whether he was trying to wrap and rationalize the momentary mistakes with love, he said, and he felt a deep trace of how to express the melodrama of matte and training.If I was just trying to play a stable and comfortable role, I wouldnt have been able to Choices this work, a work with the spirit and greed of Top Model, which wants to express new and diverse aspects.It was a time to be hard on your own, and you cant know all this, but Im satisfied if my efforts have been shown a one.
Actor Yeon Woo-jin, who has been working on his work every year, such as normal love, marriage other than love, 7 days queen, priest, list your songThis time, he played the role of a matte in dangerous love with his wife of the division commander in the film Serve for the People (director Jang Cheol-soo), and played Top Model in an unconventional melodrama.The story is about a model soldier, Moon Woo-jin, who dreams of becoming a successful soldier, conflicting between the wall of status that should not be overcome by his meeting with the young wife of the division (Gian), and the dangerous Temptation that he wants to fall into.Secretly Great director Jang Chul-soos return to the nine-year-old film and Yeon Woo-jins 19-gold melodrama Top Model has collected topics every day before opening.Yeon Woo-jin entered the film in 2020 after confirming the casting in 2014 in this work.The most attractive thing about showing the human nature and peril behind the melodrama was that it hasnt been put down for six years, he said of the Choices instrument.I was more worried about expressing my feelings honestly than the fear of a sudden transformation, he said. I tried until the end of the shooting to avoid losing my initials, and I have no regrets about the work Choices.I told my family I wanted to do this for an extraordinary acting transformation, and one day I went home after work and found the original book on the table.My mother looked at the book and worried for a few days and I was reminded that she was crying together because she cheered me up, If you want to express this and think it is art, do Top Model boldly.What did Yeon Woo-jin want to express with this work?He emphasized, We tried to show how the naked Blow-Up of a human being in the sense of love, the emptiness that comes after pleasure, and the slogan Service for the people will work for us.Service for the people is a political slogan that existed in real history.In the constant Temptation, the slogan for the cause eventually turns into a slogan for the Blow-Up expression, and the Blow-Up eats the military matte that has kept his beliefs upright, he said. Pleasure follows greater pleasure and one man turns into an animal in its pleasure.God is considered a key scene where matte and training break down all the objects symbolizing the system after seeing the end of pleasure.Yeon Woo-jin said, The scene of breaking things may be a show of love of the two characters, or it may be a struggle to be recognized for legitimacy by saying love to hide fear.Yeon Woo-jin, who had to digest a dense bedsin, was really devoted to the idea that it was a necessary scene.If you did not have a sense of burden, you would be lying, he said. I thought that it was necessary to express the endless pleasure and the characters that were encroached on Blow-Up effectively and to convey their feelings.It is an explanation that it showed overflowing acting and directing to show the last emptiness better.Yeon Woo-jin recalled the time of shooting, saying, I poured everything into the memory of how I filmed it.I read a lot of scripts at the time of shooting, and I checked the line perfectly and went into the shooting.I usually monitor every take, but when I shoot Bedsin, the monitoring place is downstairs, so I skip it for time reduction and take one take at that time more hard. I had a lot of difficult gods, but I played well with consideration and respect, he said. It would have been an easy act, but I am grateful for it.I acted while thinking whether Mukwang really loved the training, or whether he was trying to wrap and rationalize the momentary mistakes with love, he said, and he felt a deep trace of how to express the melodrama of matte and training.If I was just trying to play a stable and comfortable role, I wouldnt have been able to Choices this work, a work with the spirit and greed of Top Model, which wants to express new and diverse aspects.It was a time to be hard on your own, and you cant know all this, but Im satisfied if my efforts have been shown a one.

Actor Yeon Woo-jin, who has been working on his work every year, such as 'normal love', 'marriage other than love', '7 days queen', 'priest', 'list your song' This time, he played the role of a matte in dangerous love with his wife of the division commander in the film "Serve for the People" (director Jang Cheol-soo), and played Top Model in an unconventional melodrama.

The story is about a model soldier, Moon Woo-jin, who dreams of becoming a successful soldier, conflicting between the wall of status that should not be overcome by his meeting with the young wife of the division (Gian), and the dangerous Temptation that he wants to fall into. 'Secretly Great' director Jang Chul-soo's return to the nine-year-old film and Yeon Woo-jin's 19-gold melodrama Top Model has collected topics every day before opening.

Yeon Woo-jin entered the film in 2020 after confirming the casting in 2014 in this work. "The most attractive thing about showing the human nature and peril behind the melodrama was that it hasn't been put down for six years," he said of the Choices instrument. "I was more worried about expressing my feelings honestly than the fear of a sudden transformation," he said. "I tried until the end of the shooting to avoid losing my initials, and I have no regrets about the work Choices."

“I told my family I wanted to do this for an extraordinary acting transformation, and one day I went home after work and found the original book on the table. My mother looked at the book and worried for a few days and I was reminded that she was crying together because she cheered me up, "If you want to express this and think it is art, do Top Model boldly."

What did Yeon Woo-jin want to express with this work? He emphasized, "We tried to show how the naked Blow-Up of a human being in the sense of love, the emptiness that comes after pleasure, and the slogan 'Service for the people' will work for us." 'Service for the people' is a political slogan that existed in real history. "In the constant Temptation, the slogan for the cause eventually turns into a slogan for the Blow-Up expression, and the Blow-Up eats the military matte that has kept his beliefs upright," he said. "Pleasure follows greater pleasure and one man turns into an animal in its pleasure."

God is considered a key scene where matte and training break down all the objects symbolizing the system after seeing the end of pleasure. Yeon Woo-jin said, "The scene of breaking things may be a show of love of the two characters, or it may be a struggle to be recognized for legitimacy by saying love to hide fear."

Yeon Woo-jin, who had to digest a dense bedsin, was really 'devoted' to the idea that it was a necessary scene. "If you did not have a sense of burden, you would be lying," he said. "I thought that it was necessary to express the endless pleasure and the characters that were encroached on Blow-Up effectively and to convey their feelings." It is an explanation that it showed overflowing acting and directing to show the last emptiness better. Yeon Woo-jin recalled the time of shooting, saying, "I poured everything into the Memory of how I filmed it."

“I read a lot of scripts at the time of shooting, and I checked the line perfectly and went into the shooting. I usually monitor every take, but when I shoot Bedsin, the monitoring place is downstairs, so I skip it for time reduction and take one take at that time more hard. "

"I had a lot of difficult gods, but I played well with consideration and respect," he said. "It would have been an easy act, but I am grateful for it."

"I acted while thinking whether Mukwang really loved the training, or whether he was trying to wrap and rationalize the momentary mistakes with love," he said, and he felt a deep trace of how to express the melodrama of matte and training.

"If I was just trying to play a stable and comfortable role, I wouldn't have been able to Choices this work, a work with the spirit and greed of Top Model, which wants to express new and diverse aspects. It was a time to be hard on your own, and you can't know all this, but I'm satisfied if my efforts have been shown a "one."