'Mitsubac' is unfair, why do you have a stricter standard?

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Gene Siskel, a movie critic for the Chicago Tribune and a television program partner for Roger Ebert, couldnt handle it when there was a scene where no matter how good the movie was, he put the children in Danger.Obviously, this was a handicap as a movie critic, but it can not be said.Siskel probably could not handle Lee Ji-wons Mitsubac.One of the two main characters in the film, the girl Ji-eun (Kim Si-a), goes through all sorts of horrible things since the movie started.Most of them are very difficult to see as physical violence committed by the father and fathers girlfriend.If the director did not release online material showing that he did his best for the mental and physical safety of actor Kim Si-a when he filmed the scene, it would have been harder to appreciate.But even so, there is a question about whether the audience should see these scenes.I dont like the use of Detective Jung-seop, who is in the middle to help the main character, Mitsubak/Baek Sang-a (Han Ji-min).Not that there was a problem with Lee Hee-joons performance and that hes a bad or annoying person.If it were a real world, he would have been relieved that there was such a person around him, but he continues to be a stumbling block in the movie Mitsubac.Too many me and take the running time away from the main character, Baek Sang-ah, who intervenes every time he and Ji-eun fall into Danger and breaks off drama and action.I cant blame his heterosexual interest in ivory (how would you do that, Han Ji-min) but his affection tends to block the audience from ivory.It is the audience to evaluate this character directly, build a sense of familiarity and stand in front of the process of loving.There are many other things that bother me. I didnt like the two womens fighting in the second half, for example.For me, this long-lived priority seems to be very twisted in K The SpongeBob Movie: Sponge on the Run way.No matter how you think about it, the most important thing in the situation is that you are next to your child because of Yi Gi.The gender change of characters does not make this K The SpongeBob Movie: Sponge on the Run sensibility particularly better.Many believe that changing gender will be fresh, mostly dark blue films do.I do not know why everyone pretends not to see Han Jun-hees Chinatown, which showed it so clearly.But even if you complain like this, you doubt how meaningful this is.For this to work, I must be sure that Mitsubac should be made and appreciated under the same conditions as other movies of the year.I had pointed out that Jeong-seops character was too much without notice; he would have been better off if he hadnt come out or had been a woman.But could the movie have come out without him?Im less sure after reading an interview that director Lee Ji-won told investors that changing the protagonist to a man would have increased the possibility of investing.There is no certainty as to whether we are objectively looking at this film.Most Korean audiences (including women as well as men) tend to give no attention to movies in which women are the main characters or to judge them mechanically low.Would the audience who have identified themselves as feminists be more generous? Not so. Many of them have stricter standards for these films.I do not know if those who were sensitive to the child abuse scene of Mitsubak have put such a sharp blade on the misogyny, xenophobia, and homophobia of the Altang movies that have been steadily coming out for the past few years.I believe that everyone knows that I did not. Its on our side, so its more difficult to say, he said.Is a film made incomplete in the incomplete conditions of a tilted playground, and there are as many good parts as it is concerned.Han Ji-min and Kim Si-a both see great performances and are as good a couple as that.There is a hurdle in the story flow that draws the solidarity of two wounded souls without forcing mechanical maternal codes.I dont want to point out that this movie is a melodrama of emotional excess, not a downside, but just because of the genre Yi Gi.Perhaps it would have been better if the movie was made under more free conditions. Maybe there was a completely different movie.But if you are obsessed with it, you do not have to look low, pretending to be objective and pretending to be an actual movie that already has enough advantages.columnistMitsubac, a movie that has enough strength as a weakness
Gene Siskel, a movie critic for the Chicago Tribune and a television program partner for Roger Ebert, couldnt handle it when there was a scene where no matter how good the movie was, he put the children in Danger.Obviously, this was a handicap as a movie critic, but it can not be said.Siskel probably could not handle Lee Ji-wons Mitsubac.One of the two main characters in the film, the girl Ji-eun (Kim Si-a), goes through all sorts of horrible things since the movie started.Most of them are very difficult to see as physical violence committed by the father and fathers girlfriend.If the director did not release online material showing that he did his best for the mental and physical safety of actor Kim Si-a when he filmed the scene, it would have been harder to appreciate.But even so, there is a question about whether the audience should see these scenes.I dont like the use of Detective Jung-seop, who is in the middle to help the main character, Mitsubak/Baek Sang-a (Han Ji-min).Not that there was a problem with Lee Hee-joons performance and that hes a bad or annoying person.If it were a real world, he would have been relieved that there was such a person around him, but he continues to be a stumbling block in the movie Mitsubac.Too many me and take the running time away from the main character, Baek Sang-ah, who intervenes every time he and Ji-eun fall into Danger and breaks off drama and action.I cant blame his heterosexual interest in ivory (how would you do that, Han Ji-min) but his affection tends to block the audience from ivory.It is the audience to evaluate this character directly, build a sense of familiarity and stand in front of the process of loving.There are many other things that bother me. I didnt like the two womens fighting in the second half, for example.For me, this long-lived priority seems to be very twisted in K The SpongeBob Movie: Sponge on the Run way.No matter how you think about it, the most important thing in the situation is that you are next to your child because of Yi Gi.The gender change of characters does not make this K The SpongeBob Movie: Sponge on the Run sensibility particularly better.Many