The King, a monumental issue by Kim Eun-sook

on
= Ha Jae-geun, Culture Critic)SBS The King: The Lord of Eternity (hereinafter referred to as The King) attracted attention with the new work by Kim Eun-sook writer and the appearances of Lee Min-ho and Kim Go-eun.Kim Eun-sook has recently been undefeated with three consecutive jackpots, Dawn of the Sun, Guardian: The Lonely and Great God, and Mr.Prior to that, he was rated as a one-top writer of Korean romance Drama by hitting heirs, gentlemans dignity, secret garden and love of Paris.Lee Min-ho was the main character of heirs and caused the Korean Wave craze.Lee Min-ho and Song Jung-ki of Dawn of the Sun were the two hottest in the Chinese region before the fall of Han Han.Kim Go-eun became the heroine of Guardian: The Lonely and Great God and became a Korean star.When Kim Eun-sook and the two met again, it became an international issue.But surprisingly, the response is not good: Kim Eun-sooks works have been idolatized since the first episode.The King began with a good performance of 11 percent in the first episode, then dropped to one digit after the third, rebounding in the sixth, but still below expectations.Even criticism of anachronism continues.Show me the nakedness of romance DramaThis work is a monumental (?) problem by Kim Eun-sook. It is recorded in Dramasa () and is likely to be mentioned in the future.Because he showed the romance dramas people naked, he often likens romance drama to the story of Prince White Horse Tan and Bright Candy.There are many stories about the man who lives well, but he is in a socioeconomically vulnerable state, but he is engaged in romance with a heroine.The male protagonist was rich, with great wealth, and as the power was replaced by ability, he changed into a strong male figure who protected the heroine (Mr. Shen, a descendant of the sun).The heroine had no place to live alone at all.In Secret Garden, Ha Ji Won lived with a friend in the rooftop room, and in heirs, Park Shin-hye lived in Lee Min-hos house.Kim Go-eun was the same in Guardian: The Lonely and Great God.All of the male characters in these dramas were chaebols (the sharing of Guardian: The Lonely and Great God is the chaebol group, Soyou).To that extent, male and female characters have been placed vertically.In his recent works, The Suns Descendants and Mr. Shine, Song Hye-kyo was a physician who could make a middle-class meal on his own.There was a pulpit that was not subject to physical coercion but was enough to pursue a sense of calling as a doctor.Both of them have limitations in that they have a dependency to keep their beliefs only when the male protagonist helps them, but they have escaped the passiveness of the existing romance drama heroine anyway.In these works, the male protagonists financial power was at the level of general worker. Kim Eun-sook was evaluated as breathing with the change of the times.But not in The King. Its like Kim Eun-sook is facing a change in the times.I can hear the declaration, However the world changes, I will keep the practice of romance Drama. In The King, the male character is really on the white horse.It is not figuratively a prince in white horse but really a king in white horse; the Soyou Sea property is also astronomical, with a rare earth mine of 600 light won (!).He is ideal for sports and fighting, and he is even intelligent as a mathematician. He is so dignified that he commands battles himself.When the heroine can not go back to the hostel, she rolls her feet and comes down from the sky by helicopter and saves the heroine.This is why it is a monumental problem: in this era, a rare orthodox (?) romance structure blocked the wheels of history.It is an ideal example of honesty showing the essence of romance with the keyword White Horse King and King from the Sky in a helicopter. It will be introduced in textbooks and will be constantly mentioned in various criticisms.The female character is also a problem, because the woman who appears as the prime minister of Korean Empire is drawn as a person who focuses only on attracting the emperor with her gorgeous and sexy appearance.Of course, the controversy has grown and criticism has been poured out. It will be a problem.a romance without sparksIt is a plot of determination and criticism, but not new. The King was just more honest.Even though they knew the nature of it, viewers had supported Kim Eun-sooks romance, but now the feminism craze is so strong that some female viewers are uncomfortable with the honesty of The King.In addition, the fact that the flame of romance did not flare in the early drama content is also a major cause of the decline in ratings.The setting that the rough male protagonist is somehow a direct man to the heroine has always encouraged the audiences excitement, and the composition