Shin Hye-sun Yang Se-jong 'thirty but' Cho Sung He writer Rocco is special

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At this point, he is a writer of Cho Sung He who believes and sees.SBS monthly drama Thirty but Seventeen (playplayed by Cho Sung He director Cho Su-won) is showing the essence of Climax ahead of the end.Thirty but seventeen (although thirty) will end at the end of the 32nd week.The 30, which has brought healing gusts across the country, captivated viewers in a different way from the drama grammar so far.It has proved that good dramas can succeed without the commonly used interest-inducing code such as stimulating episodes, forced conflict structure, and incomprehensible villain character.Furthermore, now that the drama development is peaking ahead of the end, there is something that gives a new admiration.The power of the Cho Sung He script, which was built up like Crescendo.Thirty is a different tempo from the so-called romantic comedy of these days.At the beginning of the play, the male and female protagonists felt favorable to each other and in the middle, they already became lovers and took a slower walk than the Loko these days, which is facing a happy ending after many conflicts. Cho Sung He wrote that while other Rocco devoted himself to drawing the affection of the main character couple beautifully, The growth of In (Yang Se-jong), the narrative that runs through 13 years, and the efforts to carefully lay down the double line.Instead, he did not allow the tedious breaks by catching the looseness that could occur in the hardening process with comic episodes, charming character play, and mystery elements.Through this foundation work, viewers who broadened their understanding of Surrey - Woojin could feel the daunting joy in front of the previous-class reversal that the first love of Surrey and Woojin 13 years ago was both sides, which was only 28 times.In other words, Crescendo of Cho Sung He, who has built up the probability for Climax that bursts properly, shined.In addition, this story development allows thirty to exist as healing drama from beginning to end.It is because the main character couple does not need to make a forced triangle to raise the tension that inevitably falls after making the fruit of love, nor does it need to make a lover of love that causes vases.As such, Cho Sung He has stood up as a writer who firmly builds his own style through thirty but and gives faith to viewers.At the same time, there is a growing question about what the Cho Sung He writer will end up with a flawless clean romance, Though it is thirty, and his next work is also noted.Thirty but seventeen is a romantic and comic romance like their thirty but seventeen, mental physical incongruity that woke up to thirty in seventeen and blocking that has blocked the world.It will be broadcast at 10:29 and 30 times on the 17th, and will be broadcast 32 times on the 18th.

At this point, he is a writer of Cho Sung He who believes and sees. SBS monthly drama Thirty but Seventeen (playplayed by Cho Sung He director Cho Su-won) is showing the essence of Climax ahead of the end.

Thirty but seventeen (although thirty) will end at the end of the 32nd week. The '30', which has brought healing gusts across the country, captivated viewers in a different way from the drama grammar so far. It has proved that good dramas can succeed without the commonly used 'interest-inducing code' such as stimulating episodes, forced conflict structure, and incomprehensible villain Character. Furthermore, now that the drama development is peaking ahead of the end, there is something that gives a new admiration. The power of the Cho Sung He script, which was built up like 'Crescendo'.

'Thirty' is a different tempo from the so-called romantic comedy of these days. At the beginning of the play, the male and female protagonists felt favorable to each other and in the middle, they already became lovers and took a slower walk than the 'Loko these days', which is facing a happy ending after many conflicts. Cho Sung He wrote that while other Rocco devoted himself to drawing the affection of the main Character couple beautifully, The growth of In (Yang Se-jong), the narrative that runs through 13 years, and the efforts to carefully lay down the double line. Instead, he did not allow the tedious breaks by catching the looseness that could occur in the 'hardening process' with comic episodes, charming Character play, and mystery elements.

Through this Foundation work, viewers who broadened their understanding of Surrey - Woojin could feel the daunting joy in front of the previous-class reversal that 'the first love of Surrey and Woojin 13 years ago was both sides', which was only 28 times. In other words, Crescendo of Cho Sung He, who has built up the probability for 'Climax that bursts properly', shined.

In addition, this story development allows 'thirty' to exist as 'healing drama' from beginning to end. It is because the main Character couple does not need to make a forced triangle to raise the tension that inevitably falls after making the fruit of love, nor does it need to make a lover of love that causes vases.

As such, Cho Sung He has stood up as a writer who firmly builds his own style through 'thirty but' and gives faith to viewers. At the same time, there is a growing question about what the Cho Sung He writer will end up with a flawless clean romance, Though it is thirty, and his next work is also noted.

'Thirty but seventeen' is a romantic and comic romance like their thirty but seventeen, 'mental physical incongruity' that woke up to thirty in seventeen and 'blocking' that has blocked the world. It will be broadcast at 10:29 and 30 times on the 17th, and will be broadcast 32 times on the 18th.