believe that changing gender will be fresh, mostly dark blue films do.I do not know why everyone pretends not to see Han Jun-hees Chinatown, which showed it so clearly.But even if you complain like this, you doubt how meaningful this is.For this to work, I must be sure that Mitsubac should be made and appreciated under the same conditions as other movies of the year.I had pointed out that Jeong-seops character was too much without notice; he would have been better off if he hadnt come out or had been a woman.But could the movie have come out without him?Im less sure after reading an interview that director Lee Ji-won told investors that changing the protagonist to a man would have increased the possibility of investing.There is no certainty as to whether we are objectively looking at this film.Most Korean audiences (including women as well as men) tend to give no attention to movies in which women are the main characters or to judge them mechanically low.Would the audience who have identified themselves as feminists be more generous? Not so. Many of them have stricter standards for these films.I do not know if those who were sensitive to the child abuse scene of Mitsubak have put such a sharp blade on the misogyny, xenophobia, and homophobia of the Altang movies that have been steadily coming out for the past few years.I believe that everyone knows that I did not. Its on our side, so its more difficult to say, he said.Is a film made incomplete in the incomplete conditions of a tilted playground, and there are as many good parts as it is concerned.Han Ji-min and Kim Si-a both see great performances and are as good a couple as that.There is a hurdle in the story flow that draws the solidarity of two wounded souls without forcing mechanical maternal codes.I dont want to point out that this movie is a melodrama of emotional excess, not a downside, but just because of the genre Yi Gi.Perhaps it would have been better if the movie was made under more free conditions. Maybe there was a completely different movie.But if you are obsessed with it, you do not have to look low, pretending to be objective and pretending to be an actual movie that already has enough advantages.columnistMitsubac, a movie that has enough strength as a weakness
Gene Siskel, a movie critic for the Chicago Tribune and a television program partner for Roger Ebert, couldnt handle it when there was a scene where no matter how good the movie was, he put the children in Danger.Obviously, this was a handicap as a movie critic, but it can not be said.Siskel probably could not handle Lee Ji-wons Mitsubac.One of the two main characters in the film, the girl Ji-eun (Kim Si-a), goes through all sorts of horrible things since the movie started.Most of them are very difficult to see as physical violence committed by the father and fathers girlfriend.If the director did not release online material showing that he did his best for the mental and physical safety of actor Kim Si-a when he filmed the scene, it would have been harder to appreciate.But even so, there is a question about whether the audience should see these scenes.I dont like the use of Detective Jung-seop, who is in the middle to help the main character, Mitsubak/Baek Sang-a (Han Ji-min).Not that there was a problem with Lee Hee-joons performance and that hes a bad or annoying person.If it were a real world, he would have been relieved that there was such a person around him, but he continues to be a stumbling block in the movie Mitsubac.Too many me and take the running time away from the main character, Baek Sang-ah, who intervenes every time he and Ji-eun fall into Danger and breaks off drama and action.I cant blame his heterosexual interest in ivory (how would you do that, Han Ji-min) but his affection tends to block the audience from ivory.It is the audience to evaluate this character directly, build a sense of familiarity and stand in front of the process of loving.There are many other things that bother me. I didnt like the two womens fighting in the second half, for example.For me, this long-lived priority seems to be very twisted in K The SpongeBob Movie: Sponge on the Run way.No matter how you think about it, the most important thing in the situation is that you are next to your child because of Yi Gi.The gender change of characters does not make this K The SpongeBob Movie: Sponge on the Run sensibility particularly better.Many believe that changing gender will be fresh, mostly dark blue films do.I do not know why everyone pretends not to see Han Jun-hees Chinatown, which showed it so clearly.But even if you complain like this, you doubt how meaningful this is.For this to work, I must be sure that Mitsubac should be made and appreciated under the same conditions as other movies of the year.I had pointed out that Jeong-seops character was too much without notice; he would have been better off if he hadnt come out or had been a woman.But could the movie have come out without him?Im less sure after reading an interview that director Lee Ji-won told investors that changing the protagonist to a man would have increased the possibility of investing.There is no certainty as to whether we are objectively looking at this film.Most Korean audiences (including women as well as men) tend to give no attention to movies in which women are the main characters or to judge them mechanically low.Would the audience who have identified themselves as feminists be more generous? Not so. Many of them have stricter standards for these films.I do not know if those who were sensitive to the child abuse scene of Mitsubak have put such a sharp blade on the misogyny, xenophobia, and homophobia of the Altang movies that have been steadily coming out for the past few years.I believe that everyone knows that I did not. Its on our side, so its more difficult to say, he said.Is a film made incomplete in the incomplete conditions of a tilted playground, and there are as many good parts as it is concerned.Han Ji-min and Kim Si-a both see great performances and are as good a couple as that.There is a hurdle in the story flow that draws the solidarity of two wounded souls without forcing mechanical maternal codes.I dont want to point out that this movie is a melodrama of emotional excess, not a downside, but just because of the genre Yi Gi.Perhaps it would have been better if the movie was made under more free conditions. Maybe there was a completely different movie.But if you are obsessed with it, you do not have to look low, pretending to be objective and pretending to be an actual movie that already has enough advantages.columnistMitsubac, a movie that has enough strength as a weakness

