Jeon Do-yeon, who always has Pyaasa, "Tells and Speaks of the New Director"

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The brutes who want to catch straws that film the same name novel by Japanese author Sonne Kasuke is a story that plans the worst Hantang to take money bags with the feeling of catching straws by humans who are surrounded by different desires in desperate situations.The beasts who want to catch straw is a work that has collected topics by completing the super-class lineup from Jeon Do-yeon, Jung Woo-sung, Bae Sung-woo, Yoon Yeo-jung, Jung Man-sik, Jin Kyung, Shin Hyun Bin and Jeong Garam.It is the first work for director Kim Yong-hoon, who caught megaphones. The modifier Queen of Cannes is burdensome, but he wants to fill it with works according to the place.It is still lacking because there is always Pyaasa. So why did Jeon Do-yeon choose to appear in the work of the new director?Jeon Do-yeon was divided into Michelle Chen in the play; Michelle Chen is a person who seeks others to erase the past and live a new life.Those who watched the movie first released through the media previews could not speak to the acting power of Jeon Do-yeon.He was worried about the story he had anticipated, but he was satisfied that he came out well.Because he told me a lot about Jeon Do-yeon, but the scenario itself was intense. Michelle Chen was also unconventional in it.I was so powerful from the moment I was there that I didnt do anything but feel like I was being powerful.I was afraid it wasnt the movie I thought it was. I saw it for the second time at the press distribution preview, and it came out as the movie that director Kim Yong-hoon wanted. So I watched it well. (laughs)When I first read the scenario, I saw it as a black comedy; the first edit I saw seems to have had few Black comedy elements.There may be genre differences, but when I saw it, I laughed a lot. I was crying or laughing at my movie, but I laughed a lot.There were a lot of black comedy elements, and every character, not Michelle Chen, was good: I was worried about what to do with publicity if I didnt like movies at the press distribution preview.I went into the middle of the shoot, like Michelle Chen in the movie. It felt like someone elses scene. It was so strange.The first shoot was not satisfactory, but it was adapted and consequently good company. (laughs)Jeon Do-yeon made his first breath with Jung Woo-sung 30 years after his debut.They knew each other on the way, but they were nervous that they thought they were dying because they were really awkward in acting. Especially the god who was charming was the hardest.Nevertheless, Jung Woo-sung smiled and wanted to try comedy genre.Jeon Do-yeon expressed his desire to tell the audience their story if he agreed to the work of the new director.I do not have a sense of mission, but I was motivated to have such an idea from my childhood.He said he would like to do various works not only with the new director but also from his own lock-up in his work.Its been so long since I thought that the diversity of the genre of the work has not gone away; if I agree with the new directors, I want to tell them their story.There are many great directors, including Lee Chang-dong and Bong Joon-ho. The audience is already ready to listen to their stories.But Im not ready to listen to the story of the new directors, someone said, Jeon Do-yeon should tell me that I can listen to that story.Ive worked with a lot of new directors, ready to listen to them, and want to tell them stories.I felt sorry that I had locked myself in a work of art, and I thought that I had to use me like that.That doesnt mean its equipped with comedy or stories through The Animals Who Want to Hold Even a Jeep. (Laughs)
The brutes who want to catch straws that film the same name novel by Japanese author Sonne Kasuke is a story that plans the worst Hantang to take money bags with the feeling of catching straws by humans who are surrounded by different desires in desperate situations.The beasts who want to catch straw is a work that has collected topics by completing the super-class lineup from Jeon Do-yeon, Jung Woo-sung, Bae Sung-woo, Yoon Yeo-jung, Jung Man-sik, Jin Kyung, Shin Hyun Bin and Jeong Garam.It is the first work for director Kim Yong-hoon, who caught megaphones. The modifier Queen of Cannes is burdensome, but he wants to fill it with works according to the place.It is still lacking because there is always Pyaasa. So why did Jeon Do-yeon choose to appear in the work of the new director?Jeon Do-yeon was divided into Michelle Chen in the play; Michelle Chen is a person who seeks others to erase the past and live a new life.Those who watched the movie first released through the media previews could not speak to the acting power of Jeon Do-yeon.He was worried about the story he had anticipated, but he was satisfied that