has been repeated in The King.But I didnt feel nervous early on. In The Heirs, Lee Min-ho said, Do I like you?When I went straight, the thrilling index exploded, and in The King, Lee Min-ho suddenly became I will welcome my Empress or when the viewers kissed, Mi? (What?) and It was bad.The romantic flames were not so much a part of the romance that the atmosphere of the drama was too dark in the beginning.It is not the atmosphere that viewers expect from Kim Eun-sook romances, but they have set up a conversion of Lee Gwa-hyeong and Moon Gwa-hyeong, but they have not even been able to sympathize.So it has been devalued, but it is too early to conclude.In the early days, I was not able to get to the Daechi station for Kim Eun-sook, but the work itself is not so no-jam.If the romance story develops in earnest after the initial situation setting stage, the reaction can change.If Lee Min-hos acting, which is drawn only hard, is a little more lively, the immersion will be higher.Mr. Shen dealt with anti-Japanese disease, a meaningful attempt in the climate of seeing the Korean Wave market.Kim Eun-sook writes the Korean Empire, which copes with Japan in The King. This part is highly appreciated.Japan and Daechi Station have also seen double-digit ratings in the sixth inning.It is also meaningful to imagine the unified Korean peninsula by drawing a wide railway network and strong national power of the undivided Korean Empire.It is not a work that will be unconditionally denigrated only by the anachronistic romance composition.White Horse King appears .. Criticizing the romance composition against the change of the times
= Ha Jae-geun, Culture Critic)SBS The King: The Lord of Eternity (hereinafter referred to as The King) attracted attention with the new work by Kim Eun-sook writer and the appearances of Lee Min-ho and Kim Go-eun.Kim Eun-sook has recently been undefeated with three consecutive jackpots, Dawn of the Sun, Guardian: The Lonely and Great God, and Mr.Prior to that, he was rated as a one-top writer of Korean romance Drama by hitting heirs, gentlemans dignity, secret garden and love of Paris.Lee Min-ho was the main character of heirs and caused the Korean Wave craze.Lee Min-ho and Song Jung-ki of Dawn of the Sun were the two hottest in the Chinese region before the fall of Han Han.Kim Go-eun became the heroine of Guardian: The Lonely and Great God and became a Korean star.When Kim Eun-sook and the two met again, it became an international issue.But surprisingly, the response is not good: Kim Eun-sooks works have been idolatized since the first episode.The King began with a good performance of 11 percent in the first episode, then dropped to one digit after the third, rebounding in the sixth, but still below expectations.Even criticism of anachronism continues.Show me the nakedness of romance DramaThis work is a monumental (?) problem by Kim Eun-sook. It is recorded in Dramasa () and is likely to be mentioned in the future.Because he showed the romance dramas people naked, he often likens romance drama to the story of Prince White Horse Tan and Bright Candy.There are many stories about the man who lives well, but he is in a socioeconomically vulnerable state, but he is engaged in romance with a heroine.The male protagonist was rich, with great wealth, and as the power was replaced by ability, he changed into a strong male figure who protected the heroine (Mr. Shen, a descendant of the sun).The heroine had no place to live alone at all.In Secret Garden, Ha Ji Won lived with a friend in the rooftop room, and in heirs, Park Shin-hye lived in Lee Min-hos house.Kim Go-eun was the same in Guardian: The Lonely and Great God.All of the male characters in these dramas were chaebols (the sharing of Guardian: The Lonely and Great God is the chaebol group, Soyou).To that extent, male and female characters have been placed vertically.In his recent works, The Suns Descendants and Mr. Shine, Song Hye-kyo was a physician who could make a middle-class meal on his own.There was a pulpit that was not subject to physical coercion but was enough to pursue a sense of calling as a doctor.Both of them have limitations in that they have a dependency to keep their beliefs only when the male protagonist helps them, but they have escaped the passiveness of the existing romance drama heroine anyway.In these works, the male protagonists financial power was at the level of general worker. Kim Eun-sook was evaluated as breathing with the change of the times.But not in The King. Its like Kim Eun-sook is facing a change in the times.I can hear the declaration, However the world changes, I will keep the practice of romance Drama. In The King, the male character is really on the white horse.It is not figuratively a prince in white horse but really a king in white horse; the