Gene Siskel, a movie critic for the Chicago Tribune and a television program partner for Roger Ebert, couldn't handle it when there was a scene where no matter how good the movie was, he put the children in Danger. Obviously, this was a handicap as a movie critic, but it can not be said.

Siskel probably could not handle Lee Ji-won's "Mitsubac". One of the two main Characters in the film, the girl Ji-eun (Kim Si-a), goes through all sorts of horrible things since the movie started. Most of them are very difficult to see as physical violence committed by the father and father's girlfriend. If the director did not release online material showing that he did his best for the mental and physical safety of actor Kim Si-a when he filmed the scene, it would have been harder to appreciate. But even so, there is a question about whether the audience should see these scenes.

I don't like the use of Detective Jung-seop, who is in the middle to help the main Character, Mitsubak/Baek Sang-a (Han Ji-min). Not that there was a problem with Lee Hee-joon's performance and that he's a bad or annoying person. If it were a real world, he would have been relieved that there was such a person around him, but he continues to be a stumbling block in the movie Mitsubac. Too many me and take the running time away from the main Character, Baek Sang-ah, who intervenes every time he and Ji-eun fall into Danger and breaks off drama and action. I can't blame his heterosexual interest in ivory (how would you do that, Han Ji-min) but his affection tends to block the audience from ivory. It is the audience to evaluate this Character directly, build a sense of familiarity and stand in front of the process of loving.

There are many other things that bother me. I didn’t like the two women’s fighting in the second half, for example. For me, this long-lived priority seems to be very twisted in K The SpongeBob Movie: Sponge on the Run way. No matter how you think about it, the most important thing in the situation is that you are next to your child because of Yi Gi. The gender change of Characters does not make this K The SpongeBob Movie: Sponge on the Run sensibility particularly better. Many believe that changing gender will be fresh, mostly dark blue films do. I do not know why everyone pretends not to see Han Jun-hee's Chinatown, which showed it so clearly.

But even if you complain like this, you doubt how meaningful this is. For this to work, I must be sure that Mitsubac should be made and appreciated under the same conditions as other movies of the year.

I had pointed out that Jeong-seop’s Character was too much without notice; he would have been better off if he hadn’t come out or had been a woman. But could the movie have come out without him? I'm less sure after reading an interview that director Lee Ji-won told investors that changing the protagonist to a man would have increased the possibility of investing.

There is no certainty as to whether we are objectively looking at this film. Most Korean audiences (including women as well as men) tend to give no attention to movies in which women are the main Characters or to judge them mechanically low. Would the audience who have identified themselves as feminists be more generous? Not so. Many of them have stricter standards for these films. I do not know if those who were sensitive to the child abuse scene of Mitsubak have put such a sharp blade on the misogyny, xenophobia, and homophobia of the Altang movies that have been steadily coming out for the past few years. I believe that everyone knows that I did not. “It’s on our side, so it’s more difficult to say,” he said.

Is a film made incomplete in the incomplete conditions of a tilted playground, and there are as many good parts as it is concerned. Han Ji-min and Kim Si-a both see great performances and are as good a couple as that. There is a hurdle in the story flow that draws the solidarity of two wounded souls without forcing mechanical maternal codes. I don’t want to point out that this movie is a melodrama of emotional excess, not a downside, but just because of the genre Yi Gi.

Perhaps it would have been better if the movie was made under more free conditions. Maybe there was a completely different movie. But if you are obsessed with it, you do not have to look low, pretending to be objective and pretending to be an actual movie that already has enough advantages.

columnist

'Mitsubac', a movie that has enough strength as a weakness