Park Chan-book director x Jung Woo-sung on how to celebrate 100 years of Korean film

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Park Chan-wook director, Actor Jung Woo-sung, is celebrating 100 years of Korean film.The Korean Film Archives (Director Joo Jin-sook, hereinafter referred to as the Material Center) under the Ministry of Culture, Sports and Tourism will hold a special screening program My Dear Korean Film with director Park Chan-wook and actor Jung Woo-sung participating in Cinema Tech KOFA in Sangam-dong on October 27 and November 2 to celebrate the 100th anniversary of Korean films.This program, which is designed to promote the workability of Korean classical films and to attract public attention, will screen the recommended classic films of two filmmakers who have been active since the early 1990s and will introduce each work directly.On October 27, he made his recommendations for Park Chan-wooks The Last Innocent Witness (director Lee Doo-yong, 1980) and his masterpiece Cyborg But Its OK (director Park Chan-wook, 2006), and on November 2, Jung Woo-sung Actors recommendations Chou (director Jung Jin-woo, 1966), and his lead role in Innocent W. Itness (director Lee Han, 2018) will be screened.Director Park Chan-wook, who made his debut in 1992 with The Moon... The Dream of the Sun, is one of the films that played the biggest role in Alis Korean film to the world.In 2000, he received a lot of praise and critical praise for his performance as a joint security area J. S. A. He was attracted attention as a representative director of Korean films at once. He showed his own unique world view by showing his own trilogy of Revenge is mine, Old Boy and Kindness of the Kind.In particular, the award of the 57th Cannes Film Festival Jury of Old Boy in 2004 was an opportunity to Ali the excellence of Korean films in the world in terms of film aesthetics.In 2009, he won the 62nd Cannes Film Festival Jury Award again for Bats, as well as making his way to Hollywood and directing Stalker. Recently, he has been producing the British BBC and Little Drummer Girl and his status in the world market is becoming more solid.He surprised the audience every time with his extraordinary development and beautiful mise-en-scene. He recommended Lee Doo-yongs 1980 film Last Innocent Witness for this program.The Last Innocent Witness is a work that tells a detective who was chasing a series of murders in question confronts the tragedy of the Korean War as he digs into the case.The fact that director Park Chan-wook of Khan introduces Lee Doo-yongs representative work, which was invited to the Cannes Film Festival for the first time as a Korean film director through Womans Jade Mullaya Mullaya, attracts attention from movie lovers.Cyborg but Its OK, which will be screened with Last Innocent Witness, will be screened as a digital restoration work by the Institute in 2017 with 4K picture quality.Actor Jung Woo-sung, the face of Korean movies, made his debut in 1994 with Kumiho and was literally a comet.He took the role of an icon of youth in the 90s with Bit and No Sun, and at the same time received the attention of the Korean film industry with his beautiful appearance and the emotion behind it.But he has continued his challenge as an Actor without being trapped in the frame of being a youth star.He showed a thick acting through Musa, Good, Bad, Strange, and Steel Rain, surpassing the image of youth. He was not afraid to break the straight image by showing a foolish young man in Shoot, Watcher and Madang Hit-and-Run.In addition, Asura played the corruption police limit, and it caused the fandom phenomenon again.In the Korean film industry, Jung Woo-sung is still imprinting his unique presence as an actor representing the Korean film industry, which is a representative of the Korean film industry, digesting various roles and genres.He introduces his favorite work to the audience in order to revitalize the classic film. His chosen work is directed by Jeong Jin-woo, who was produced in 1966.This special screening, which introduces Chou, which is typical of the Korean melodrama genre, to the young audience of the present, which shook the hearts of many female audiences such as Love, Easer in My Head, and Do not forget me, is expected to be a very meaningful time for Ali to have the long tradition and history of Korean movies that have been 100 years.

Park Chan-wook director, Actor Jung Woo-sung, is celebrating 100 years of Korean film.

The Korean Film Archives (Director Joo Jin-sook, hereinafter referred to as the Material Center) under the Ministry of Culture, Sports and Tourism will hold a special screening program "My Dear Korean Film" with director Park Chan-wook and actor Jung Woo-sung participating in Cinema Tech KOFA in Sangam-dong on October 27 and November 2 to celebrate the 100th anniversary of Korean films.

This program, which is designed to promote the workability of Korean classical films and to attract public attention, will screen the recommended classic films of two filmmakers who have been active since the early 1990s and will introduce each work directly.

On October 27, he made his recommendations for Park Chan-wook's "The Last Innocent Witness" (director Lee Doo-yong, 1980) and his masterpiece "Cyborg But It's OK" (director Park Chan-wook, 2006), and on November 2, Jung Woo-sung Actor's recommendations "Chou" (director Jung Jin-woo, 1966), and his lead role in "Innocent W. Itness' (director Lee Han, 2018) will be screened.

Director Park Chan-wook, who made his debut in 1992 with "The Moon... The Dream of the Sun," is one of the films that played the biggest role in Ali's Korean film to the world. In 2000, he received a lot of praise and critical praise for his performance as a joint security area J. S. A. He was attracted attention as a representative director of Korean films at once. He showed his own unique world view by showing his own trilogy of 'Revenge is mine', 'Old Boy' and 'Kindness of the Kind'. In particular, the award of the 57th Cannes Film Festival Jury of 'Old Boy' in 2004 was an opportunity to Ali the excellence of Korean films in the world in terms of film aesthetics. In 2009, he won the 62nd Cannes Film Festival Jury Award again for "Bats", as well as making his way to Hollywood and directing "Stalker". Recently, he has been producing the British BBC and "Little Drummer Girl" and his status in the world market is becoming more solid.

He surprised the audience every time with his extraordinary development and beautiful mise-en-scene. He recommended Lee Doo-yong's 1980 film "Last Innocent Witness" for this program. 'The Last Innocent Witness' is a work that tells a detective who was chasing a series of murders in question confronts the tragedy of the Korean War as he digs into the case. The fact that director Park Chan-wook of Khan introduces Lee Doo-yong's representative work, which was invited to the Cannes Film Festival for the first time as a Korean film director through 'Woman's Jade Mullaya Mullaya', attracts attention from movie lovers. 'Cyborg but It's OK', which will be screened with 'Last Innocent Witness', will be screened as a digital restoration work by the Institute in 2017 with 4K picture quality.

Actor Jung Woo-sung, the face of Korean movies, made his debut in 1994 with 'Kumiho' and was literally a comet. He took the role of an icon of youth in the 90s with 'Bit' and 'No Sun', and at the same time received the attention of the Korean film industry with his beautiful appearance and the emotion behind it. But he has continued his challenge as an Actor without being trapped in the frame of being a youth star. He showed a thick acting through 'Musa', 'Good, Bad, Strange', and 'Steel Rain', surpassing the image of youth. He was not afraid to break the straight image by showing a foolish young man in 'Shoot', 'Watcher' and 'Madang Hit-and-Run'. In addition, 'Asura' played the corruption police limit, and it caused the fandom phenomenon again.

In the Korean film industry, Jung Woo-sung is still imprinting his unique presence as an actor representing the Korean film industry, which is a representative of the Korean film industry, digesting various roles and genres. He introduces his favorite work to the audience in order to revitalize the classic film. His chosen work is directed by Jeong Jin-woo, who was produced in 1966. This special screening, which introduces 'Chou', which is typical of the Korean melodrama genre, to the young audience of the present, which shook the hearts of many female audiences such as 'Love', 'Easer in My Head', and 'Do not forget me', is expected to be a very meaningful time for Ali to have the long tradition and history of Korean movies that have been 100 years.