"I want to do something now and I need permission," Sa Hye-joon (Park Bo-gum) asks Park So-dam for permission to kiss like that, "I'll allow It." They kiss, and An Jeong-ha says, I've thought about It, and you can always do It. Can I? That tells how much he loves Sa Hye-joon, and as if in response, Sa Hye-joon also says wIth his love, "You're anything."
In TVN Drama <Record of Youth>, this kissing god, which Sa Hye-joon and An Jeong-ha share, makes the heart feel dull. But in the excItement and joy, I feel something like sadness somewhere. It is because they feel that they are allowed to do everything to each other because they do not have anything to do wIth It. Their love is not a grand proposal, nor in a fancy place or even in a good car, and in the van they dragged around when their father was working, they say and kiss. As if the only thing that can do to each other is 'miss'.
Of course, the Record of Youth is Drama, but in this Drama there is Drama that Sa Hye-joon wants to do so. Sa Hye-joon, who was cast in the medical Drama Lee Jin-hyuk after trying wIthout giving up, comes to his senior doctor (Seo Hyun-jin) in the Drama and says, "Would you like to go out wIth your sister?" The scene where Sa Hye-joon reveals such a heart to her senior is lIterally a scene in Drama. HospItal, and he is a doctor. The love that Sa Hye-joon does in Drama and the love in real life are so different.
The fact that the fictional world like Drama is different also appears in the scene where Sa Hye-joon and top-ranking star Park Do-ha (Kim Gun-woo) film together. In realIty, Park is the top star and Sa Hye-joon is an unknown Actor, but in the movie, Sa Hye-joon is a person who takes Park Do-ha as a chaebol house and commIts violence wIthout any reason. In realIty, the spoon that lives according to the spoon of birth changes, but in fiction, It plays the opposIte role.
Is that by setting up a Drama in a Drama, the Drama is a realIty, that is, to say that the world in the Drama played by Sa Hye-joon and the realIty he is in are different. Through this trick, the realIty of <Record of Youth> says that such an idea of 's success if you try good and sincerely' is possible only in the Drama. Lee Tae-soo (Lee Chang-hoon), who tramples Sa Hye-joon and Lee Min-jae (Shin Dong-mi), said that he is a monster himself and can live on this floor, so he is rather successful.
Kim Lee Young (Shin Ae-ra), who happened to meet him on a golf course, says: "There is no causalIty in the world." Drama tells Kim Young that there is no such realIty that those who live good and sincerely succeed and those who are bad are punished. The realIty is that those who are poor and who want to live somehow are in a worse sItuation. Toro, who played after Sa Kyung-joon (Lee Jae-won), who was unlucky because he pretended to be good, was cheated, has a sympathetic aspect. "I'm just a rich kid who gets a job that envys others, but It's a month's salary, a luxury bag. Can you collect this money and buy a house in Seoul? Pressed by the weight of life."
Of course, <Record of Youth> tells the story of Sa Hye-joon, who has the realIty of soil spoon, succeeds like a person in the Drama <Lee Jin-hyuk>. So I draw a story that makes fiction in Drama realIty. It is a thing that does not happen in real life, and It tells that <Record of Youth> is also a Drama.
Drama deals wIth the lack of realIty. Drama dreams of what does not happen in realIty. The Record of Youth is the process of young people dreaming of things that can not happen in realIty and realizing them. What is the use of such fantasy? I do not know. Of course, the realIty is barren, but I still dream. It is evidence of youth. Even if It does not happen as you want, It may be beautiful enough to dream. Like Sa Hye-joon, who said, "You are anything," you can love even if you are poor, you can dream, you can be happy enough, and even beautiful.
Record of Youth', will Park Bo-gum's Drama become realIty Record of Youth', is It poor to dream and love?