he came out well.Because he told me a lot about Jeon Do-yeon, but the scenario itself was intense. Michelle Chen was also unconventional in it.I was so powerful from the moment I was there that I didnt do anything but feel like I was being powerful.I was afraid it wasnt the movie I thought it was. I saw it for the second time at the press distribution preview, and it came out as the movie that director Kim Yong-hoon wanted. So I watched it well. (laughs)When I first read the scenario, I saw it as a black comedy; the first edit I saw seems to have had few Black comedy elements.There may be genre differences, but when I saw it, I laughed a lot. I was crying or laughing at my movie, but I laughed a lot.There were a lot of black comedy elements, and every character, not Michelle Chen, was good: I was worried about what to do with publicity if I didnt like movies at the press distribution preview.I went into the middle of the shoot, like Michelle Chen in the movie. It felt like someone elses scene. It was so strange.The first shoot was not satisfactory, but it was adapted and consequently good company. (laughs)Jeon Do-yeon made his first breath with Jung Woo-sung 30 years after his debut.They knew each other on the way, but they were nervous that they thought they were dying because they were really awkward in acting. Especially the god who was charming was the hardest.Nevertheless, Jung Woo-sung smiled and wanted to try comedy genre.Jeon Do-yeon expressed his desire to tell the audience their story if he agreed to the work of the new director.I do not have a sense of mission, but I was motivated to have such an idea from my childhood.He said he would like to do various works not only with the new director but also from his own lock-up in his work.Its been so long since I thought that the diversity of the genre of the work has not gone away; if I agree with the new directors, I want to tell them their story.There are many great directors, including Lee Chang-dong and Bong Joon-ho. The audience is already ready to listen to their stories.But Im not ready to listen to the story of the new directors, someone said, Jeon Do-yeon should tell me that I can listen to that story.Ive worked with a lot of new directors, ready to listen to them, and want to tell them stories.I felt sorry that I had locked myself in a work of art, and I thought that I had to use me like that.That doesnt mean its equipped with comedy or stories through The Animals Who Want to Hold Even a Jeep. (Laughs)
The brutes who want to catch straws that film the same name novel by Japanese author Sonne Kasuke is a story that plans the worst Hantang to take money bags with the feeling of catching straws by humans who are surrounded by different desires in desperate situations.The beasts who want to catch straw is a work that has collected topics by completing the super-class lineup from Jeon Do-yeon, Jung Woo-sung, Bae Sung-woo, Yoon Yeo-jung, Jung Man-sik, Jin Kyung, Shin Hyun Bin and Jeong Garam.It is the first work for director Kim Yong-hoon, who caught megaphones. The modifier Queen of Cannes is burdensome, but he wants to fill it with works according to the place.It is still lacking because there is always Pyaasa. So why did Jeon Do-yeon choose to appear in the work of the new director?Jeon Do-yeon was divided into Michelle Chen in the play; Michelle Chen is a person who seeks others to erase the past and live a new life.Those who watched the movie first released through the media previews could not speak to the acting power of Jeon Do-yeon.He was worried about the story he had anticipated, but he was satisfied that he came out well.Because he told me a lot about Jeon Do-yeon, but the scenario itself was intense. Michelle Chen was also unconventional in it.I was so powerful from the moment I was there that I didnt do anything but feel like I was being powerful.I was afraid it wasnt the movie I thought it was. I saw it for the second time at the press distribution preview, and it came out as the movie that director Kim Yong-hoon wanted. So I watched it well. (laughs)When I first read the scenario, I saw it as a black comedy; the first edit I saw seems to have had few Black comedy elements.There may be genre differences, but when I saw it, I laughed a lot. I was crying or laughing at my movie, but I laughed a lot.There were a lot of black comedy elements, and every character, not Michelle Chen, was good: I was worried about what to do with publicity if I didnt like movies at the press distribution preview.I went into the middle of the shoot, like Michelle Chen in the movie. It felt like someone elses scene. It was so strange.The first shoot was not satisfactory, but it was adapted and consequently good company. (laughs)Jeon Do-yeon made his first breath with Jung Woo-sung 30 years after his debut.They knew each other on the way, but they were nervous