“It was a bit of a joke, it’s too detailed for a fifteen-year-old.” “What time is it now, and that’s what it is.”
The audience's response to the TVN tree drama Why Secretary Kim Will Do It is showing slightly different. This seems to be a diversity of tastes. In particular, the 13th episode would feel different if it was a single audience and a parent who watched it with their youth children.
Pure romances will be relaxed in the second half, because they are not events and narratives. Love is done and sweetness is one or two times, and you can not go to this scene every time.
Even the 'beautiful sister who buys rice' was also a squirming at the end. In this case, the production team uses a complex genre device that includes other elements besides the melody to prevent tension from loosening.
However, 'Why is Kim secretary?' is going to pure romance. Why would Secretary Kim do that? is a drama that has no narrative other than the memory of trauma due to the kidnapping of his childhood, although there are the tasks of the CEO (the vice chairman), the affiliated room, and the secretary of the workplace. Most of them should be dragged to the melodies of two vice-chairmen, Park Seo-joon and secretary Kim Mi-so (Park Min-young).
So where can I put my point and make it a charm point, so I can hold on to viewers who can run away?
One of them is the detailed sexual desire of Young-joon and Smile, who love purely. The way Young-jun fights himself and the indignant demon is human enough. But sexual scenes are not allowed in the 15th Gold.
So when a man and woman who love each other usually do something, they call and cut off the flow. But this call does not cut the flow between the two like the existing melodrama, but rather stimulates and imagines desire.
Kim Mi-so, who remains alone in her affection, is in conflict with whether she should re-tie the blouse ribbon that Young-joon released or stay untied (it is awkward to choose any way in fact) and blushes herself, saying, "I take care of my child."
The phone call of his friend Yu-sik did not stop the melody, but made me imagine the melody infinitely, and in that sense, the melody becomes 'Imagination Plus' and 'Infinite Challenge'.
The reason why the more advanced expression of affection is accepted or accepted is that it does not seem to be a dirty one in front of the fact that it is the story of purely loved ones (the authenticity of Mellow) regardless of social position (the vice president and secretary) or situation. Two highly-favored men and women maximize their charm: they are said to be so cool and pretty. Park Seo-joon's skillful kisses also draw viewers' immersion.
There is also a counterargument, however, that there are some inconveniences, such as Young-joon visiting the smile house and asking him to sleep together, or Young-joon's radical and bold kissing reminds him of dating violence.
It is rather nice to have a melodrama like Why is Secretary Kim doing that when he has to pay more attention to the age of MeToo and gender sensitivity than ever before.
Melody has no rules. So there is no rules. It’s a situation and a feeling. Times are changing, and how to accept a melodrama can be confusing. There may be a lot of viewers who catch up with the change of the boss and the lover mode at the secretary.
But Kim’s experience melodies, which are coming with a different sensibility from “beautiful sister who buys rice well,” make viewers feel good.
Melody, like Why Secretary Kim Will Do That, can check these various public responses (desires). Melodian sentiments can change a little. It is the evolution and health of the melodrama that goes through this.
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