Soyou Sea property is also astronomical, with a rare earth mine of 600 light won (!).He is ideal for sports and fighting, and he is even intelligent as a mathematician. He is so dignified that he commands battles himself.When the heroine can not go back to the hostel, she rolls her feet and comes down from the sky by helicopter and saves the heroine.This is why it is a monumental problem: in this era, a rare orthodox (?) romance structure blocked the wheels of history.It is an ideal example of honesty showing the essence of romance with the keyword White Horse King and King from the Sky in a helicopter. It will be introduced in textbooks and will be constantly mentioned in various criticisms.The female character is also a problem, because the woman who appears as the prime minister of Korean Empire is drawn as a person who focuses only on attracting the emperor with her gorgeous and sexy appearance.Of course, the controversy has grown and criticism has been poured out. It will be a problem.a romance without sparksIt is a plot of determination and criticism, but not new. The King was just more honest.Even though they knew the nature of it, viewers had supported Kim Eun-sooks romance, but now the feminism craze is so strong that some female viewers are uncomfortable with the honesty of The King.In addition, the fact that the flame of romance did not flare in the early drama content is also a major cause of the decline in ratings.The setting that the rough male protagonist is somehow a direct man to the heroine has always encouraged the audiences excitement, and the composition has been repeated in The King.But I didnt feel nervous early on. In The Heirs, Lee Min-ho said, Do I like you?When I went straight, the thrilling index exploded, and in The King, Lee Min-ho suddenly became I will welcome my Empress or when the viewers kissed, Mi? (What?) and It was bad.The romantic flames were not so much a part of the romance that the atmosphere of the drama was too dark in the beginning.It is not the atmosphere that viewers expect from Kim Eun-sook romances, but they have set up a conversion of Lee Gwa-hyeong and Moon Gwa-hyeong, but they have not even been able to sympathize.So it has been devalued, but it is too early to conclude.In the early days, I was not able to get to the Daechi station for Kim Eun-sook, but the work itself is not so no-jam.If the romance story develops in earnest after the initial situation setting stage, the reaction can change.If Lee Min-hos acting, which is drawn only hard, is a little more lively, the immersion will be higher.Mr. Shen dealt with anti-Japanese disease, a meaningful attempt in the climate of seeing the Korean Wave market.Kim Eun-sook writes the Korean Empire, which copes with Japan in The King. This part is highly appreciated.Japan and Daechi Station have also seen double-digit ratings in the sixth inning.It is also meaningful to imagine the unified Korean peninsula by drawing a wide railway network and strong national power of the undivided Korean Empire.It is not a work that will be unconditionally denigrated only by the anachronistic romance composition.White Horse King appears .. Criticizing the romance composition against the change of the times
= Ha Jae-geun, Culture Critic)SBS The King: The Lord of Eternity (hereinafter referred to as The King) attracted attention with the new work by Kim Eun-sook writer and the appearances of Lee Min-ho and Kim Go-eun.Kim Eun-sook has recently been undefeated with three consecutive jackpots, Dawn of the Sun, Guardian: The Lonely and Great God, and Mr.Prior to that, he was rated as a one-top writer of Korean romance Drama by hitting heirs, gentlemans dignity, secret garden and love of Paris.Lee Min-ho was the main character of heirs and caused the Korean Wave craze.Lee Min-ho and Song Jung-ki of Dawn of the Sun were the two hottest in the Chinese region before the fall of Han Han.Kim Go-eun became the heroine of Guardian: The Lonely and Great God and became a Korean star.When Kim Eun-sook and the two met again, it became an international issue.But surprisingly, the response is not good: Kim Eun-sooks works have been idolatized since the first episode.The King began with a good performance of 11 percent in the first episode, then dropped to one digit after the third, rebounding in the sixth, but still below expectations.Even criticism of anachronism continues.Show me the nakedness of romance DramaThis work is a monumental (?) problem by Kim Eun-sook. It is recorded in Dramasa () and is likely to be mentioned in the future.Because he showed the romance dramas people naked, he often likens romance drama to the story of Prince White Horse Tan and Bright Candy.There are many stories about the man who lives well, but he is in a socioeconomically vulnerable state, but he is engaged