that they thought they were dying because they were really awkward in acting. Especially the god who was charming was the hardest.Nevertheless, Jung Woo-sung smiled and wanted to try comedy genre.Jeon Do-yeon expressed his desire to tell the audience their story if he agreed to the work of the new director.I do not have a sense of mission, but I was motivated to have such an idea from my childhood.He said he would like to do various works not only with the new director but also from his own lock-up in his work.Its been so long since I thought that the diversity of the genre of the work has not gone away; if I agree with the new directors, I want to tell them their story.There are many great directors, including Lee Chang-dong and Bong Joon-ho. The audience is already ready to listen to their stories.But Im not ready to listen to the story of the new directors, someone said, Jeon Do-yeon should tell me that I can listen to that story.Ive worked with a lot of new directors, ready to listen to them, and want to tell them stories.I felt sorry that I had locked myself in a work of art, and I thought that I had to use me like that.That doesnt mean its equipped with comedy or stories through The Animals Who Want to Hold Even a Jeep. (Laughs)
The brutes who want to catch straws that film the same name novel by Japanese author Sonne Kasuke is a story that plans the worst Hantang to take money bags with the feeling of catching straws by humans who are surrounded by different desires in desperate situations.The beasts who want to catch straw is a work that has collected topics by completing the super-class lineup from Jeon Do-yeon, Jung Woo-sung, Bae Sung-woo, Yoon Yeo-jung, Jung Man-sik, Jin Kyung, Shin Hyun Bin and Jeong Garam.It is the first work for director Kim Yong-hoon, who caught megaphones. The modifier Queen of Cannes is burdensome, but he wants to fill it with works according to the place.It is still lacking because there is always Pyaasa. So why did Jeon Do-yeon choose to appear in the work of the new director?Jeon Do-yeon was divided into Michelle Chen in the play; Michelle Chen is a person who seeks others to erase the past and live a new life.Those who watched the movie first released through the media previews could not speak to the acting power of Jeon Do-yeon.He was worried about the story he had anticipated, but he was satisfied that he came out well.Because he told me a lot about Jeon Do-yeon, but the scenario itself was intense. Michelle Chen was also unconventional in it.I was so powerful from the moment I was there that I didnt do anything but feel like I was being powerful.I was afraid it wasnt the movie I thought it was. I saw it for the second time at the press distribution preview, and it came out as the movie that director Kim Yong-hoon wanted. So I watched it well. (laughs)When I first read the scenario, I saw it as a black comedy; the first edit I saw seems to have had few Black comedy elements.There may be genre differences, but when I saw it, I laughed a lot. I was crying or laughing at my movie, but I laughed a lot.There were a lot of black comedy elements, and every character, not Michelle Chen, was good: I was worried about what to do with publicity if I didnt like movies at the press distribution preview.I went into the middle of the shoot, like Michelle Chen in the movie. It felt like someone elses scene. It was so strange.The first shoot was not satisfactory, but it was adapted and consequently good company. (laughs)Jeon Do-yeon made his first breath with Jung Woo-sung 30 years after his debut.They knew each other on the way, but they were nervous that they thought they were dying because they were really awkward in acting. Especially the god who was charming was the hardest.Nevertheless, Jung Woo-sung smiled and wanted to try comedy genre.Jeon Do-yeon expressed his desire to tell the audience their story if he agreed to the work of the new director.I do not have a sense of mission, but I was motivated to have such an idea from my childhood.He said he would like to do various works not only with the new director but also from his own lock-up in his work.Its been so long since I thought that the diversity of the genre of the work has not gone away; if I agree with the new directors, I want to tell them their story.There are many great directors, including Lee Chang-dong and Bong Joon-ho. The audience is already ready to listen to their stories.But Im not ready to listen to the story of the new directors, someone said, Jeon Do-yeon should tell me that I can listen to that story.Ive worked with a lot of new directors, ready to listen to them, and want to tell them stories.I felt sorry that I had locked myself in a work of art, and I thought that I had to use me like that.That doesnt mean its equipped with comedy or stories through The Animals Who Want to Hold Even a Jeep. (Laughs)

