'The Animals Want to Hold the Jeep' review of the movie
It is a crazy immersion: a development that does not tolerate a single second of neglect, a plot that is squeezed without a gap of 1 mm, the hot rolling of the Acting ghosts, and a reversal that repeats the back of the head in the back of the head. It is about the movie 'The animals that want to catch even the straw'.
The movie 'The Animals Who Want to Hold the Spray' was first unveiled in Korea at the media preview held at Megabox COEX in Samsung-dong, Gangnam-gu, Seoul on the afternoon of the 3rd.
This work was awarded the Jury Prize at the 49th Rotterdam International Film Festival and was recognized early in the world. The timing of the release was delayed and concerns about the perfection grew, but this was a relief.
'The beasts who want to catch the straw' is a film about the chase and chase of the characters who hold the Money bag in their hands at the edge of life. Jeon Do-yeon, Jung Woo-sung, Bae Seong-woo, Youn Yuh-jung, Jung Man-sik, Jin Kyeong, Shin Hyun-bin, Jungaram, Park Ji-hwan, Kim Jun-han, Heo Dong-hwan and Bae Jin-woong appeared. Based on the novel of the same name by Sonne Kaske, it is a feature debut by director Kim Yong-hoon.
I heard you won a prize at the Q. Film Festival, so it's a tough movie for some reason. How's that?
Not at all. It's hard to say it's a commercial movie, but it's fun without missing the workability. It is a different resolution, but it resembles the fresh shock of watching movies "The chaser" and "Reconstruction of Crime." There have been films with film basics, textures and commercial fun.
The movie starts with a screen where someone puts a Money bag in a jjimjilbang locker.
Bae Seong-woo, wife of Jung-man, who is a cleaning lady at the passenger terminal, Young-sun, a mother of Jung-man who is suffering from dementia, and Mi-ran who is constantly assaulted by her husband, Jin-tae, an illegal immigrant who falls into Mi-ran (Jeong-tae), The characters, including Garam Boone, Jung Woo-sung Boone, who suffers from debts due to his evaporating lover, Michelle Chen, a bar president, and Jung Man-sik Boone, find, lose, chase, take away, and hide Money bag.
The characters have been intertwined with different stories over several hours, but it is not difficult to follow. A film consisting of debt, hogu, food chain, shark, Lucky Strike, and Money bag six chapters tied each chapter with a heap of knots.
The more stories, chapters, and clues accumulate, the more complicated knots are released. When the characters who seem to have nothing to do with it are entangled in unexpected relationships, when they meet in unexpected scenes, when they make unexpected Choices, they expose the ugly people of human beings.
This unpredictable development is even quite funny: Bae Seong-woo creates a queer atmosphere with just a short line. Two or three people who are killing and threatening are different characters that have never been seen in movies of similar genres. Park Ji-hwan, who attracted attention as a 'crime city', also showed a high-profile humor in this work and added vitality to his work.
It is also a film that uses McGurphin and double-track cleverly, so I feel a desire to re-watch as soon as the movie is over. After knowing all the stories about Money bag, there seems to be another fun in its own way. Especially, it would be more interesting if you pay attention to the news scene in the movie.
Q. How about Actors Acting?
It's a no-deal.
Jeon Do-yeon is also Jeon Do-yeon, who is not even flabbergasted among men of violent, insidious gaze. When you get slapped, you respond with a bottle of alcohol, and mock the man who is harassing you as "pretty" with a terrible punishment, even at the last moment, "ugly."
It was possible because it was Jeon Do-yeon who was not evil, good, hero, but Michelle Chen. Even in the midst of exchanging table tennis balls with tension among various characters, I do not lose my concentration by thoroughly calculated Acting.
Shin Hyun-bin finally met with a version that would work out his abilities: he led the early and mid-film, completing his daily routine with delicate Acting, dotted with anger and distress. At the crossroads of Choices, human chaos and change were expressed in a formidable internal space.
Youn Yuh-jung has created a definite drama in all the screens that appear, and Jin Kyeong also leads the axis of the movie with a short amount but stable Acting power.
Jung Woo-sung is an Actington that may be a favor for some audiences, but he showed his stubbornness to the end. Park Ji-hwan's power and added to this gave birth to an unexpected chemistry.
Jungaram is somewhat saddened by the dialect, but he has digested the characters that can not be caught with the density of the Acting power.
Q. Who should I see?
It is a taste-snipping film for audiences who like reasoning, thrillers, and crime. It is good for audiences who are tired of schematized commercial films.
It’s a good movie for audiences who are vulnerable to blue-blue movies. There are few direct cruel scenes.