Kim Jung-Eun has heralded a major anti-war Blackening.
MBN-Wave Wall Street drama My Dangerous Wife (directed by Lee Hyung-min/playplayplayed by Hwang Da-eun) released an image of actor Kim Jung-Eun, who changed 180 degrees on October 11.
'My dangerous wife' took control of real-time search terms of various portal sites after the first broadcast on the 5th, and showed a strong power with hot topic. Lee Hyung-min's excellent misen and reversal story, and veteran actors' extreme performances combined to announce the birth of a high-density psychological thriller. Above all, Kim Jung-Eun, who was kidnapped in the first and second broadcasts, was dramatically rescued, and Husband Kim Yoon-chul (Choi Won-young), who was a suspect, made extreme choices, giving extreme tension.
Kim Jung-Eun has appeared in a 180-degree change from the previous kidnapping case, and is focusing attention on the move to Blacken. In the play, Shim Jae-kyung is armed with all-Black from head to toe, and wanders in front of his house with a suspicious suit with a hat pressed on his body suit. Shim Jae-kyung is looking around in the dark night, looking around as if he is afraid that someone will be caught in his identity. Especially, it is questioning that it does not leave a minimum trace with leather gloves. Shim Jae-kyung, who seemed to have succeeded in returning to the safe after barely escaping from the crisis of death, is curious about why he turned into an all-Black cat woman.
Kim Jung-Eun's Blackening transformation scene was filmed in June at Yongin-si, Gyeonggi-do. Kim Jung-Eun showed a sincere attitude in the form of unpacking and preparing in a shooting costume that sticks to the whole body despite the hot weather that still feels hot after the sun goes down. In addition, in order to encourage the morale of the staff suffering from outdoor shooting in hot weather, a surprise event was held to deliver a cool drink, and energy was added to the scene. Then, when the filming began, Kim Jung-Eun showed a serious expression with a smile and immersed in the scene and showed a sleek movement and completed the visual god of the past.