in romance with a heroine.The male protagonist was rich, with great wealth, and as the power was replaced by ability, he changed into a strong male figure who protected the heroine (Mr. Shen, a descendant of the sun).The heroine had no place to live alone at all.In Secret Garden, Ha Ji Won lived with a friend in the rooftop room, and in heirs, Park Shin-hye lived in Lee Min-hos house.Kim Go-eun was the same in Guardian: The Lonely and Great God.All of the male characters in these dramas were chaebols (the sharing of Guardian: The Lonely and Great God is the chaebol group, Soyou).To that extent, male and female characters have been placed vertically.In his recent works, The Suns Descendants and Mr. Shine, Song Hye-kyo was a physician who could make a middle-class meal on his own.There was a pulpit that was not subject to physical coercion but was enough to pursue a sense of calling as a doctor.Both of them have limitations in that they have a dependency to keep their beliefs only when the male protagonist helps them, but they have escaped the passiveness of the existing romance drama heroine anyway.In these works, the male protagonists financial power was at the level of general worker. Kim Eun-sook was evaluated as breathing with the change of the times.But not in The King. Its like Kim Eun-sook is facing a change in the times.I can hear the declaration, However the world changes, I will keep the practice of romance Drama. In The King, the male character is really on the white horse.It is not figuratively a prince in white horse but really a king in white horse; the Soyou Sea property is also astronomical, with a rare earth mine of 600 light won (!).He is ideal for sports and fighting, and he is even intelligent as a mathematician. He is so dignified that he commands battles himself.When the heroine can not go back to the hostel, she rolls her feet and comes down from the sky by helicopter and saves the heroine.This is why it is a monumental problem: in this era, a rare orthodox (?) romance structure blocked the wheels of history.It is an ideal example of honesty showing the essence of romance with the keyword White Horse King and King from the Sky in a helicopter. It will be introduced in textbooks and will be constantly mentioned in various criticisms.The female character is also a problem, because the woman who appears as the prime minister of Korean Empire is drawn as a person who focuses only on attracting the emperor with her gorgeous and sexy appearance.Of course, the controversy has grown and criticism has been poured out. It will be a problem.a romance without sparksIt is a plot of determination and criticism, but not new. The King was just more honest.Even though they knew the nature of it, viewers had supported Kim Eun-sooks romance, but now the feminism craze is so strong that some female viewers are uncomfortable with the honesty of The King.In addition, the fact that the flame of romance did not flare in the early drama content is also a major cause of the decline in ratings.The setting that the rough male protagonist is somehow a direct man to the heroine has always encouraged the audiences excitement, and the composition has been repeated in The King.But I didnt feel nervous early on. In The Heirs, Lee Min-ho said, Do I like you?When I went straight, the thrilling index exploded, and in The King, Lee Min-ho suddenly became I will welcome my Empress or when the viewers kissed, Mi? (What?) and It was bad.The romantic flames were not so much a part of the romance that the atmosphere of the drama was too dark in the beginning.It is not the atmosphere that viewers expect from Kim Eun-sook romances, but they have set up a conversion of Lee Gwa-hyeong and Moon Gwa-hyeong, but they have not even been able to sympathize.So it has been devalued, but it is too early to conclude.In the early days, I was not able to get to the Daechi station for Kim Eun-sook, but the work itself is not so no-jam.If the romance story develops in earnest after the initial situation setting stage, the reaction can change.If Lee Min-hos acting, which is drawn only hard, is a little more lively, the immersion will be higher.Mr. Shen dealt with anti-Japanese disease, a meaningful attempt in the climate of seeing the Korean Wave market.Kim Eun-sook writes the Korean Empire, which copes with Japan in The King. This part is highly appreciated.Japan and Daechi Station have also seen double-digit ratings in the sixth inning.It is also meaningful to imagine the unified Korean peninsula by drawing a wide railway network and strong national power of the undivided Korean Empire.It is not a work that will be unconditionally denigrated only by the anachronistic romance composition.White Horse King appears .. Criticizing the romance composition against the change of the times

