Aids Writing Kang Min-jung (Columnist)
Actor, director, writer, and broadcaster. The drama Youth Records is a long-standing topic film that boasts a top in every way. Park Bo-gum, who represents a male actor in his 20s, directed by director Ahn Gil-ho, who has always been a star and character, and TVN, who has become a drama and drama famous artist, has been empathizing with the subject of the times. As expected, it had an interesting repercussions in the first week of broadcasting, and it left a pleasant sign that someone would necessarily be a "life drama".
The story is clear: the growth of youth. It is a drama that shows how lonely youth, which is considered to be sick, and youth who has no place to lean on dreams, compete with their colleagues, confront their limitations, harmonize with their families, and reconcile with society. It deals with various youth groups and there are Park Bo-gum and An Jeong-ha (Park So-dam) in the center of ITZY.
The two men, whose wallets and social/family positions are all 'unjust styles', are twenty-six-year-olds with self-assurance that I will be okay. It is not like the so-called candy-type character that I have seen in the drama, but it is different from the success stories of laughing even if it is poor, living with a good life even if it is ignored, and meeting someone who is good. Even if you are unfair, you will not tolerate it and say everything you want to say.
The "Youth Record" is touching a more straightforward story: "Youth is sick because it hurts." It is a comfort that lasted 10 years ago. Furthermore, they are reaching consensus to the parents of the reality living with their youth. Even if you look at the highest audience rating in the 2049 generation, which is the target of TVN viewing, it can be interpreted in a similar context.
"I do not listen to adults anymore. When I live, human beings are the first to have their own interests." Hyejun equates adults with the adults. Was the progress of the 1020s ironless, or the 4050s conservative anachronistic, or did the implicit empathy of the present age, which is more responsible for the latter in this conflict, make the 'big' a social coinage? Just three or four years ago, characters like Hye-joon would have been frustrated by the viewers of their parents' generation, but now they seem like spokespersons who want to have my child's heart.
I feel skeptical about our society, which is a family-oriented decision that "the decision I made while leaving the company is based on me," and pursues "non-marriage". In fact, there is no energy to ride 'Thum', and it is a part of life in the 2030s that love is necessary to have a heart, not money. It is said that the reality that does not allow enough time, passion, and money encourages non-marriage these days. If Jungha's unmarriedness was like the old days, it would have been the end of ineffectiveness, but now it is said that it ends up not much for the parents' generation.
The youth recorded in accordance with the changed times and society is not their own but more realistic: My son is a hobby for the school board and the star will be the main business. “I’ve been in society for seven years and how much do you have in your bankbook?” “Auditions are good, I’ll go to the army.” “I want to give your Father money.” The president who asserts that "you will not." They are also the obstacles that do not seem to me like my heart, and they also decorate my youth page together.
I decide that 'my daily life can be hard even if I like someone'. This was a friend of model Hye Jun who liked to be a fan, but he made a glimpse of the pride that I am more precious even though I am a favorite star. Hye-joon's commitment to refuse what is not allowed to me was a decision to live my life that no one can give a better life than a youthful passenger.
We are looking forward to seeing them enjoy their current growth pains in the future, not with what I am, but with confidence that I am what! Even if you are ignored, you are self-esteem that I am as cool as you are.
Kang Min-jung (columnist)
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