sweeping Group BTS (RM, Jean, Sugar, Jay-hop, Jimin, Vu, political power) and TWICE (Nayeon, Jinyeon, Momo, Sana, Jihyo, Mina, Dahyeon, Chaeyoung, and Tsuwi) are the first place on the Japan Oricon weekly chart. swept the place.
According to the Japan Oricon Weekly Singles Chart (11/5–11/11) released on November 13, the ninth Japan single "FAKE LOVE/Airplane pt.2" released by BTS on the 7th recorded 454,829 points, marking the first place on the weekly single chart. I'm on.
This single was the first overseas singer to record the Japan record chart, and it recorded a record of over 400,000 points on the first day of release. DEly singles chart first place with 327,342 points in one day of release The first place for six consecutive days on the chart It is also noteworthy that it is a result of a single composed of a revised song and a remix version without a new song.
As a result, BTS has six singles in a row, Oricon de Ely single chart first place It was also a achievement. Earlier, BTS started its debut with the first Japan single "FOR YOU" released in 2015, and it reached the top of the first DeEly single chart after debut. ) (Ai Need You Japanese version), 2016's (RUN) ) (Run Japan version), 2017 'Bloody Sweat Tears' Japan version, 'MIC Drop/DNA/Crystal Snow' (Mike Drop/D & A/Crystal Snow)' for the first five consecutive places and recorded.
Japan Records Association Gold recognition standards also reveal a unique presence. The Japan Record Association classifies 100,000 copies of Lee Tzsche 'Gold', 250,000 copies of Lee Tzsche 'platinum', and 500,000 copies of Lee Tzsche 'Double Jeopardy platinum' based on cumulative sales volume of music every month. BTS is expected to receive 'Four consecutive platinum' until this single, following Japan's seventh single Blood Sweat Tears, the eighth single MIC Drop/DNA/Crystal Snow, and Regular's third album FACE YOURSELF. In particular, the eighth single was certified as 'Double Jeopardy platinum' among overseas singers who sold more than 500,000 copies and released singles in Japan in 2017.
Not only BTS, but TWICE is also being promoted in Japan. According to Oricon News on the 13th, TWICE's sixth mini album "YES or YES (Yes All Yes)" was released on the 5th, and it was the first place on the Japan Oricon Weekly Albums Chart (11/5-11/11) . The first album chart first place, which was collected as an import group in Korean, not a local original album released in Japanese. "TWICE's 'YES or YES' sold 33,000 copies in the first week of its release," Oricon said.
Previously, TWICE released the first place of the album chart in September with the Japanese Regular 1st album 'BDZ' released on September 12th. It was up 229,632 points. The album recorded 89,721 points on the day of release, and since 2008, when the Oricon de Ely album chart ranking began to be released, it has set the highest record of K-pop girl group that has entered Japan. On October 10, he was certified as 'platinum' and received '5 consecutive platinum' certification. Earlier, Japan's third single, "Wake Me Up," released in May, was the first female singer overseas to obtain the "Double Jeopardy platinum" certification.
BTS and TWICE side by side Oricon weekly single, album chart first place As a result, the extreme right-wing Japanese netizens and media, who were fussing that the red light was turned on in the third Korean wave craze, became a nice look.
Japan media zakzak said on June 6, "Korea Supreme Court of South Korea ruled that the damages lawsuit filed by forced labor Victims against Japan war criminals was justified." "The influence of this ruling could exclude TWICE and BTS from the list of 'NHK Hall' performers." Sponi Anex reported on the 10th that BTS's "NHK Hall", Fuji TV 'FNS Song Festival, and Asahi TV 'Music Station Super Live' were not confirmed, and the BTS' t-shirt disturbance was added to the judgment of the forced labor Victims of Korea. "It's a form of watering," he insisted.
The popularity of BTS and TWICE, which are considered to be the third Korean Wave leaders, was based on online contents such as local album release, solo performance, YouTube and V app, not publicity through local broadcasting. The outdated response, such as preventing the appearance of broadcasting, is likEly to lead to cultural isolation, not the end of the Korean Wave.
hwang hye-jin