The "brutes who want to catch straws" that film the same name novel by Japanese author Sonne Kasuke is a story that plans the worst Hantang to take money bags with the feeling of catching straws by humans who are surrounded by different desires in desperate situations.

'The beasts who want to catch straw' is a work that has collected topics by completing the super-class lineup from Jeon Do-yeon, Jung Woo-sung, Bae Sung-woo, Yoon Yeo-jung, Jung Man-sik, Jin Kyung, Shin Hyun Bin and Jeong Garam. It is the first work for director Kim Yong-hoon, who caught megaphones. The modifier "Queen of Cannes" is burdensome, but he wants to fill it with works according to the place. It is still lacking because there is always Pyaasa. So why did Jeon Do-yeon choose to appear in the work of the new director?

Jeon Do-yeon was divided into Michelle Chen in the play; Michelle Chen is a person who seeks others to erase the past and live a new life. Those who watched the movie first released through the media previews could not speak to the acting power of Jeon Do-yeon. He was worried about the story he had anticipated, but he was satisfied that he came out well.

"Because he told me a lot about Jeon Do-yeon,' but the scenario itself was intense. Michelle Chen was also unconventional in it. I was so powerful from the moment I was there that I didn’t do anything but feel like I was being powerful. I was afraid it wasn't the movie I thought it was. I saw it for the second time at the press distribution preview, and it came out as the movie that director Kim Yong-hoon wanted. So I watched it well. (laughs)"

"When I first read the scenario, I saw it as a Black comedy; the first edit I saw seems to have had few Black comedy elements. There may be genre differences, but when I saw it, I laughed a lot. I was crying or laughing at my movie, but I laughed a lot. There were a lot of Black comedy elements, and every character, not Michelle Chen, was good: I was worried about what to do with publicity if I didn't like movies at the press distribution preview. I went into the middle of the shoot, like Michelle Chen in the movie. It felt like someone else's scene. It was so strange. The first shoot was not satisfactory, but it was adapted and consequently good company. (laughs)"

Jeon Do-yeon made his first breath with Jung Woo-sung 30 years after his debut. They knew each other on the way, but they were nervous that they thought they were dying because they were really awkward in acting. Especially the god who was charming was the hardest. Nevertheless, Jung Woo-sung smiled and wanted to try comedy genre.

Jeon Do-yeon expressed his desire to tell the audience their story if he agreed to the work of the new director. I do not have a sense of mission, but I was motivated to have such an idea from my childhood. He said he would like to do various works not only with the new director but also from his own lock-up in his work.

"It's been so long since I thought that the diversity of the genre of the work has not gone away; if I agree with the new directors, I want to tell them their story. There are many great directors, including Lee Chang-dong and Bong Joon-ho. The audience is already ready to listen to their stories. But I'm not ready to listen to the story of the new directors, someone said, Jeon Do-yeon should tell me that I can listen to that story.' I’ve worked with a lot of new directors, ready to listen to them, and want to tell them stories. I felt sorry that I had locked myself in a work of art, and I thought that I had to use me like that. That doesn't mean it's equipped with comedy or stories through "The Animals Who Want to Hold Even a Jeep." (Laughs)"