Vocalization implies all sorts of ways/technical approaches to better sing songs, such as vocal chord control and breathing. If the act of cultivating appearance more beautifully is 'toilet', the technique to decorate sound more beautifully and beautifully is 'voluntary'.
For example, a well-voiced Singer is comfortable with sound, stable in high-pitched areas, and does not show unreasonableness in any song. On the other hand, Singer, who is not well equipped with vocalization, conveys anxiety when the sound is awkward and the range changes.
Lim Young-woong can be recognized as a Singer who sings only with upbringing (genuine) without using any Skil (artistic). It can be misunderstood that there is no need for vocal training because it is born with such good upbringing.
However, if you listen to the theme song Love Always Runs, which is the topic of the KBS2 weekend drama 'Gentleman and Girl', Lim Young-woong is a 'single text' or 'voice sticker' with all the vocalizations. In the gentle love line of Park Dan (Lee Se-hee) and Lee Young-guk (Ji Hyun-woo), the fun of watching the performances of the supporting actors of luxury goods is added to the singing of Lim Young-woong, which adds to the fun of watching the drama. That's why Saturday is waiting.
It’s easy to hear Love Always Run, but it’s not easy to sing it properly when you’re singing. Why is it difficult to sing when it’s easy to hear?
Almost everything that is especially important in vocalization is elemental in Love Always Runs. In the upbringing, there is a high level of vocalization, such as non-sex, caustic, and wicked evil approach, as well as changing the position of sound in various breathing methods and creating various voices.
Lim Young-woong is a vocalist in "Nanda" of "Tears ~", which is the beginning of the song, and opens his neck slightly and sings. In this song, he uses the insincereness in a delicious way and produces an attractive tone.
Kim Myung-ki, a vocal trainer who coached many talented Singers such as spider, Wheesung, Big Mama, Ok Joo-hyun, and Lee Soo, praised Lim Young-woong's "love always runs away" as "all vocal techniques have been covered" and "it is like a textbook of vocalization."
Kim Myung-ki commented on Lim Young-woong's "Love Always Runs" as "3D rather than 2D type sound that can be heard by general Singers."
3D, not 2D, which seems to be sounding on the wall, refers to the sound coming from the front - back - up - down. It is great that it makes a variety of sound productions such as listening and listening to the sound.
“Lim Young-woong in this song is a good thing to take a breath, lower your breathing, pull your breathing back, and so on, and change the direction of breathing and sound in a very diverse way,” Kim said. “Impossible Skil and emotion without deep understanding of speech.”
“The general/amateurs often keep the sound going forward when they sing, and it sounds very boring when they do this. However, Lim Young-woong makes the audience listen to the song through various movements such as pushing and pulling the sound, such as making the sound come out of the center (middle) in 'Love always runs away' and then going to another position and returning to its original position and repeating it again. “It’s not uncommon for a song that helps me study the direction of breathing and sound, which is a very important part of vocalization.”
Kim Myung-ki then gave a specific example of each of the lyrics of 'Love Always Runs' and did not spare a thumb in Lim Young-woong's excellent vocalization.
As you can see from the "Let's go" part of "I'm going to let go like a shy child / I'm going to let go", Lim Young-woong's pronunciation process is excellent. Among the Korean lyrics, it is difficult to pronounce "Oh ~", "Woo ~", "U ~", etc., especially in the melodic melody. It is also because the Korean lyrics flow in the direction of the power to look down, so it is common to sing "Oh ~" or "Woo ~" as "Uh ~" Feelings. This is described as ‘transition of pronunciation’. Lim Young-woong is the most exemplary of this ‘transition of pronunciation’ in this song. Where you solve the power correctly and give The Attack, you can clearly show the aspect of the vocal master who gives The Attack and makes the sound.
Kim also commented on Lim Young-woong's excellent pronunciation in the part "I grab it, but I miss / Love always runs away". Lim Young-woong does not pronounce "um" accurately because the sound can be pressed in "nostalgia ~", but pronounces it in intermediate form and processes the sound smoothly.
At the end of "My cherished man", "Ah ~", Crescendo is also excellent.
Another of the features of Lim Young-woong, which stands out in Love Always Runs, is rhythm.
"I'm going to let go" is a three-year progression of "I'm going to throw away", but it is not easy to sing it with a rhythm. Nevertheless, Lim Young-woong is using three consecutive notes in this part. The high-level assessment of the accuracy of the pitch and the exquisite rhythm of the rhythm is proved by this lyrics alone.
Kim Myung-ki also highly evaluated Lim Young-woong's treatment of the shout. I can see that I can also sing exactly when I sing "Tae" of "Ae-Tae" in "I have to wait and I have to give up all my sadness." "Tae-Tae" in this part is a very accurate shaut. In this lyrics, "Tae ~" is one of the most important parts that lead to the atmosphere of the song, so Lim Young-woong seems to have tried to add impact to the shout to emphasize this part more.
It is also noteworthy that "what is going to find this way" in the following lyrics, "What is going to find?" "What is going to find" is also a very difficult pronunciation when singing. Lim Young-woong is using this part correctly, listening to the sound with a chest breathing.
Kim Mi-young, a middle-aged chorus vocalist and vocal trainer, commented on "Love Always Runs away" by Lim Young-woong, "The tone that makes the lonely and empty Feelings that make the age impossible to measure, the voice treatment is very smooth and soft, and the song is immersed well, and the correct pronunciation and vibration are also a big part of making the song concentrate. “I’m not a big fan of the world,” he said. Kim Mi-young also commented, "I think that the neatly restrained method without any splashes such as end treatment is very suitable for saving the purpose of this song."
Lim Young-woong's Love Always Runs, which makes you want to hear again even though you just heard it, is approaching the category of 'masterpiece' of songs that many people sympathize with with with the high evaluation of vocal experts.