= Ha Jae-geun, Culture Critic)

SBS "The King: The Lord of Eternity" (hereinafter referred to as "The King") attracted attention with the new work by Kim Eun-sook writer and the appearances of Lee Min-ho and Kim Go-eun. Kim Eun-sook has recently been undefeated with three consecutive jackpots, "Dawn of the Sun," "Guardian: The Lonely and Great God," and "Mr. Prior to that, he was rated as a "one-top writer" of Korean romance Drama by hitting "heirs", "gentleman's dignity", "secret garden" and "love of Paris".

Lee Min-ho was the main character of "heirs" and caused the Korean Wave craze. Lee Min-ho and Song Jung-ki of "Dawn of the Sun" were the two hottest in the Chinese region before the fall of Han Han. Kim Go-eun became the heroine of Guardian: The Lonely and Great God and became a Korean star. When Kim Eun-sook and the two met again, it became an international issue.

But surprisingly, the response is not good: Kim Eun-sook's works have been idolatized since the first episode. The King began with a good performance of 11 percent in the first episode, then dropped to one digit after the third, rebounding in the sixth, but still below expectations. Even criticism of anachronism continues.

Show me the nakedness of romance Drama

This work is a monumental (?) problem by Kim Eun-sook. It is recorded in Dramasa () and is likely to be mentioned in the future. Because he showed the romance Drama's people naked, he often likens romance Drama to the story of "Prince White Horse Tan" and "Bright Candy". There are many stories about the man who lives well, but he is in a socioeconomically vulnerable state, but he is engaged in romance with a heroine. The male protagonist was rich, with great wealth, and as the power was replaced by ability, he changed into a strong male figure who protected the heroine (Mr. Shen, a descendant of the sun).

The heroine had no place to live alone at all. In "Secret Garden", Ha Ji Won lived with a friend in the rooftop room, and in "heirs", Park Shin-hye lived in Lee Min-ho's house. Kim Go-eun was the same in Guardian: The Lonely and Great God. All of the male characters in these Dramas were chaebols (the sharing of Guardian: The Lonely and Great God is the chaebol group, Soyou). To that extent, male and female characters have been placed vertically.

In his recent works, The Sun’s Descendants and Mr. Shine, Song Hye-kyo was a physician who could make a middle-class meal on his own. There was a pulpit that was not subject to physical coercion but was enough to pursue a sense of calling as a doctor. Both of them have limitations in that they have a dependency to keep their beliefs only when the male protagonist helps them, but they have escaped the passiveness of the existing romance Drama heroine anyway. In these works, the male protagonist's financial power was at the level of general worker. Kim Eun-sook was evaluated as breathing with the change of the times.

But not in The King. It’s like Kim Eun-sook is facing a change in the times. I can hear the declaration, “However the world changes, I will keep the practice of romance Drama.” In The King, the male character is really on the white horse. It is not figuratively a "prince in white horse" but really a king in white horse; the Soyou Sea property is also astronomical, with a rare earth mine of 600 light won (!). He is ideal for sports and fighting, and he is even intelligent as a mathematician. He is so dignified that he commands battles himself. When the heroine can not go back to the hostel, she rolls her feet and comes down from the sky by helicopter and saves the heroine.

This is why it is a monumental problem: in this era, a rare orthodox (?) romance structure blocked the wheels of history. It is an ideal example of honesty showing the essence of romance with the keyword "White Horse King" and "King from the Sky in a helicopter." It will be introduced in textbooks and will be constantly mentioned in various criticisms. The female character is also a problem, because the woman who appears as the prime minister of Korean Empire is drawn as a person who focuses only on attracting the emperor with her gorgeous and sexy appearance. Of course, the controversy has grown and criticism has been poured out. It will be a problem.

a romance without sparks

It is a plot of determination and criticism, but not new. The King was just more honest. Even though they knew the nature of it, viewers had supported Kim Eun-sook's romance, but now the feminism craze is so strong that some female viewers are uncomfortable with the honesty of The King. In addition, the fact that the flame of romance did not flare in the early Drama content is also a major cause of the decline in ratings.

The setting that the rough male protagonist is somehow a direct man to the heroine has always encouraged the audience's excitement, and the composition has been repeated in "The King". But I didn’t feel nervous early on. In The Heirs, Lee Min-ho said, “Do I like you? "When I went straight, the thrilling index exploded, and in "The King", Lee Min-ho suddenly became "I will welcome my Empress" or when the viewers kissed, "Mi? (What?)" and "It was bad. The romantic flames were not so much a part of the romance that the atmosphere of the Drama was too dark in the beginning. It is not the atmosphere that viewers expect from Kim Eun-sook romances, but they have set up a conversion of Lee Gwa-hyeong and Moon Gwa-hyeong, but they have not even been able to sympathize.

So it has been devalued, but it is too early to conclude. In the early days, I was not able to get to the Daechi station for Kim Eun-sook, but the work itself is not so 'no-jam'. If the romance story develops in earnest after the initial situation setting stage, the reaction can change. If Lee Min-ho's acting, which is drawn only hard, is a little more lively, the immersion will be higher.

Mr. Shen dealt with anti-Japanese disease, a meaningful attempt in the climate of seeing the Korean Wave market. Kim Eun-sook writes the Korean Empire, which copes with Japan in The King. This part is highly appreciated. Japan and Daechi station have also seen double-digit ratings in the sixth inning. It is also meaningful to imagine the unified Korean peninsula by drawing a wide railway network and strong national power of the undivided Korean Empire. It is not a work that will be unconditionally denigrated only by the anachronistic romance composition.

'White Horse King' appears .. Criticizing the romance composition against the change of the times